"Back" with a Vengeance!, 26 Jun 2008
Although this is a "best of" compilation featuring tracks that all Sizzla fans are likely to have, it is truly a poignant moment for Greensleeves (who always bring the best out in Sizzla) should issue classic material to help us to realise what an outstanding talent Sizzla is.

Over the last fews years Sizzla's status representing the strictest order of Rastafari through words, power and sound in Bobo Ashanti has suffered from his "free spirit" approach, which at times presents him in an often confusing and contradictory light, as he continues to make songs for all audiences from college students to hardcore gangstas with the result that he is as much about being a "Gangstafarian" as much as a "Rastafarian".

From the opening track the massive "Just one of those days" you can tell that great care went into presenting Sizzla over 21 tracks at his very best. As well as the classics "Praise Ye Jah" "Good Ways" "Be Strong" "Really and Truly" from the last Greensleeves release I-Space "Give me a try" "Like Mountain" the lovers rock classic "Love is Divine" "Black Woman and Child" "Thank u Mama" and the superlative "In this time" with one time mentor Luciano, this compilation also features neo-classics such as "The Solution" "Africa Prepare" and "Sow more Love" where Sizzla adopts a very US accessible rap/chant style over an old Burning Spear riddim, which he previously used to great effect on "Got it right here" on 2003's classic "Da Real Thing" album.

The inclusion of songs such as "Give me a try", "Where are you running to" and "Rise to the Occasion" with the superb FX vocal in the chorus where Sizzla's FX inflected falsetto wails "It's for you to do best in life, now that you've got the chance" showcases Sizzla's truly original style where he is able to effortlessly incorporate elements of R'n"b alternate his vocals while still maintaining his rootical sentiments of love, faith, hope and unity in his subject matter.

Given Sizzla's recent preference for hardcore digital riddims, and slackness it is highly unlikely that you will hear an entirely roots based album from him for a long, long time. Until then new and old fans rejoice in the "eargasmic experience" that is "The very best of......

"Back" with a Vengeance!, 26 Jun 2008
Although this is a "best of" compilation featuring tracks that all Sizzla fans are likely to have, it is truly a poignant moment for Greensleeves (who always bring the best out in Sizzla) should issue classic material to help us to realise what an outstanding talent Sizzla is.

Over the last fews years Sizzla's status representing the strictest order of Rastafari through words, power and sound in Bobo Ashanti has suffered from his "free spirit" approach, which at times presents him in an often confusing and contradictory light, as he continues to make songs for all audiences from college students to hardcore gangstas with the result that he is as much about being a "Gangstafarian" as much as a "Rastafarian".

From the opening track the massive "Just one of those days" you can tell that great care went into presenting Sizzla over 21 tracks at his very best. As well as the classics "Praise Ye Jah" "Good Ways" "Be Strong" "Really and Truly" from the last Greensleeves release I-Space "Give me a try" "Like Mountain" the lovers rock classic "Love is Divine" "Black Woman and Child" "Thank u Mama" and the superlative "In this time" with one time mentor Luciano, this compilation also features neo-classics such as "The Solution" "Africa Prepare" and "Sow more Love" where Sizzla adopts a very US accessible rap/chant style over an old Burning Spear riddim, which he previously used to great effect on "Got it right here" on 2003's classic "Da Real Thing" album.

The inclusion of songs such as "Give me a try", "Where are you running to" and "Rise to the Occasion" with the superb FX vocal in the chorus where Sizzla's FX inflected falsetto wails "It's for you to do best in life, now that you've got the chance" showcases Sizzla's truly original style where he is able to effortlessly incorporate elements of R'n"b alternate his vocals while still maintaining his rootical sentiments of love, faith, hope and unity in his subject matter.

Given Sizzla's recent preference for hardcore digital riddims, and slackness it is highly unlikely that you will hear an entirely roots based album from him for a long, long time. Until then new and old fans rejoice in the "eargasmic experience" that is "The very best of......

Sizzla back on toppa tings, 02 Jul 2007
This is a majestic album featuring Sizzla's best work since Black Woman and Child and Praise Ye Jah. Opting for the musical template that made 2002's Da Real Thing such a success, combining a blend of vintage old skool, contemporary and original riddims. The result is a dominant laidback mellower sound, which Sizzla vocally complements by absenting his lionesque fire and brimstone delivery, for a softer melodic flow, accentuated with some stunning falsetto highlights.

From the opening track "Really and Truly" on the ethereal Natural Mystic riddim, Sizzla really and truly lets us know what we all loved him for in the early days with beautifully constructed lyrics giving praise to Jah reminiscent of the mystical quality found in classics such as "Kings of the Earth".

The second track "Irresistible" showcases Sizzla riding a funky bassline alternating a confident uptempo vocal delivery punctuated with a swirling falsetto in the chorus and adlibs throughout the verses.

"Long Live the King of Kings" on the Gideon riddim, an update of the Heptones classic "I shall be released" is a "livication" to Jah over a head nodding bassline and triumphant trumpets. "Make me Yours" on the Desperate Lovers riddim, is a lovers rock track featuring Sizzla at his most vulnerable in love, with his voice sounding crackly and feeble, as he pines for his Empress.

Tracks 5 to 14 are all very good tracks, but it is the final track "Put the Peoples Interest First" that deserves special mention. Singing over an acoustic guitar, Sizzla gives free range to his deep meditation, as he provides outstanding social commentary disparaging two faced politicians and giving his insight into some of the causes of gun crime plaguing his native Jamaica.

All in all a stellar effort featuring a maturer Sizzla as a grand statesman, befitting someone who has released well over 30 albums.

Forget the Damon Dash effort, this is the real "Overstanding", an essential purchase.

All Hail the High Priest Sizzlassie I, 28 Jun 2007
Among his more ardent fans Sizzla has been for some time reffered to as Sizzlassie in accordance to the strict keeping of his RastaFari faith and the similarity to Selassie, and in this album Sizzla takes his rightful place firmly upon the throne.

Much has been written about Sizzla he's been slandered and criticized, his last album recieved mixed reviews from those who on the one hand applauded his venture with damon dash and those on the other who said he had sold out. In everything he does Sizzla is astute and well aware that no matter what people may say his music and fans will always do his speaking for him.

I haven't even got a third of the way through the album, I'm only on track four out of fifteen and already this album is set to be right up there with Da Real Thing, Black Woman and Child and Soul Deep.

Within the first five tracks my won personal favourite is Irresistable, I love Sizzla when he gives free range to his Falsetto and here he not only gives range but complete freedom, although it's a song for the Empress it's also one that will have the Kings nodding thier heads in appreciation,

In general this album has an altogether more mature feel to it and the sentiments are back to the topics he covers best, love, faith and hope, so far there's been no hint of slackness which many people have criticised him for in the past.

This album is definetley his best in a long time and that's coming from a person who has yet to find fault with any of his releases, however it has to be said it is good too hear him sounding so upful and positive, for real fans of The High Priest this will take it's riightful place at the top of play lists and for those who are uncertain about what Sizzla is really about then this album may put an end too any doubts you may still be having.

Sizzla back on top form, 25 Jun 2007

Ten years after the release of `Black Woman and Child', Sizzla follows on from last years `Waterhouse Redemption' and his recent collaboration with Damian Dash that resulted in the album `The Overstanding', with a brand new essential set `I Space', his tenth album for Greensleeves.

With 15 excellent new tracks from Kalonji, produced by Byron "In The Streetz" Murray at the In The Streetz and Big Yard studios, with the exception of `Really and Truly' - currently a huge hit - on Marley's `Natural Mystic' rhythm, produced by Fatta and Bulby for Fat Eyes and `Irresistible' produced Shane Brown for Jukeboxx production on the `Statement' rhythm.

Most of the tracks on this album feature original rhythms while some are well-crafted re-licks on rhythms such as `Carpenter', Devil's Pickney' `I Shall Be Released', `Desperate Lover' and `Natural Mystic'

As per usual, Sizzla saves his best for Greensleeves with this album, which is more consistent and a cut above most of Sizzla's other outpourings from other sources that have appeared over the past 12 months or so.

Sizzla proves that he still a force to be reckoned and remains one the most compelling artists in the world today.

"Back" with a Vengeance!, 26 Jun 2008
Although this is a "best of" compilation featuring tracks that all Sizzla fans are likely to have, it is truly a poignant moment for Greensleeves (who always bring the best out in Sizzla) should issue classic material to help us to realise what an outstanding talent Sizzla is.

Over the last fews years Sizzla's status representing the strictest order of Rastafari through words, power and sound in Bobo Ashanti has suffered from his "free spirit" approach, which at times presents him in an often confusing and contradictory light, as he continues to make songs for all audiences from college students to hardcore gangstas with the result that he is as much about being a "Gangstafarian" as much as a "Rastafarian".

From the opening track the massive "Just one of those days" you can tell that great care went into presenting Sizzla over 21 tracks at his very best. As well as the classics "Praise Ye Jah" "Good Ways" "Be Strong" "Really and Truly" from the last Greensleeves release I-Space "Give me a try" "Like Mountain" the lovers rock classic "Love is Divine" "Black Woman and Child" "Thank u Mama" and the superlative "In this time" with one time mentor Luciano, this compilation also features neo-classics such as "The Solution" "Africa Prepare" and "Sow more Love" where Sizzla adopts a very US accessible rap/chant style over an old Burning Spear riddim, which he previously used to great effect on "Got it right here" on 2003's classic "Da Real Thing" album.

The inclusion of songs such as "Give me a try", "Where are you running to" and "Rise to the Occasion" with the superb FX vocal in the chorus where Sizzla's FX inflected falsetto wails "It's for you to do best in life, now that you've got the chance" showcases Sizzla's truly original style where he is able to effortlessly incorporate elements of R'n"b alternate his vocals while still maintaining his rootical sentiments of love, faith, hope and unity in his subject matter.

Given Sizzla's recent preference for hardcore digital riddims, and slackness it is highly unlikely that you will hear an entirely roots based album from him for a long, long time. Until then new and old fans rejoice in the "eargasmic experience" that is "The very best of......

Sizzla back on toppa tings, 02 Jul 2007
This is a majestic album featuring Sizzla's best work since Black Woman and Child and Praise Ye Jah. Opting for the musical template that made 2002's Da Real Thing such a success, combining a blend of vintage old skool, contemporary and original riddims. The result is a dominant laidback mellower sound, which Sizzla vocally complements by absenting his lionesque fire and brimstone delivery, for a softer melodic flow, accentuated with some stunning falsetto highlights.

From the opening track "Really and Truly" on the ethereal Natural Mystic riddim, Sizzla really and truly lets us know what we all loved him for in the early days with beautifully constructed lyrics giving praise to Jah reminiscent of the mystical quality found in classics such as "Kings of the Earth".

The second track "Irresistible" showcases Sizzla riding a funky bassline alternating a confident uptempo vocal delivery punctuated with a swirling falsetto in the chorus and adlibs throughout the verses.

"Long Live the King of Kings" on the Gideon riddim, an update of the Heptones classic "I shall be released" is a "livication" to Jah over a head nodding bassline and triumphant trumpets. "Make me Yours" on the Desperate Lovers riddim, is a lovers rock track featuring Sizzla at his most vulnerable in love, with his voice sounding crackly and feeble, as he pines for his Empress.

Tracks 5 to 14 are all very good tracks, but it is the final track "Put the Peoples Interest First" that deserves special mention. Singing over an acoustic guitar, Sizzla gives free range to his deep meditation, as he provides outstanding social commentary disparaging two faced politicians and giving his insight into some of the causes of gun crime plaguing his native Jamaica.

All in all a stellar effort featuring a maturer Sizzla as a grand statesman, befitting someone who has released well over 30 albums.

Forget the Damon Dash effort, this is the real "Overstanding", an essential purchase.

All Hail the High Priest Sizzlassie I, 28 Jun 2007
Among his more ardent fans Sizzla has been for some time reffered to as Sizzlassie in accordance to the strict keeping of his RastaFari faith and the similarity to Selassie, and in this album Sizzla takes his rightful place firmly upon the throne.

Much has been written about Sizzla he's been slandered and criticized, his last album recieved mixed reviews from those who on the one hand applauded his venture with damon dash and those on the other who said he had sold out. In everything he does Sizzla is astute and well aware that no matter what people may say his music and fans will always do his speaking for him.

I haven't even got a third of the way through the album, I'm only on track four out of fifteen and already this album is set to be right up there with Da Real Thing, Black Woman and Child and Soul Deep.

Within the first five tracks my won personal favourite is Irresistable, I love Sizzla when he gives free range to his Falsetto and here he not only gives range but complete freedom, although it's a song for the Empress it's also one that will have the Kings nodding thier heads in appreciation,

In general this album has an altogether more mature feel to it and the sentiments are back to the topics he covers best, love, faith and hope, so far there's been no hint of slackness which many people have criticised him for in the past.

This album is definetley his best in a long time and that's coming from a person who has yet to find fault with any of his releases, however it has to be said it is good too hear him sounding so upful and positive, for real fans of The High Priest this will take it's riightful place at the top of play lists and for those who are uncertain about what Sizzla is really about then this album may put an end too any doubts you may still be having.

Sizzla back on top form, 25 Jun 2007

Ten years after the release of `Black Woman and Child', Sizzla follows on from last years `Waterhouse Redemption' and his recent collaboration with Damian Dash that resulted in the album `The Overstanding', with a brand new essential set `I Space', his tenth album for Greensleeves.

With 15 excellent new tracks from Kalonji, produced by Byron "In The Streetz" Murray at the In The Streetz and Big Yard studios, with the exception of `Really and Truly' - currently a huge hit - on Marley's `Natural Mystic' rhythm, produced by Fatta and Bulby for Fat Eyes and `Irresistible' produced Shane Brown for Jukeboxx production on the `Statement' rhythm.

Most of the tracks on this album feature original rhythms while some are well-crafted re-licks on rhythms such as `Carpenter', Devil's Pickney' `I Shall Be Released', `Desperate Lover' and `Natural Mystic'

As per usual, Sizzla saves his best for Greensleeves with this album, which is more consistent and a cut above most of Sizzla's other outpourings from other sources that have appeared over the past 12 months or so.

Sizzla proves that he still a force to be reckoned and remains one the most compelling artists in the world today.

Sizzla run tings!, 19 Nov 2001
This is my favorite Sizzla album. If you like modern roots and culture, i recommend this big time. There is a variety of tunes; the powerful in-yer-face vocal rinse-outs soften you up for the melodic harmonies of a man, his beliefs and his beautiful voice. Reeeeespect!

"Back" with a Vengeance!, 26 Jun 2008
Although this is a "best of" compilation featuring tracks that all Sizzla fans are likely to have, it is truly a poignant moment for Greensleeves (who always bring the best out in Sizzla) should issue classic material to help us to realise what an outstanding talent Sizzla is.

Over the last fews years Sizzla's status representing the strictest order of Rastafari through words, power and sound in Bobo Ashanti has suffered from his "free spirit" approach, which at times presents him in an often confusing and contradictory light, as he continues to make songs for all audiences from college students to hardcore gangstas with the result that he is as much about being a "Gangstafarian" as much as a "Rastafarian".

From the opening track the massive "Just one of those days" you can tell that great care went into presenting Sizzla over 21 tracks at his very best. As well as the classics "Praise Ye Jah" "Good Ways" "Be Strong" "Really and Truly" from the last Greensleeves release I-Space "Give me a try" "Like Mountain" the lovers rock classic "Love is Divine" "Black Woman and Child" "Thank u Mama" and the superlative "In this time" with one time mentor Luciano, this compilation also features neo-classics such as "The Solution" "Africa Prepare" and "Sow more Love" where Sizzla adopts a very US accessible rap/chant style over an old Burning Spear riddim, which he previously used to great effect on "Got it right here" on 2003's classic "Da Real Thing" album.

The inclusion of songs such as "Give me a try", "Where are you running to" and "Rise to the Occasion" with the superb FX vocal in the chorus where Sizzla's FX inflected falsetto wails "It's for you to do best in life, now that you've got the chance" showcases Sizzla's truly original style where he is able to effortlessly incorporate elements of R'n"b alternate his vocals while still maintaining his rootical sentiments of love, faith, hope and unity in his subject matter.

Given Sizzla's recent preference for hardcore digital riddims, and slackness it is highly unlikely that you will hear an entirely roots based album from him for a long, long time. Until then new and old fans rejoice in the "eargasmic experience" that is "The very best of......

Sizzla back on toppa tings, 02 Jul 2007
This is a majestic album featuring Sizzla's best work since Black Woman and Child and Praise Ye Jah. Opting for the musical template that made 2002's Da Real Thing such a success, combining a blend of vintage old skool, contemporary and original riddims. The result is a dominant laidback mellower sound, which Sizzla vocally complements by absenting his lionesque fire and brimstone delivery, for a softer melodic flow, accentuated with some stunning falsetto highlights.

From the opening track "Really and Truly" on the ethereal Natural Mystic riddim, Sizzla really and truly lets us know what we all loved him for in the early days with beautifully constructed lyrics giving praise to Jah reminiscent of the mystical quality found in classics such as "Kings of the Earth".

The second track "Irresistible" showcases Sizzla riding a funky bassline alternating a confident uptempo vocal delivery punctuated with a swirling falsetto in the chorus and adlibs throughout the verses.

"Long Live the King of Kings" on the Gideon riddim, an update of the Heptones classic "I shall be released" is a "livication" to Jah over a head nodding bassline and triumphant trumpets. "Make me Yours" on the Desperate Lovers riddim, is a lovers rock track featuring Sizzla at his most vulnerable in love, with his voice sounding crackly and feeble, as he pines for his Empress.

Tracks 5 to 14 are all very good tracks, but it is the final track "Put the Peoples Interest First" that deserves special mention. Singing over an acoustic guitar, Sizzla gives free range to his deep meditation, as he provides outstanding social commentary disparaging two faced politicians and giving his insight into some of the causes of gun crime plaguing his native Jamaica.

All in all a stellar effort featuring a maturer Sizzla as a grand statesman, befitting someone who has released well over 30 albums.

Forget the Damon Dash effort, this is the real "Overstanding", an essential purchase.

All Hail the High Priest Sizzlassie I, 28 Jun 2007
Among his more ardent fans Sizzla has been for some time reffered to as Sizzlassie in accordance to the strict keeping of his RastaFari faith and the similarity to Selassie, and in this album Sizzla takes his rightful place firmly upon the throne.

Much has been written about Sizzla he's been slandered and criticized, his last album recieved mixed reviews from those who on the one hand applauded his venture with damon dash and those on the other who said he had sold out. In everything he does Sizzla is astute and well aware that no matter what people may say his music and fans will always do his speaking for him.

I haven't even got a third of the way through the album, I'm only on track four out of fifteen and already this album is set to be right up there with Da Real Thing, Black Woman and Child and Soul Deep.

Within the first five tracks my won personal favourite is Irresistable, I love Sizzla when he gives free range to his Falsetto and here he not only gives range but complete freedom, although it's a song for the Empress it's also one that will have the Kings nodding thier heads in appreciation,

In general this album has an altogether more mature feel to it and the sentiments are back to the topics he covers best, love, faith and hope, so far there's been no hint of slackness which many people have criticised him for in the past.

This album is definetley his best in a long time and that's coming from a person who has yet to find fault with any of his releases, however it has to be said it is good too hear him sounding so upful and positive, for real fans of The High Priest this will take it's riightful place at the top of play lists and for those who are uncertain about what Sizzla is really about then this album may put an end too any doubts you may still be having.

Sizzla back on top form, 25 Jun 2007

Ten years after the release of `Black Woman and Child', Sizzla follows on from last years `Waterhouse Redemption' and his recent collaboration with Damian Dash that resulted in the album `The Overstanding', with a brand new essential set `I Space', his tenth album for Greensleeves.

With 15 excellent new tracks from Kalonji, produced by Byron "In The Streetz" Murray at the In The Streetz and Big Yard studios, with the exception of `Really and Truly' - currently a huge hit - on Marley's `Natural Mystic' rhythm, produced by Fatta and Bulby for Fat Eyes and `Irresistible' produced Shane Brown for Jukeboxx production on the `Statement' rhythm.

Most of the tracks on this album feature original rhythms while some are well-crafted re-licks on rhythms such as `Carpenter', Devil's Pickney' `I Shall Be Released', `Desperate Lover' and `Natural Mystic'

As per usual, Sizzla saves his best for Greensleeves with this album, which is more consistent and a cut above most of Sizzla's other outpourings from other sources that have appeared over the past 12 months or so.

Sizzla proves that he still a force to be reckoned and remains one the most compelling artists in the world today.

Sizzla run tings!, 19 Nov 2001
This is my favorite Sizzla album. If you like modern roots and culture, i recommend this big time. There is a variety of tunes; the powerful in-yer-face vocal rinse-outs soften you up for the melodic harmonies of a man, his beliefs and his beautiful voice. Reeeeespect!

A Flaming Voice of Righteousness, 29 Mar 2002
Is Sizzla Jah's appointed messenger for this age, come to burn away our sins with his flaming message of truth and righteousness? Give 'Blaze Up The Chalwa' a few spins and the combination of relentless dance-hall riddims, harmonious conscious reggae and immaculate vocalisation will surely convince you that this is indeed so.'What's Up' showcases Sizzla's voice at it's most potent whist 'Show Us |The Way' is melodious and blissful Boboshanti spirituality. Listen ye to Sizzla, Praise Jah and experience the Love, Peace and I-nity he speaks of.

"Back" with a Vengeance!, 26 Jun 2008
Although this is a "best of" compilation featuring tracks that all Sizzla fans are likely to have, it is truly a poignant moment for Greensleeves (who always bring the best out in Sizzla) should issue classic material to help us to realise what an outstanding talent Sizzla is.

Over the last fews years Sizzla's status representing the strictest order of Rastafari through words, power and sound in Bobo Ashanti has suffered from his "free spirit" approach, which at times presents him in an often confusing and contradictory light, as he continues to make songs for all audiences from college students to hardcore gangstas with the result that he is as much about being a "Gangstafarian" as much as a "Rastafarian".

From the opening track the massive "Just one of those days" you can tell that great care went into presenting Sizzla over 21 tracks at his very best. As well as the classics "Praise Ye Jah" "Good Ways" "Be Strong" "Really and Truly" from the last Greensleeves release I-Space "Give me a try" "Like Mountain" the lovers rock classic "Love is Divine" "Black Woman and Child" "Thank u Mama" and the superlative "In this time" with one time mentor Luciano, this compilation also features neo-classics such as "The Solution" "Africa Prepare" and "Sow more Love" where Sizzla adopts a very US accessible rap/chant style over an old Burning Spear riddim, which he previously used to great effect on "Got it right here" on 2003's classic "Da Real Thing" album.

The inclusion of songs such as "Give me a try", "Where are you running to" and "Rise to the Occasion" with the superb FX vocal in the chorus where Sizzla's FX inflected falsetto wails "It's for you to do best in life, now that you've got the chance" showcases Sizzla's truly original style where he is able to effortlessly incorporate elements of R'n"b alternate his vocals while still maintaining his rootical sentiments of love, faith, hope and unity in his subject matter.

Given Sizzla's recent preference for hardcore digital riddims, and slackness it is highly unlikely that you will hear an entirely roots based album from him for a long, long time. Until then new and old fans rejoice in the "eargasmic experience" that is "The very best of......

Sizzla back on toppa tings, 02 Jul 2007
This is a majestic album featuring Sizzla's best work since Black Woman and Child and Praise Ye Jah. Opting for the musical template that made 2002's Da Real Thing such a success, combining a blend of vintage old skool, contemporary and original riddims. The result is a dominant laidback mellower sound, which Sizzla vocally complements by absenting his lionesque fire and brimstone delivery, for a softer melodic flow, accentuated with some stunning falsetto highlights.

From the opening track "Really and Truly" on the ethereal Natural Mystic riddim, Sizzla really and truly lets us know what we all loved him for in the early days with beautifully constructed lyrics giving praise to Jah reminiscent of the mystical quality found in classics such as "Kings of the Earth".

The second track "Irresistible" showcases Sizzla riding a funky bassline alternating a confident uptempo vocal delivery punctuated with a swirling falsetto in the chorus and adlibs throughout the verses.

"Long Live the King of Kings" on the Gideon riddim, an update of the Heptones classic "I shall be released" is a "livication" to Jah over a head nodding bassline and triumphant trumpets. "Make me Yours" on the Desperate Lovers riddim, is a lovers rock track featuring Sizzla at his most vulnerable in love, with his voice sounding crackly and feeble, as he pines for his Empress.

Tracks 5 to 14 are all very good tracks, but it is the final track "Put the Peoples Interest First" that deserves special mention. Singing over an acoustic guitar, Sizzla gives free range to his deep meditation, as he provides outstanding social commentary disparaging two faced politicians and giving his insight into some of the causes of gun crime plaguing his native Jamaica.

All in all a stellar effort featuring a maturer Sizzla as a grand statesman, befitting someone who has released well over 30 albums.

Forget the Damon Dash effort, this is the real "Overstanding", an essential purchase.

All Hail the High Priest Sizzlassie I, 28 Jun 2007
Among his more ardent fans Sizzla has been for some time reffered to as Sizzlassie in accordance to the strict keeping of his RastaFari faith and the similarity to Selassie, and in this album Sizzla takes his rightful place firmly upon the throne.

Much has been written about Sizzla he's been slandered and criticized, his last album recieved mixed reviews from those who on the one hand applauded his venture with damon dash and those on the other who said he had sold out. In everything he does Sizzla is astute and well aware that no matter what people may say his music and fans will always do his speaking for him.

I haven't even got a third of the way through the album, I'm only on track four out of fifteen and already this album is set to be right up there with Da Real Thing, Black Woman and Child and Soul Deep.

Within the first five tracks my won personal favourite is Irresistable, I love Sizzla when he gives free range to his Falsetto and here he not only gives range but complete freedom, although it's a song for the Empress it's also one that will have the Kings nodding thier heads in appreciation,

In general this album has an altogether more mature feel to it and the sentiments are back to the topics he covers best, love, faith and hope, so far there's been no hint of slackness which many people have criticised him for in the past.

This album is definetley his best in a long time and that's coming from a person who has yet to find fault with any of his releases, however it has to be said it is good too hear him sounding so upful and positive, for real fans of The High Priest this will take it's riightful place at the top of play lists and for those who are uncertain about what Sizzla is really about then this album may put an end too any doubts you may still be having.

Sizzla back on top form, 25 Jun 2007

Ten years after the release of `Black Woman and Child', Sizzla follows on from last years `Waterhouse Redemption' and his recent collaboration with Damian Dash that resulted in the album `The Overstanding', with a brand new essential set `I Space', his tenth album for Greensleeves.

With 15 excellent new tracks from Kalonji, produced by Byron "In The Streetz" Murray at the In The Streetz and Big Yard studios, with the exception of `Really and Truly' - currently a huge hit - on Marley's `Natural Mystic' rhythm, produced by Fatta and Bulby for Fat Eyes and `Irresistible' produced Shane Brown for Jukeboxx production on the `Statement' rhythm.

Most of the tracks on this album feature original rhythms while some are well-crafted re-licks on rhythms such as `Carpenter', Devil's Pickney' `I Shall Be Released', `Desperate Lover' and `Natural Mystic'

As per usual, Sizzla saves his best for Greensleeves with this album, which is more consistent and a cut above most of Sizzla's other outpourings from other sources that have appeared over the past 12 months or so.

Sizzla proves that he still a force to be reckoned and remains one the most compelling artists in the world today.

Sizzla run tings!, 19 Nov 2001
This is my favorite Sizzla album. If you like modern roots and culture, i recommend this big time. There is a variety of tunes; the powerful in-yer-face vocal rinse-outs soften you up for the melodic harmonies of a man, his beliefs and his beautiful voice. Reeeeespect!

A Flaming Voice of Righteousness, 29 Mar 2002
Is Sizzla Jah's appointed messenger for this age, come to burn away our sins with his flaming message of truth and righteousness? Give 'Blaze Up The Chalwa' a few spins and the combination of relentless dance-hall riddims, harmonious conscious reggae and immaculate vocalisation will surely convince you that this is indeed so.'What's Up' showcases Sizzla's voice at it's most potent whist 'Show Us |The Way' is melodious and blissful Boboshanti spirituality. Listen ye to Sizzla, Praise Jah and experience the Love, Peace and I-nity he speaks of.

Keep it coming Sizzla!, 25 Jul 2003
Sizzla can do no wrong. The best roots/dancehall artist EVER, produces another wicked album. Tracks "Thank You Mama" and "Just One of Those Days" make the album worth the sticker price, alone.

Buy it, Blaze it, Blast it!

Good, but nothing on his Old works..., 16 Jan 2003
Yes this album is a step back towards his conscious, roots days which were outstanding, but he does'nt quite pull it off as well.Some tracks are ruined by his growling, which sounds like he's trying to be Capelton, which does'nt suit him. When he does actually sing, it's amazing. There are some great tracks on this cd for sure, but I think he should take his time on his albums instead of releasing 17 in 3 years......

"Back" with a Vengeance!, 26 Jun 2008
Although this is a "best of" compilation featuring tracks that all Sizzla fans are likely to have, it is truly a poignant moment for Greensleeves (who always bring the best out in Sizzla) should issue classic material to help us to realise what an outstanding talent Sizzla is.

Over the last fews years Sizzla's status representing the strictest order of Rastafari through words, power and sound in Bobo Ashanti has suffered from his "free spirit" approach, which at times presents him in an often confusing and contradictory light, as he continues to make songs for all audiences from college students to hardcore gangstas with the result that he is as much about being a "Gangstafarian" as much as a "Rastafarian".

From the opening track the massive "Just one of those days" you can tell that great care went into presenting Sizzla over 21 tracks at his very best. As well as the classics "Praise Ye Jah" "Good Ways" "Be Strong" "Really and Truly" from the last Greensleeves release I-Space "Give me a try" "Like Mountain" the lovers rock classic "Love is Divine" "Black Woman and Child" "Thank u Mama" and the superlative "In this time" with one time mentor Luciano, this compilation also features neo-classics such as "The Solution" "Africa Prepare" and "Sow more Love" where Sizzla adopts a very US accessible rap/chant style over an old Burning Spear riddim, which he previously used to great effect on "Got it right here" on 2003's classic "Da Real Thing" album.

The inclusion of songs such as "Give me a try", "Where are you running to" and "Rise to the Occasion" with the superb FX vocal in the chorus where Sizzla's FX inflected falsetto wails "It's for you to do best in life, now that you've got the chance" showcases Sizzla's truly original style where he is able to effortlessly incorporate elements of R'n"b alternate his vocals while still maintaining his rootical sentiments of love, faith, hope and unity in his subject matter.

Given Sizzla's recent preference for hardcore digital riddims, and slackness it is highly unlikely that you will hear an entirely roots based album from him for a long, long time. Until then new and old fans rejoice in the "eargasmic experience" that is "The very best of......

Sizzla back on toppa tings, 02 Jul 2007
This is a majestic album featuring Sizzla's best work since Black Woman and Child and Praise Ye Jah. Opting for the musical template that made 2002's Da Real Thing such a success, combining a blend of vintage old skool, contemporary and original riddims. The result is a dominant laidback mellower sound, which Sizzla vocally complements by absenting his lionesque fire and brimstone delivery, for a softer melodic flow, accentuated with some stunning falsetto highlights.

From the opening track "Really and Truly" on the ethereal Natural Mystic riddim, Sizzla really and truly lets us know what we all loved him for in the early days with beautifully constructed lyrics giving praise to Jah reminiscent of the mystical quality found in classics such as "Kings of the Earth".

The second track "Irresistible" showcases Sizzla riding a funky bassline alternating a confident uptempo vocal delivery punctuated with a swirling falsetto in the chorus and adlibs throughout the verses.

"Long Live the King of Kings" on the Gideon riddim, an update of the Heptones classic "I shall be released" is a "livication" to Jah over a head nodding bassline and triumphant trumpets. "Make me Yours" on the Desperate Lovers riddim, is a lovers rock track featuring Sizzla at his most vulnerable in love, with his voice sounding crackly and feeble, as he pines for his Empress.

Tracks 5 to 14 are all very good tracks, but it is the final track "Put the Peoples Interest First" that deserves special mention. Singing over an acoustic guitar, Sizzla gives free range to his deep meditation, as he provides outstanding social commentary disparaging two faced politicians and giving his insight into some of the causes of gun crime plaguing his native Jamaica.

All in all a stellar effort featuring a maturer Sizzla as a grand statesman, befitting someone who has released well over 30 albums.

Forget the Damon Dash effort, this is the real "Overstanding", an essential purchase.

All Hail the High Priest Sizzlassie I, 28 Jun 2007
Among his more ardent fans Sizzla has been for some time reffered to as Sizzlassie in accordance to the strict keeping of his RastaFari faith and the similarity to Selassie, and in this album Sizzla takes his rightful place firmly upon the throne.

Much has been written about Sizzla he's been slandered and criticized, his last album recieved mixed reviews from those who on the one hand applauded his venture with damon dash and those on the other who said he had sold out. In everything he does Sizzla is astute and well aware that no matter what people may say his music and fans will always do his speaking for him.

I haven't even got a third of the way through the album, I'm only on track four out of fifteen and already this album is set to be right up there with Da Real Thing, Black Woman and Child and Soul Deep.

Within the first five tracks my won personal favourite is Irresistable, I love Sizzla when he gives free range to his Falsetto and here he not only gives range but complete freedom, although it's a song for the Empress it's also one that will have the Kings nodding thier heads in appreciation,

In general this album has an altogether more mature feel to it and the sentiments are back to the topics he covers best, love, faith and hope, so far there's been no hint of slackness which many people have criticised him for in the past.

This album is definetley his best in a long time and that's coming from a person who has yet to find fault with any of his releases, however it has to be said it is good too hear him sounding so upful and positive, for real fans of The High Priest this will take it's riightful place at the top of play lists and for those who are uncertain about what Sizzla is really about then this album may put an end too any doubts you may still be having.

Sizzla back on top form, 25 Jun 2007

Ten years after the release of `Black Woman and Child', Sizzla follows on from last years `Waterhouse Redemption' and his recent collaboration with Damian Dash that resulted in the album `The Overstanding', with a brand new essential set `I Space', his tenth album for Greensleeves.

With 15 excellent new tracks from Kalonji, produced by Byron "In The Streetz" Murray at the In The Streetz and Big Yard studios, with the exception of `Really and Truly' - currently a huge hit - on Marley's `Natural Mystic' rhythm, produced by Fatta and Bulby for Fat Eyes and `Irresistible' produced Shane Brown for Jukeboxx production on the `Statement' rhythm.

Most of the tracks on this album feature original rhythms while some are well-crafted re-licks on rhythms such as `Carpenter', Devil's Pickney' `I Shall Be Released', `Desperate Lover' and `Natural Mystic'

As per usual, Sizzla saves his best for Greensleeves with this album, which is more consistent and a cut above most of Sizzla's other outpourings from other sources that have appeared over the past 12 months or so.

Sizzla proves that he still a force to be reckoned and remains one the most compelling artists in the world today.

Sizzla run tings!, 19 Nov 2001
This is my favorite Sizzla album. If you like modern roots and culture, i recommend this big time. There is a variety of tunes; the powerful in-yer-face vocal rinse-outs soften you up for the melodic harmonies of a man, his beliefs and his beautiful voice. Reeeeespect!

A Flaming Voice of Righteousness, 29 Mar 2002
Is Sizzla Jah's appointed messenger for this age, come to burn away our sins with his flaming message of truth and righteousness? Give 'Blaze Up The Chalwa' a few spins and the combination of relentless dance-hall riddims, harmonious conscious reggae and immaculate vocalisation will surely convince you that this is indeed so.'What's Up' showcases Sizzla's voice at it's most potent whist 'Show Us |The Way' is melodious and blissful Boboshanti spirituality. Listen ye to Sizzla, Praise Jah and experience the Love, Peace and I-nity he speaks of.

Keep it coming Sizzla!, 25 Jul 2003
Sizzla can do no wrong. The best roots/dancehall artist EVER, produces another wicked album. Tracks "Thank You Mama" and "Just One of Those Days" make the album worth the sticker price, alone.

Buy it, Blaze it, Blast it!

Good, but nothing on his Old works..., 16 Jan 2003
Yes this album is a step back towards his conscious, roots days which were outstanding, but he does'nt quite pull it off as well.Some tracks are ruined by his growling, which sounds like he's trying to be Capelton, which does'nt suit him. When he does actually sing, it's amazing. There are some great tracks on this cd for sure, but I think he should take his time on his albums instead of releasing 17 in 3 years......

what does it worth?, 10 Feb 2001
this is another great album from the young prophet. His talent really shines through in this album. In the tune what does it worth? he sings so powerfully with inspiring lyrics - it really has to be heard. Other songs that stand out are Eastern Mountain and in this time.

"Back" with a Vengeance!, 26 Jun 2008
Although this is a "best of" compilation featuring tracks that all Sizzla fans are likely to have, it is truly a poignant moment for Greensleeves (who always bring the best out in Sizzla) should issue classic material to help us to realise what an outstanding talent Sizzla is.

Over the last fews years Sizzla's status representing the strictest order of Rastafari through words, power and sound in Bobo Ashanti has suffered from his "free spirit" approach, which at times presents him in an often confusing and contradictory light, as he continues to make songs for all audiences from college students to hardcore gangstas with the result that he is as much about being a "Gangstafarian" as much as a "Rastafarian".

From the opening track the massive "Just one of those days" you can tell that great care went into presenting Sizzla over 21 tracks at his very best. As well as the classics "Praise Ye Jah" "Good Ways" "Be Strong" "Really and Truly" from the last Greensleeves release I-Space "Give me a try" "Like Mountain" the lovers rock classic "Love is Divine" "Black Woman and Child" "Thank u Mama" and the superlative "In this time" with one time mentor Luciano, this compilation also features neo-classics such as "The Solution" "Africa Prepare" and "Sow more Love" where Sizzla adopts a very US accessible rap/chant style over an old Burning Spear riddim, which he previously used to great effect on "Got it right here" on 2003's classic "Da Real Thing" album.

The inclusion of songs such as "Give me a try", "Where are you running to" and "Rise to the Occasion" with the superb FX vocal in the chorus where Sizzla's FX inflected falsetto wails "It's for you to do best in life, now that you've got the chance" showcases Sizzla's truly original style where he is able to effortlessly incorporate elements of R'n"b alternate his vocals while still maintaining his rootical sentiments of love, faith, hope and unity in his subject matter.

Given Sizzla's recent preference for hardcore digital riddims, and slackness it is highly unlikely that you will hear an entirely roots based album from him for a long, long time. Until then new and old fans rejoice in the "eargasmic experience" that is "The very best of......

Sizzla back on toppa tings, 02 Jul 2007
This is a majestic album featuring Sizzla's best work since Black Woman and Child and Praise Ye Jah. Opting for the musical template that made 2002's Da Real Thing such a success, combining a blend of vintage old skool, contemporary and original riddims. The result is a dominant laidback mellower sound, which Sizzla vocally complements by absenting his lionesque fire and brimstone delivery, for a softer melodic flow, accentuated with some stunning falsetto highlights.

From the opening track "Really and Truly" on the ethereal Natural Mystic riddim, Sizzla really and truly lets us know what we all loved him for in the early days with beautifully constructed lyrics giving praise to Jah reminiscent of the mystical quality found in classics such as "Kings of the Earth".

The second track "Irresistible" showcases Sizzla riding a funky bassline alternating a confident uptempo vocal delivery punctuated with a swirling falsetto in the chorus and adlibs throughout the verses.

"Long Live the King of Kings" on the Gideon riddim, an update of the Heptones classic "I shall be released" is a "livication" to Jah over a head nodding bassline and triumphant trumpets. "Make me Yours" on the Desperate Lovers riddim, is a lovers rock track featuring Sizzla at his most vulnerable in love, with his voice sounding crackly and feeble, as he pines for his Empress.

Tracks 5 to 14 are all very good tracks, but it is the final track "Put the Peoples Interest First" that deserves special mention. Singing over an acoustic guitar, Sizzla gives free range to his deep meditation, as he provides outstanding social commentary disparaging two faced politicians and giving his insight into some of the causes of gun crime plaguing his native Jamaica.

All in all a stellar effort featuring a maturer Sizzla as a grand statesman, befitting someone who has released well over 30 albums.

Forget the Damon Dash effort, this is the real "Overstanding", an essential purchase.

All Hail the High Priest Sizzlassie I, 28 Jun 2007
Among his more ardent fans Sizzla has been for some time reffered to as Sizzlassie in accordance to the strict keeping of his RastaFari faith and the similarity to Selassie, and in this album Sizzla takes his rightful place firmly upon the throne.

Much has been written about Sizzla he's been slandered and criticized, his last album recieved mixed reviews from those who on the one hand applauded his venture with damon dash and those on the other who said he had sold out. In everything he does Sizzla is astute and well aware that no matter what people may say his music and fans will always do his speaking for him.

I haven't even got a third of the way through the album, I'm only on track four out of fifteen and already this album is set to be right up there with Da Real Thing, Black Woman and Child and Soul Deep.

Within the first five tracks my won personal favourite is Irresistable, I love Sizzla when he gives free range to his Falsetto and here he not only gives range but complete freedom, although it's a song for the Empress it's also one that will have the Kings nodding thier heads in appreciation,

In general this album has an altogether more mature feel to it and the sentiments are back to the topics he covers best, love, faith and hope, so far there's been no hint of slackness which many people have criticised him for in the past.

This album is definetley his best in a long time and that's coming from a person who has yet to find fault with any of his releases, however it has to be said it is good too hear him sounding so upful and positive, for real fans of The High Priest this will take it's riightful place at the top of play lists and for those who are uncertain about what Sizzla is really about then this album may put an end too any doubts you may still be having.

Sizzla back on top form, 25 Jun 2007

Ten years after the release of `Black Woman and Child', Sizzla follows on from last years `Waterhouse Redemption' and his recent collaboration with Damian Dash that resulted in the album `The Overstanding', with a brand new essential set `I Space', his tenth album for Greensleeves.

With 15 excellent new tracks from Kalonji, produced by Byron "In The Streetz" Murray at the In The Streetz and Big Yard studios, with the exception of `Really and Truly' - currently a huge hit - on Marley's `Natural Mystic' rhythm, produced by Fatta and Bulby for Fat Eyes and `Irresistible' produced Shane Brown for Jukeboxx production on the `Statement' rhythm.

Most of the tracks on this album feature original rhythms while some are well-crafted re-licks on rhythms such as `Carpenter', Devil's Pickney' `I Shall Be Released', `Desperate Lover' and `Natural Mystic'

As per usual, Sizzla saves his best for Greensleeves with this album, which is more consistent and a cut above most of Sizzla's other outpourings from other sources that have appeared over the past 12 months or so.

Sizzla proves that he still a force to be reckoned and remains one the most compelling artists in the world today.

Sizzla run tings!, 19 Nov 2001
This is my favorite Sizzla album. If you like modern roots and culture, i recommend this big time. There is a variety of tunes; the powerful in-yer-face vocal rinse-outs soften you up for the melodic harmonies of a man, his beliefs and his beautiful voice. Reeeeespect!

A Flaming Voice of Righteousness, 29 Mar 2002
Is Sizzla Jah's appointed messenger for this age, come to burn away our sins with his flaming message of truth and righteousness? Give 'Blaze Up The Chalwa' a few spins and the combination of relentless dance-hall riddims, harmonious conscious reggae and immaculate vocalisation will surely convince you that this is indeed so.'What's Up' showcases Sizzla's voice at it's most potent whist 'Show Us |The Way' is melodious and blissful Boboshanti spirituality. Listen ye to Sizzla, Praise Jah and experience the Love, Peace and I-nity he speaks of.

Keep it coming Sizzla!, 25 Jul 2003
Sizzla can do no wrong. The best roots/dancehall artist EVER, produces another wicked album. Tracks "Thank You Mama" and "Just One of Those Days" make the album worth the sticker price, alone.

Buy it, Blaze it, Blast it!

Good, but nothing on his Old works..., 16 Jan 2003
Yes this album is a step back towards his conscious, roots days which were outstanding, but he does'nt quite pull it off as well.Some tracks are ruined by his growling, which sounds like he's trying to be Capelton, which does'nt suit him. When he does actually sing, it's amazing. There are some great tracks on this cd for sure, but I think he should take his time on his albums instead of releasing 17 in 3 years......

what does it worth?, 10 Feb 2001
this is another great album from the young prophet. His talent really shines through in this album. In the tune what does it worth? he sings so powerfully with inspiring lyrics - it really has to be heard. Other songs that stand out are Eastern Mountain and in this time.

heavyweight riddim check, 21 Aug 2001
To all Exterminator crew, big up for coming ready an' rough with the selections inna this new millenium. Bringing the roots with the heavyweight digital dubwise pressure live an' DIRECT! One of the few crews still dealin' wid da matter! RESPEC' EACH AND EVERY TIME... more to come as we step through.

Up ya boy ya Sizzla, 03 Jun 2001
Crackin album - every song aches in protest and sweet sensi. Sizzla combines both the electronic anger of the Dancahall generation and the dub-consciousness of roots-reggae. Its worth gettin this just to play the title track very very loud. Yeh mon. Respect.

SIZZLA'S A GENIUS!, 10 Feb 2001
this is by far sizzla's best album. The feeling and atmosphere he creates in his dancehall reggae is so genuine. It is an album of many emotions but the song that stands out for me is Give Thanks - It could bring a smile to anyones face.

"Back" with a Vengeance!, 26 Jun 2008
Although this is a "best of" compilation featuring tracks that all Sizzla fans are likely to have, it is truly a poignant moment for Greensleeves (who always bring the best out in Sizzla) should issue classic material to help us to realise what an outstanding talent Sizzla is.

Over the last fews years Sizzla's status representing the strictest order of Rastafari through words, power and sound in Bobo Ashanti has suffered from his "free spirit" approach, which at times presents him in an often confusing and contradictory light, as he continues to make songs for all audiences from college students to hardcore gangstas with the result that he is as much about being a "Gangstafarian" as much as a "Rastafarian".

From the opening track the massive "Just one of those days" you can tell that great care went into presenting Sizzla over 21 tracks at his very best. As well as the classics "Praise Ye Jah" "Good Ways" "Be Strong" "Really and Truly" from the last Greensleeves release I-Space "Give me a try" "Like Mountain" the lovers rock classic "Love is Divine" "Black Woman and Child" "Thank u Mama" and the superlative "In this time" with one time mentor Luciano, this compilation also features neo-classics such as "The Solution" "Africa Prepare" and "Sow more Love" where Sizzla adopts a very US accessible rap/chant style over an old Burning Spear riddim, which he previously used to great effect on "Got it right here" on 2003's classic "Da Real Thing" album.

The inclusion of songs such as "Give me a try", "Where are you running to" and "Rise to the Occasion" with the superb FX vocal in the chorus where Sizzla's FX inflected falsetto wails "It's for you to do best in life, now that you've got the chance" showcases Sizzla's truly original style where he is able to effortlessly incorporate elements of R'n"b alternate his vocals while still maintaining his rootical sentiments of love, faith, hope and unity in his subject matter.

Given Sizzla's recent preference for hardcore digital riddims, and slackness it is highly unlikely that you will hear an entirely roots based album from him for a long, long time. Until then new and old fans rejoice in the "eargasmic experience" that is "The very best of......

Sizzla back on toppa tings, 02 Jul 2007
This is a majestic album featuring Sizzla's best work since Black Woman and Child and Praise Ye Jah. Opting for the musical template that made 2002's Da Real Thing such a success, combining a blend of vintage old skool, contemporary and original riddims. The result is a dominant laidback mellower sound, which Sizzla vocally complements by absenting his lionesque fire and brimstone delivery, for a softer melodic flow, accentuated with some stunning falsetto highlights.

From the opening track "Really and Truly" on the ethereal Natural Mystic riddim, Sizzla really and truly lets us know what we all loved him for in the early days with beautifully constructed lyrics giving praise to Jah reminiscent of the mystical quality found in classics such as "Kings of the Earth".

The second track "Irresistible" showcases Sizzla riding a funky bassline alternating a confident uptempo vocal delivery punctuated with a swirling falsetto in the chorus and adlibs throughout the verses.

"Long Live the King of Kings" on the Gideon riddim, an update of the Heptones classic "I shall be released" is a "livication" to Jah over a head nodding bassline and triumphant trumpets. "Make me Yours" on the Desperate Lovers riddim, is a lovers rock track featuring Sizzla at his most vulnerable in love, with his voice sounding crackly and feeble, as he pines for his Empress.

Tracks 5 to 14 are all very good tracks, but it is the final track "Put the Peoples Interest First" that deserves special mention. Singing over an acoustic guitar, Sizzla gives free range to his deep meditation, as he provides outstanding social commentary disparaging two faced politicians and giving his insight into some of the causes of gun crime plaguing his native Jamaica.

All in all a stellar effort featuring a maturer Sizzla as a grand statesman, befitting someone who has released well over 30 albums.

Forget the Damon Dash effort, this is the real "Overstanding", an essential purchase.

All Hail the High Priest Sizzlassie I, 28 Jun 2007
Among his more ardent fans Sizzla has been for some time reffered to as Sizzlassie in accordance to the strict keeping of his RastaFari faith and the similarity to Selassie, and in this album Sizzla takes his rightful place firmly upon the throne.

Much has been written about Sizzla he's been slandered and criticized, his last album recieved mixed reviews from those who on the one hand applauded his venture with damon dash and those on the other who said he had sold out. In everything he does Sizzla is astute and well aware that no matter what people may say his music and fans will always do his speaking for him.

I haven't even got a third of the way through the album, I'm only on track four out of fifteen and already this album is set to be right up there with Da Real Thing, Black Woman and Child and Soul Deep.

Within the first five tracks my won personal favourite is Irresistable, I love Sizzla when he gives free range to his Falsetto and here he not only gives range but complete freedom, although it's a song for the Empress it's also one that will have the Kings nodding thier heads in appreciation,

In general this album has an altogether more mature feel to it and the sentiments are back to the topics he covers best, love, faith and hope, so far there's been no hint of slackness which many people have criticised him for in the past.

This album is definetley his best in a long time and that's coming from a person who has yet to find fault with any of his releases, however it has to be said it is good too hear him sounding so upful and positive, for real fans of The High Priest this will take it's riightful place at the top of play lists and for those who are uncertain about what Sizzla is really about then this album may put an end too any doubts you may still be having.

Sizzla back on top form, 25 Jun 2007

Ten years after the release of `Black Woman and Child', Sizzla follows on from last years `Waterhouse Redemption' and his recent collaboration with Damian Dash that resulted in the album `The Overstanding', with a brand new essential set `I Space', his tenth album for Greensleeves.

With 15 excellent new tracks from Kalonji, produced by Byron "In The Streetz" Murray at the In The Streetz and Big Yard studios, with the exception of `Really and Truly' - currently a huge hit - on Marley's `Natural Mystic' rhythm, produced by Fatta and Bulby for Fat Eyes and `Irresistible' produced Shane Brown for Jukeboxx production on the `Statement' rhythm.

Most of the tracks on this album feature original rhythms while some are well-crafted re-licks on rhythms such as `Carpenter', Devil's Pickney' `I Shall Be Released', `Desperate Lover' and `Natural Mystic'

As per usual, Sizzla saves his best for Greensleeves with this album, which is more consistent and a cut above most of Sizzla's other outpourings from other sources that have appeared over the past 12 months or so.

Sizzla proves that he still a force to be reckoned and remains one the most compelling artists in the world today.

Sizzla run tings!, 19 Nov 2001
This is my favorite Sizzla album. If you like modern roots and culture, i recommend this big time. There is a variety of tunes; the powerful in-yer-face vocal rinse-outs soften you up for the melodic harmonies of a man, his beliefs and his beautiful voice. Reeeeespect!

A Flaming Voice of Righteousness, 29 Mar 2002
Is Sizzla Jah's appointed messenger for this age, come to burn away our sins with his flaming message of truth and righteousness? Give 'Blaze Up The Chalwa' a few spins and the combination of relentless dance-hall riddims, harmonious conscious reggae and immaculate vocalisation will surely convince you that this is indeed so.'What's Up' showcases Sizzla's voice at it's most potent whist 'Show Us |The Way' is melodious and blissful Boboshanti spirituality. Listen ye to Sizzla, Praise Jah and experience the Love, Peace and I-nity he speaks of.

Keep it coming Sizzla!, 25 Jul 2003
Sizzla can do no wrong. The best roots/dancehall artist EVER, produces another wicked album. Tracks "Thank You Mama" and "Just One of Those Days" make the album worth the sticker price, alone.

Buy it, Blaze it, Blast it!

Good, but nothing on his Old works..., 16 Jan 2003
Yes this album is a step back towards his conscious, roots days which were outstanding, but he does'nt quite pull it off as well.Some tracks are ruined by his growling, which sounds like he's trying to be Capelton, which does'nt suit him. When he does actually sing, it's amazing. There are some great tracks on this cd for sure, but I think he should take his time on his albums instead of releasing 17 in 3 years......

what does it worth?, 10 Feb 2001
this is another great album from the young prophet. His talent really shines through in this album. In the tune what does it worth? he sings so powerfully with inspiring lyrics - it really has to be heard. Other songs that stand out are Eastern Mountain and in this time.

heavyweight riddim check, 21 Aug 2001
To all Exterminator crew, big up for coming ready an' rough with the selections inna this new millenium. Bringing the roots with the heavyweight digital dubwise pressure live an' DIRECT! One of the few crews still dealin' wid da matter! RESPEC' EACH AND EVERY TIME... more to come as we step through.

Up ya boy ya Sizzla, 03 Jun 2001
Crackin album - every song aches in protest and sweet sensi. Sizzla combines both the electronic anger of the Dancahall generation and the dub-consciousness of roots-reggae. Its worth gettin this just to play the title track very very loud. Yeh mon. Respect.

SIZZLA'S A GENIUS!, 10 Feb 2001
this is by far sizzla's best album. The feeling and atmosphere he creates in his dancehall reggae is so genuine. It is an album of many emotions but the song that stands out for me is Give Thanks - It could bring a smile to anyones face.

Already showing promise, 21 May 2004
For People who have read my other reviews of Sizzla Albums the title of my review may confuse but I am playing catch-up and with over 20 albums still to review the titles may yet become even more obscure.

"Children read and Educate yourself". so sings Sizzla on the title track of this album. I think with Sizzla much of his work is overlooked which is why it's often best to go back and listen again. He is a very gifted lyricist and yet I have heard critiscm of him, he has been accused of being everything from racist to untalented. For those who are new to his music this is a perfect introduction and to those who had doubts then maybe now is the time to cast them aside.

He Starts this album in a far more laid back style, his lyrics shine through and yes as can be expected the tracks are steeped in his (emerging bobo dread) rastafarian faith.

Invariably with Sizzla he speaks of poverty and of repartriation to Africa and of course of his love of black people (something for which he has often been accused of being racist). Maybe someone should accuse the general trite that is served as pop music of being bland and without direction but thats the matter for another review. Let's stick to this review by choosing a couple tracks of notoriety.

Energy.

"Black woman is the mother of the earth, you shoulda know that by now". so sings Sizzla in his opening of what in my opinion is not only one of the better tracks on the album but of his career so far. It is at at one and the same time purposeful and tender. If you listen to the lyrics he speaks of pride and love for not just his Empress but for black women all over the world. But there are also elements in which he speaks of the need for his women to be pure and clean both of appearance and of deed. He speaks once more that it is woman that was placed for man and urges the ghetto youths to follow the right path towards righteousness, a multi layered track that can be heard on many different levels combining the tenderness of his love for his lady and an element of the uncompromising Sizzla we have come to expect.

Revenge.
I chose this because it can be misconstrood as being controversial it is my attempt when reviewing his albums to take three very tracks that will portray the diversity of Sizzla and not only his vocal but his lyrical range. "The Mission accomplished successful done, The Mission accomplisment babylon a mash down". so opens this track where sizzla sings about the revenge that will fall upon the past of slavery and wrong doings of the west against his forefathers. Here he calls for the people to rise up and repartriate to the only place where they will find solace. But if people think he is only singing against the west they should listen deeper. He slanders the police, the politicians and every leader of Jamaica who has promised much and delivered to little, in this track he looking forward tothe day when all transgressions are appeased and rastafarians and black people are free to pursue their destiny.

Planet Earth
A track delivered in typical Sizzla style but calling the youths to obey the words of the bible and obey the sabbath and keep far from pagan ways. He calls for the youth to shine their light and show their glory, he advocates upliftment which can only be achieved by education and hard work.

It's often difficult to be objective to an artist that you respect so much but even here Sizzla is showing what will soon become a trademark of his style much in the same way as applies to another great Artist Capleton. Both of them are at this stage in their careers emerging as artists who's faith and devotion Rastafari is as unmoveable as their lyrical style.

As of Yet Sizzla is hot but as we who have followed his rise and rise know. it's a fire that will not only continue to blaze. but a fire that will only continue to get HOTTER.

"Back" with a Vengeance!, 26 Jun 2008
Although this is a "best of" compilation featuring tracks that all Sizzla fans are likely to have, it is truly a poignant moment for Greensleeves (who always bring the best out in Sizzla) should issue classic material to help us to realise what an outstanding talent Sizzla is.

Over the last fews years Sizzla's status representing the strictest order of Rastafari through words, power and sound in Bobo Ashanti has suffered from his "free spirit" approach, which at times presents him in an often confusing and contradictory light, as he continues to make songs for all audiences from college students to hardcore gangstas with the result that he is as much about being a "Gangstafarian" as much as a "Rastafarian".

From the opening track the massive "Just one of those days" you can tell that great care went into presenting Sizzla over 21 tracks at his very best. As well as the classics "Praise Ye Jah" "Good Ways" "Be Strong" "Really and Truly" from the last Greensleeves release I-Space "Give me a try" "Like Mountain" the lovers rock classic "Love is Divine" "Black Woman and Child" "Thank u Mama" and the superlative "In this time" with one time mentor Luciano, this compilation also features neo-classics such as "The Solution" "Africa Prepare" and "Sow more Love" where Sizzla adopts a very US accessible rap/chant style over an old Burning Spear riddim, which he previously used to great effect on "Got it right here" on 2003's classic "Da Real Thing" album.

The inclusion of songs such as "Give me a try", "Where are you running to" and "Rise to the Occasion" with the superb FX vocal in the chorus where Sizzla's FX inflected falsetto wails "It's for you to do best in life, now that you've got the chance" showcases Sizzla's truly original style where he is able to effortlessly incorporate elements of R'n"b alternate his vocals while still maintaining his rootical sentiments of love, faith, hope and unity in his subject matter.

Given Sizzla's recent preference for hardcore digital riddims, and slackness it is highly unlikely that you will hear an entirely roots based album from him for a long, long time. Until then new and old fans rejoice in the "eargasmic experience" that is "The very best of......

Sizzla back on toppa tings, 02 Jul 2007
This is a majestic album featuring Sizzla's best work since Black Woman and Child and Praise Ye Jah. Opting for the musical template that made 2002's Da Real Thing such a success, combining a blend of vintage old skool, contemporary and original riddims. The result is a dominant laidback mellower sound, which Sizzla vocally complements by absenting his lionesque fire and brimstone delivery, for a softer melodic flow, accentuated with some stunning falsetto highlights.

From the opening track "Really and Truly" on the ethereal Natural Mystic riddim, Sizzla really and truly lets us know what we all loved him for in the early days with beautifully constructed lyrics giving praise to Jah reminiscent of the mystical quality found in classics such as "Kings of the Earth".

The second track "Irresistible" showcases Sizzla riding a funky bassline alternating a confident uptempo vocal delivery punctuated with a swirling falsetto in the chorus and adlibs throughout the verses.

"Long Live the King of Kings" on the Gideon riddim, an update of the Heptones classic "I shall be released" is a "livication" to Jah over a head nodding bassline and triumphant trumpets. "Make me Yours" on the Desperate Lovers riddim, is a lovers rock track featuring Sizzla at his most vulnerable in love, with his voice sounding crackly and feeble, as he pines for his Empress.

Tracks 5 to 14 are all very good tracks, but it is the final track "Put the Peoples Interest First" that deserves special mention. Singing over an acoustic guitar, Sizzla gives free range to his deep meditation, as he provides outstanding social commentary disparaging two faced politicians and giving his insight into some of the causes of gun crime plaguing his native Jamaica.

All in all a stellar effort featuring a maturer Sizzla as a grand statesman, befitting someone who has released well over 30 albums.

Forget the Damon Dash effort, this is the real "Overstanding", an essential purchase.

All Hail the High Priest Sizzlassie I, 28 Jun 2007
Among his more ardent fans Sizzla has been for some time reffered to as Sizzlassie in accordance to the strict keeping of his RastaFari faith and the similarity to Selassie, and in this album Sizzla takes his rightful place firmly upon the throne.

Much has been written about Sizzla he's been slandered and criticized, his last album recieved mixed reviews from those who on the one hand applauded his venture with damon dash and those on the other who said he had sold out. In everything he does Sizzla is astute and well aware that no matter what people may say his music and fans will always do his speaking for him.

I haven't even got a third of the way through the album, I'm only on track four out of fifteen and already this album is set to be right up there with Da Real Thing, Black Woman and Child and Soul Deep.

Within the first five tracks my won personal favourite is Irresistable, I love Sizzla when he gives free range to his Falsetto and here he not only gives range but complete freedom, although it's a song for the Empress it's also one that will have the Kings nodding thier heads in appreciation,

In general this album has an altogether more mature feel to it and the sentiments are back to the topics he covers best, love, faith and hope, so far there's been no hint of slackness which many people have criticised him for in the past.

This album is definetley his best in a long time and that's coming from a person who has yet to find fault with any of his releases, however it has to be said it is good too hear him sounding so upful and positive, for real fans of The High Priest this will take it's riightful place at the top of play lists and for those who are uncertain about what Sizzla is really about then this album may put an end too any doubts you may still be having.

Sizzla back on top form, 25 Jun 2007

Ten years after the release of `Black Woman and Child', Sizzla follows on from last years `Waterhouse Redemption' and his recent collaboration with Damian Dash that resulted in the album `The Overstanding', with a brand new essential set `I Space', his tenth album for Greensleeves.

With 15 excellent new tracks from Kalonji, produced by Byron "In The Streetz" Murray at the In The Streetz and Big Yard studios, with the exception of `Really and Truly' - currently a huge hit - on Marley's `Natural Mystic' rhythm, produced by Fatta and Bulby for Fat Eyes and `Irresistible' produced Shane Brown for Jukeboxx production on the `Statement' rhythm.

Most of the tracks on this album feature original rhythms while some are well-crafted re-licks on rhythms such as `Carpenter', Devil's Pickney' `I Shall Be Released', `Desperate Lover' and `Natural Mystic'

As per usual, Sizzla saves his best for Greensleeves with this album, which is more consistent and a cut above most of Sizzla's other outpourings from other sources that have appeared over the past 12 months or so.

Sizzla proves that he still a force to be reckoned and remains one the most compelling artists in the world today.

Sizzla run tings!, 19 Nov 2001
This is my favorite Sizzla album. If you like modern roots and culture, i recommend this big time. There is a variety of tunes; the powerful in-yer-face vocal rinse-outs soften you up for the melodic harmonies of a man, his beliefs and his beautiful voice. Reeeeespect!

A Flaming Voice of Righteousness, 29 Mar 2002
Is Sizzla Jah's appointed messenger for this age, come to burn away our sins with his flaming message of truth and righteousness? Give 'Blaze Up The Chalwa' a few spins and the combination of relentless dance-hall riddims, harmonious conscious reggae and immaculate vocalisation will surely convince you that this is indeed so.'What's Up' showcases Sizzla's voice at it's most potent whist 'Show Us |The Way' is melodious and blissful Boboshanti spirituality. Listen ye to Sizzla, Praise Jah and experience the Love, Peace and I-nity he speaks of.

Keep it coming Sizzla!, 25 Jul 2003
Sizzla can do no wrong. The best roots/dancehall artist EVER, produces another wicked album. Tracks "Thank You Mama" and "Just One of Those Days" make the album worth the sticker price, alone.

Buy it, Blaze it, Blast it!

Good, but nothing on his Old works..., 16 Jan 2003
Yes this album is a step back towards his conscious, roots days which were outstanding, but he does'nt quite pull it off as well.Some tracks are ruined by his growling, which sounds like he's trying to be Capelton, which does'nt suit him. When he does actually sing, it's amazing. There are some great tracks on this cd for sure, but I think he should take his time on his albums instead of releasing 17 in 3 years......

what does it worth?, 10 Feb 2001
this is another great album from the young prophet. His talent really shines through in this album. In the tune what does it worth? he sings so powerfully with inspiring lyrics - it really has to be heard. Other songs that stand out are Eastern Mountain and in this time.

heavyweight riddim check, 21 Aug 2001
To all Exterminator crew, big up for coming ready an' rough with the selections inna this new millenium. Bringing the roots with the heavyweight digital dubwise pressure live an' DIRECT! One of the few crews still dealin' wid da matter! RESPEC' EACH AND EVERY TIME... more to come as we step through.

Up ya boy ya Sizzla, 03 Jun 2001
Crackin album - every song aches in protest and sweet sensi. Sizzla combines both the electronic anger of the Dancahall generation and the dub-consciousness of roots-reggae. Its worth gettin this just to play the title track very very loud. Yeh mon. Respect.

SIZZLA'S A GENIUS!, 10 Feb 2001
this is by far sizzla's best album. The feeling and atmosphere he creates in his dancehall reggae is so genuine. It is an album of many emotions but the song that stands out for me is Give Thanks - It could bring a smile to anyones face.

Already showing promise, 21 May 2004
For People who have read my other reviews of Sizzla Albums the title of my review may confuse but I am playing catch-up and with over 20 albums still to review the titles may yet become even more obscure.

"Children read and Educate yourself". so sings Sizzla on the title track of this album. I think with Sizzla much of his work is overlooked which is why it's often best to go back and listen again. He is a very gifted lyricist and yet I have heard critiscm of him, he has been accused of being everything from racist to untalented. For those who are new to his music this is a perfect introduction and to those who had doubts then maybe now is the time to cast them aside.

He Starts this album in a far more laid back style, his lyrics shine through and yes as can be expected the tracks are steeped in his (emerging bobo dread) rastafarian faith.

Invariably with Sizzla he speaks of poverty and of repartriation to Africa and of course of his love of black people (something for which he has often been accused of being racist). Maybe someone should accuse the general trite that is served as pop music of being bland and without direction but thats the matter for another review. Let's stick to this review by choosing a couple tracks of notoriety.

Energy.

"Black woman is the mother of the earth, you shoulda know that by now". so sings Sizzla in his opening of what in my opinion is not only one of the better tracks on the album but of his career so far. It is at at one and the same time purposeful and tender. If you listen to the lyrics he speaks of pride and love for not just his Empress but for black women all over the world. But there are also elements in which he speaks of the need for his women to be pure and clean both of appearance and of deed. He speaks once more that it is woman that was placed for man and urges the ghetto youths to follow the right path towards righteousness, a multi layered track that can be heard on many different levels combining the tenderness of his love for his lady and an element of the uncompromising Sizzla we have come to expect.

Revenge.
I chose this because it can be misconstrood as being controversial it is my attempt when reviewing his albums to take three very tracks that will portray the diversity of Sizzla and not only his vocal but his lyrical range. "The Mission accomplished successful done, The Mission accomplisment babylon a mash down". so opens this track where sizzla sings about the revenge that will fall upon the past of slavery and wrong doings of the west against his forefathers. Here he calls for the people to rise up and repartriate to the only place where they will find solace. But if people think he is only singing against the west they should listen deeper. He slanders the police, the politicians and every leader of Jamaica who has promised much and delivered to little, in this track he looking forward tothe day when all transgressions are appeased and rastafarians and black people are free to pursue their destiny.

Planet Earth
A track delivered in typical Sizzla style but calling the youths to obey the words of the bible and obey the sabbath and keep far from pagan ways. He calls for the youth to shine their light and show their glory, he advocates upliftment which can only be achieved by education and hard work.

It's often difficult to be objective to an artist that you respect so much but even here Sizzla is showing what will soon become a trademark of his style much in the same way as applies to another great Artist Capleton. Both of them are at this stage in their careers emerging as artists who's faith and devotion Rastafari is as unmoveable as their lyrical style.

As of Yet Sizzla is hot but