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Seventh Tree
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Goldfrapp;
EMI;
2008-02-25;
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Usually dispatched within 1-2 business days
*Best price found from Amazon Marketplace seller
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*Amazon: £4.35
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 Product Description
Seventh Tree unveils an Alison Goldfrapp quite different to the one we saw on her career highpoint to date, 2005's Supernature. Whereas that album was grandiose, glammy, and almost aggressive in its brash, thrusting sexuality, Goldfrapp's fourth album is no less sensual, but rather more subtle in its approach. Recorded with longtime collaborator Will Gregory out in rural Somerset, Seventh Tree feels like an attempt to fuse the pagan folk of cult English horror classic The Wicker Man to a lush backdrop of woozy electronics and a restrained orchestral sweep reminiscent of '70s-era Serge Gainsbourg. In practise, this means much of Seventh Tree goes where earlier Gainsbourg disciples such as Air have gone before: chilled-out, soporific electronica with a light organic edge. Luckily, Goldfrapp remains a compelling enough figure to keep matters on the right side of ethereal: the gorgeous "Clowns" imagines the Cocteau Twins' Liz Fraser guesting on some long-forgotten Nick Drake out-take, rustic folk with an all-but-indecipherable vocal and an undercurrent of desolation, while "A&E" shows Goldfrapp's pop urge has not deserted her, uplifting electronica with a warm, bucolic twist. --Louis Pattison
Customer Reviews
Back On Form, 11 Nov 2008
If, like me, you're one of those people who was blown away by Felt Mountain but disappointed by what came after then Seventh Tree may give you cause to rejoice.
Although a very different beast to FM this album shares the same quirky, sensual and exotic oddness as Goldfrapp's remarkable debut. The main difference between the two is mood - FM was frequently quite dark (and in the case of Deer Stop, downright creepy) but Seventh Tree is a long summer's day to Felt Moutain's eerie twilight.
Goldfrapp obviously don't mind annoying their fans - having thoroughly cheesed-off many Felt Moutain lovers (including me) by going off in a wildly differnt direction for their next two albums they've now annoyed some of the fans of those albums by abandoning the dance-orientated electronica in favour of something altogether more subtle and bewitching. Heaven knows where they'll go next.
5 stars for 'Cologne Cerrone Houdini' alone....., 20 Oct 2008
I seem to have been lost in Goldfrapp land for the last few months!
I couldn't seem to stop playing the live version of 'Strict Machine at Glastonbury' on YouTube along with 'Train' and others....then I downloaded this.
Don't worry, I read all the reviews on Amazon first and I think the considered opinion on here is correct. Which is, no it is nothing like 'Black Cherry'. It is very subtle and growing. There is none of Alison the cool as fuck disco diva, (which like I say, I'm a fan of). But this is very cool in a very different way. As she sings in 'Road To Somewhere':
'bring it on, come along, on the road to somewhere...take our time, see the sights, on the road to somewhere...'
When Alison Goldfrapp invites you to chill with her on a blissful drive, how can you NOT go along for the ride?
I have to say right now, 'Cologne Cerrone Houdini' will definitely be one of the most beautiful songs you'll ever hear, so that gets 5 stars alone. The singing on single 'A&E' is a good marker for the feel of the rest of the album. And when she sings 'we're here to welcome you...' on other singe 'Happiness', I can't stop myself singing it with her! Her synthesized voice is utterly unique.
The decade of partying on borrowed money is over and this album is perfect for the national come-down. It is genius.
P.S. KD Lang's 'Watershed' which has recently been released as well goes together with 'Seventh Tree' like a cup of tea and Digestive Biccy's! Perfection.
David Lo Pan, 06 Oct 2008
Ok for people that know the film Big Trouble in Little China would you agree that Goldfrapp are a lot like David Lo Pan. Let me explain - one part of them is interesting music and is quite orchestral and the other half is this rubbish glam disco. So basically two different sides.
So for the people that enjoyed Felt Mountain this album is very similar. Quite orchestral in the construction but they have took influence from their dabble in electronic. The result is quite spectacular.
So for a musical intellect it is definitely worth an inspection. For the less intellectual that crave electro pop then go elsewhere.
Astounding, 28 Aug 2008
This is why, when captive on an aeroplane, you should listen/watch different stuff. This is the most compelling new album I've heard for a while - keep listening to it, and discovering new depths. It's clever, simultaneously retro and bang up to date, and quite fascinating. Remarkable.
Sumptuous, 07 Jul 2008
Yes, of course, most album reviews on Amazon are positive, and much of the rest are from people crying 'sell out'.
Well, for what 42 years on the planet and a first ever Amazon review are worth, this is one of those very very rare albums that takes music to a new level, that even on first listening you know will live on, not necessarily defining an era, but being forever known and rediscovered. It's that good.
With the possible exception of 'Caravan Girls', nothing on this album is weak or forced - it experiments, disturbs and delights whilst at all times demonstrating an utter mastery of the craft of beautiful song writing. And underneath all of that, there remains the slightly disturbed aura of Felt Mountain that led to it being the soundtrack to the magnificent 'Monkey Dust'.
Amazon is full of supposedly 'must have' albums; this is a real one.
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In Silico
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Pendulum;
Wea;
2008-05-12;
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Usually dispatched within 1-2 business days
*Best price found from Amazon Marketplace seller
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*Amazon: £4.73
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Product Description
In Silico might be the second album from Pendulum, but it's their first as a fully-fledged rock band. Of course, this Australian dance collective have paddled in these waters before: their debut album Hold Your Colour was a muscular collection of hard drum'n'bass and slamming breakbeats that, for all its synthetic construction, displayed firmly rock sensibilities. On In Silico, though, hard-riffing guitars are pulled right up in the mix, and the band's production core, Rob Swire and Gareth McGrillen, lead from the front, reaching for the microphone and making clattering loops the bedrock for a suite of anthemic rockers. Comparisons to the likes of Enter Shikari and The Prodigy are not too wide of the mark, capturing something of Pendulum's fairground waltzer adrenaline and polished, metallic aggression. Beyond straightforward rush, though, some interesting ingredients find their way into the brew: storming opener "Slowdown" imagines an unholy synthesis of DJ Hype and Muse in full progressive rock-out mode, while the elegiac "Propane Nightmares" commences with a Mariachi trumpet serenade. Dance connoisseurs will probably complain Pendulum's beats lack a certain finesse, but if you like your dance music a) fast and b) hard then In Silico has all bases covered. --Louis Pattison
Customer Reviews
Back On Form, 11 Nov 2008
If, like me, you're one of those people who was blown away by Felt Mountain but disappointed by what came after then Seventh Tree may give you cause to rejoice.
Although a very different beast to FM this album shares the same quirky, sensual and exotic oddness as Goldfrapp's remarkable debut. The main difference between the two is mood - FM was frequently quite dark (and in the case of Deer Stop, downright creepy) but Seventh Tree is a long summer's day to Felt Moutain's eerie twilight.
Goldfrapp obviously don't mind annoying their fans - having thoroughly cheesed-off many Felt Moutain lovers (including me) by going off in a wildly differnt direction for their next two albums they've now annoyed some of the fans of those albums by abandoning the dance-orientated electronica in favour of something altogether more subtle and bewitching. Heaven knows where they'll go next.
5 stars for 'Cologne Cerrone Houdini' alone....., 20 Oct 2008
I seem to have been lost in Goldfrapp land for the last few months!
I couldn't seem to stop playing the live version of 'Strict Machine at Glastonbury' on YouTube along with 'Train' and others....then I downloaded this.
Don't worry, I read all the reviews on Amazon first and I think the considered opinion on here is correct. Which is, no it is nothing like 'Black Cherry'. It is very subtle and growing. There is none of Alison the cool as fuck disco diva, (which like I say, I'm a fan of). But this is very cool in a very different way. As she sings in 'Road To Somewhere':
'bring it on, come along, on the road to somewhere...take our time, see the sights, on the road to somewhere...'
When Alison Goldfrapp invites you to chill with her on a blissful drive, how can you NOT go along for the ride?
I have to say right now, 'Cologne Cerrone Houdini' will definitely be one of the most beautiful songs you'll ever hear, so that gets 5 stars alone. The singing on single 'A&E' is a good marker for the feel of the rest of the album. And when she sings 'we're here to welcome you...' on other singe 'Happiness', I can't stop myself singing it with her! Her synthesized voice is utterly unique.
The decade of partying on borrowed money is over and this album is perfect for the national come-down. It is genius.
P.S. KD Lang's 'Watershed' which has recently been released as well goes together with 'Seventh Tree' like a cup of tea and Digestive Biccy's! Perfection.
David Lo Pan, 06 Oct 2008
Ok for people that know the film Big Trouble in Little China would you agree that Goldfrapp are a lot like David Lo Pan. Let me explain - one part of them is interesting music and is quite orchestral and the other half is this rubbish glam disco. So basically two different sides.
So for the people that enjoyed Felt Mountain this album is very similar. Quite orchestral in the construction but they have took influence from their dabble in electronic. The result is quite spectacular.
So for a musical intellect it is definitely worth an inspection. For the less intellectual that crave electro pop then go elsewhere.
Astounding, 28 Aug 2008
This is why, when captive on an aeroplane, you should listen/watch different stuff. This is the most compelling new album I've heard for a while - keep listening to it, and discovering new depths. It's clever, simultaneously retro and bang up to date, and quite fascinating. Remarkable.
Sumptuous, 07 Jul 2008
Yes, of course, most album reviews on Amazon are positive, and much of the rest are from people crying 'sell out'.
Well, for what 42 years on the planet and a first ever Amazon review are worth, this is one of those very very rare albums that takes music to a new level, that even on first listening you know will live on, not necessarily defining an era, but being forever known and rediscovered. It's that good.
With the possible exception of 'Caravan Girls', nothing on this album is weak or forced - it experiments, disturbs and delights whilst at all times demonstrating an utter mastery of the craft of beautiful song writing. And underneath all of that, there remains the slightly disturbed aura of Felt Mountain that led to it being the soundtrack to the magnificent 'Monkey Dust'.
Amazon is full of supposedly 'must have' albums; this is a real one.
Not the "crossover" everyone makes it out to be, 03 Nov 2008
Firstly, maybe I should explain where I'm coming from in writing this review. I'm a true junglist and an avid Pendulum fan, I have been since I first heard "Spiral" all those years ago. I watched them make 2 years of great records before they finally dropped "Hold Your Colour" in our laps. Needless to say it was sensational. I love every single track on that album and it remains today one of my all-time favourites. So when I caught word of a new Pendulum LP in the making, I immediately had high hopes for another DnB stormer.
By the time I reached "The Tempest" I was almost in tears. It was, to me, like finding out a band I loved had split up. Pendulum are dead. This album is just an awful attempt, by a band I don't even know anymore, at blending 2 or 3 different genres together into ten tracks of failure. I'm listening to "9000 Miles" and trying to describe the dismal hybrid-wannabe drivel resonating from my speakers right now is.. well, it's indescribable. Writing this is reminding me of the loss of one of my favourite artists all over again, it hurts! :(
Backing up my criticism a little; the vocals are WAY too FX-heavy. Generally this is used to overcompensate for talentless vocalists - yes, I am suggesting something here. Also, this album is regularly used by wannabe DnB fans who are trying to "me too" their way into a music scene they perceive to be cool. This ISN'T DnB. Not by a long stretch. This is a mediocre rock/electronica mix with a breakbeat rhythm. That's also one of the reasons I felt the need to write a critical review. The amount of people putting this rubbish under the DnB umbrella is really starting to annoy me.
Why have I given it two stars when I hate it so much? Simply because I believe that all music has intrinsic value. I don't think any song can simply be labelled "bad" because someone, somewhere will like it and to them it isn't "bad" at all. The fact of the matter is that the pop/chart-loving crowd will lap this up. And if you accept it for what it is, it becomes an average-fare pop album. It's just that I'm having a hard time accepting this for what it is because I expected so much more from the guys that brought me the best album of 2005. People who have only ever heard of Pendulum through "In Silico" or just love mainstream trash may make something of this album, it just doesn't float my boat, thank you very much.
The Cheesiest Dance/Rock Album... Ever!, 13 Oct 2008
The same Big Beat drumming over the course of all 10 tracks...check.
Vocals taken from the Cher 'I Believe' hall of shame...check.
Lyrics that make 'Firestarter' sound like a deep statement...check.
Sound effects from the Scooter pro tools set...check.
...and we are ready to roll! Prepare to unleash hell!!
The thing is - occasionally we all like to inflict a little pain on ourselves and I can't believe I'm saying this... 'In Silico' can be quite a fun listen sometimes.
Just sometimes mind...
The Worlds Finest, 10 Sep 2008
Im not a massive fan of drum n bass and dont think i ever will be but 'In Silico' has certainly drawn me in and made me think twice. I constantly listened to Radio 1 talking about how great Pendulum were so i thought i had to listen for myself and see if they were all they were cracked up to be!!
They certainly didnt disappoint!
I only brought this album at the weekend and it has been playing on my car radio ever since. 'Propane Nightmares' is probably the stand out track on the album and the most recognisable to any non-pendulum fan but 'The Other Side', '9,000 Miles' & 'Granite' are other faviroutes.
A must buy for anyone!
in silico, 26 Aug 2008
My first impressions were good, as pendulum introduced me into d`n b. But after much listening and reading outher reviews I have come to notice that this album is just there to get them into the charts, regardless of true brum and bass.
Pendulum have fused together a load of power chourds and a live drummer to what could potentally been a d`n b track.
So in all; this is just really bassy rock music, (and I hate rock).
An album that will be quickly forgotten, 18 Aug 2008
I must say that I agree entirely with the review by Mr H Pearce, entitled "A change of direction", and cited as the "most helpful critical review" - he has hit the nail on the head.
I too was a big fan of Hold Your Colour as a superb cross-over album, with just the right amount of grittiness to make substantial rock and DnB references, without making both completely homogonised and bland. Alas, in Silico homogonises pretty hard, and the result is an album that sounds as though it were expressly composed for the lastest Hollywood blockbuster soundtrack.
As per Mr Pearce's insightful review, it will doubtless have a few feet tapping when it comes on that bit later in some of the bars, but this album will be forgotten long before Hold Your Colour. No stand out classics here, in an effort to appeal to absolutley everyone. Bit of a shame.
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The Best of Chicane 1996-2008
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Chicane;
Modena Records Ltd.;
2008-10-06;
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Usually dispatched within 1-2 business days
*Best price found from Amazon Marketplace seller
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*Amazon: £6.97
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Customer Reviews
Back On Form, 11 Nov 2008
If, like me, you're one of those people who was blown away by Felt Mountain but disappointed by what came after then Seventh Tree may give you cause to rejoice.
Although a very different beast to FM this album shares the same quirky, sensual and exotic oddness as Goldfrapp's remarkable debut. The main difference between the two is mood - FM was frequently quite dark (and in the case of Deer Stop, downright creepy) but Seventh Tree is a long summer's day to Felt Moutain's eerie twilight.
Goldfrapp obviously don't mind annoying their fans - having thoroughly cheesed-off many Felt Moutain lovers (including me) by going off in a wildly differnt direction for their next two albums they've now annoyed some of the fans of those albums by abandoning the dance-orientated electronica in favour of something altogether more subtle and bewitching. Heaven knows where they'll go next.
5 stars for 'Cologne Cerrone Houdini' alone....., 20 Oct 2008
I seem to have been lost in Goldfrapp land for the last few months!
I couldn't seem to stop playing the live version of 'Strict Machine at Glastonbury' on YouTube along with 'Train' and others....then I downloaded this.
Don't worry, I read all the reviews on Amazon first and I think the considered opinion on here is correct. Which is, no it is nothing like 'Black Cherry'. It is very subtle and growing. There is none of Alison the cool as fuck disco diva, (which like I say, I'm a fan of). But this is very cool in a very different way. As she sings in 'Road To Somewhere':
'bring it on, come along, on the road to somewhere...take our time, see the sights, on the road to somewhere...'
When Alison Goldfrapp invites you to chill with her on a blissful drive, how can you NOT go along for the ride?
I have to say right now, 'Cologne Cerrone Houdini' will definitely be one of the most beautiful songs you'll ever hear, so that gets 5 stars alone. The singing on single 'A&E' is a good marker for the feel of the rest of the album. And when she sings 'we're here to welcome you...' on other singe 'Happiness', I can't stop myself singing it with her! Her synthesized voice is utterly unique.
The decade of partying on borrowed money is over and this album is perfect for the national come-down. It is genius.
P.S. KD Lang's 'Watershed' which has recently been released as well goes together with 'Seventh Tree' like a cup of tea and Digestive Biccy's! Perfection.
David Lo Pan, 06 Oct 2008
Ok for people that know the film Big Trouble in Little China would you agree that Goldfrapp are a lot like David Lo Pan. Let me explain - one part of them is interesting music and is quite orchestral and the other half is this rubbish glam disco. So basically two different sides.
So for the people that enjoyed Felt Mountain this album is very similar. Quite orchestral in the construction but they have took influence from their dabble in electronic. The result is quite spectacular.
So for a musical intellect it is definitely worth an inspection. For the less intellectual that crave electro pop then go elsewhere.
Astounding, 28 Aug 2008
This is why, when captive on an aeroplane, you should listen/watch different stuff. This is the most compelling new album I've heard for a while - keep listening to it, and discovering new depths. It's clever, simultaneously retro and bang up to date, and quite fascinating. Remarkable.
Sumptuous, 07 Jul 2008
Yes, of course, most album reviews on Amazon are positive, and much of the rest are from people crying 'sell out'.
Well, for what 42 years on the planet and a first ever Amazon review are worth, this is one of those very very rare albums that takes music to a new level, that even on first listening you know will live on, not necessarily defining an era, but being forever known and rediscovered. It's that good.
With the possible exception of 'Caravan Girls', nothing on this album is weak or forced - it experiments, disturbs and delights whilst at all times demonstrating an utter mastery of the craft of beautiful song writing. And underneath all of that, there remains the slightly disturbed aura of Felt Mountain that led to it being the soundtrack to the magnificent 'Monkey Dust'.
Amazon is full of supposedly 'must have' albums; this is a real one.
Not the "crossover" everyone makes it out to be, 03 Nov 2008
Firstly, maybe I should explain where I'm coming from in writing this review. I'm a true junglist and an avid Pendulum fan, I have been since I first heard "Spiral" all those years ago. I watched them make 2 years of great records before they finally dropped "Hold Your Colour" in our laps. Needless to say it was sensational. I love every single track on that album and it remains today one of my all-time favourites. So when I caught word of a new Pendulum LP in the making, I immediately had high hopes for another DnB stormer.
By the time I reached "The Tempest" I was almost in tears. It was, to me, like finding out a band I loved had split up. Pendulum are dead. This album is just an awful attempt, by a band I don't even know anymore, at blending 2 or 3 different genres together into ten tracks of failure. I'm listening to "9000 Miles" and trying to describe the dismal hybrid-wannabe drivel resonating from my speakers right now is.. well, it's indescribable. Writing this is reminding me of the loss of one of my favourite artists all over again, it hurts! :(
Backing up my criticism a little; the vocals are WAY too FX-heavy. Generally this is used to overcompensate for talentless vocalists - yes, I am suggesting something here. Also, this album is regularly used by wannabe DnB fans who are trying to "me too" their way into a music scene they perceive to be cool. This ISN'T DnB. Not by a long stretch. This is a mediocre rock/electronica mix with a breakbeat rhythm. That's also one of the reasons I felt the need to write a critical review. The amount of people putting this rubbish under the DnB umbrella is really starting to annoy me.
Why have I given it two stars when I hate it so much? Simply because I believe that all music has intrinsic value. I don't think any song can simply be labelled "bad" because someone, somewhere will like it and to them it isn't "bad" at all. The fact of the matter is that the pop/chart-loving crowd will lap this up. And if you accept it for what it is, it becomes an average-fare pop album. It's just that I'm having a hard time accepting this for what it is because I expected so much more from the guys that brought me the best album of 2005. People who have only ever heard of Pendulum through "In Silico" or just love mainstream trash may make something of this album, it just doesn't float my boat, thank you very much.
The Cheesiest Dance/Rock Album... Ever!, 13 Oct 2008
The same Big Beat drumming over the course of all 10 tracks...check.
Vocals taken from the Cher 'I Believe' hall of shame...check.
Lyrics that make 'Firestarter' sound like a deep statement...check.
Sound effects from the Scooter pro tools set...check.
...and we are ready to roll! Prepare to unleash hell!!
The thing is - occasionally we all like to inflict a little pain on ourselves and I can't believe I'm saying this... 'In Silico' can be quite a fun listen sometimes.
Just sometimes mind...
The Worlds Finest, 10 Sep 2008
Im not a massive fan of drum n bass and dont think i ever will be but 'In Silico' has certainly drawn me in and made me think twice. I constantly listened to Radio 1 talking about how great Pendulum were so i thought i had to listen for myself and see if they were all they were cracked up to be!!
They certainly didnt disappoint!
I only brought this album at the weekend and it has been playing on my car radio ever since. 'Propane Nightmares' is probably the stand out track on the album and the most recognisable to any non-pendulum fan but 'The Other Side', '9,000 Miles' & 'Granite' are other faviroutes.
A must buy for anyone!
in silico, 26 Aug 2008
My first impressions were good, as pendulum introduced me into d`n b. But after much listening and reading outher reviews I have come to notice that this album is just there to get them into the charts, regardless of true brum and bass.
Pendulum have fused together a load of power chourds and a live drummer to what could potentally been a d`n b track.
So in all; this is just really bassy rock music, (and I hate rock).
An album that will be quickly forgotten, 18 Aug 2008
I must say that I agree entirely with the review by Mr H Pearce, entitled "A change of direction", and cited as the "most helpful critical review" - he has hit the nail on the head.
I too was a big fan of Hold Your Colour as a superb cross-over album, with just the right amount of grittiness to make substantial rock and DnB references, without making both completely homogonised and bland. Alas, in Silico homogonises pretty hard, and the result is an album that sounds as though it were expressly composed for the lastest Hollywood blockbuster soundtrack.
As per Mr Pearce's insightful review, it will doubtless have a few feet tapping when it comes on that bit later in some of the bars, but this album will be forgotten long before Hold Your Colour. No stand out classics here, in an effort to appeal to absolutley everyone. Bit of a shame.
I'll echo all the positives, 07 Nov 2008
Agree with most of the reviews listed. If, like me, you went to Uni in the early 90's and have been a fan of that genre ever since you'll have almost grown up with Nick Bracegirdle's music and all the myriad offferings it inspired and spawned
From the days of saltwater to the excellent maddening crowds CD, his music has always evolved, always delivered and always impressed
Keep it up for another 10 years Nick ..
Ahhh - Finally! , 20 Oct 2008
It's 1997, my TV's switched on and I'm watching MTV. A song is just starting, but the name hasn't appeared yet. I hear a very low hum, which starts picking up a beat and a beach appears... The title of the song and artis come up, one that i have never heard before but that will mark a new era in music history: Chicane - Saltwater.
It blew me away. i still remember seeing the woman on the beach (from a bird's eye kind of view) and the sun reflected on the sand & water. The beat, the melody, the tune, it was AWESOME and i could not cope without the CD! Before all my cd's got stolen (at gatwick airport FYI) i had all the Chicane CD's.
When I saw this CD advertised the other day I was astonished, I actually leaped up from the sofa and shouted "CHICANE!!!! THAT'S MY FAVOURITE DJ!" and my girlfriend just nodded, wondering what i was on. Clearly, I bought the CD and now she listens to it more than I do.
Even though this is an awesome compliation, the other CD's remain a must have for two reasons: 1) they're all awesome, and 2) anyone who likes this sort of music respects Chicane and will want to have every piece of work this man has ever published.
Thank you for an awesome 11 years!!!
Okay, 14 Oct 2008
I was and always have been a fan, but listening to this CD makes me realise why I don't listen to them all that much anymore - from '96 to present, unless you know their music, you can't tell which ones are from '96 and which are new as the sound never changes. Back in '96, it was new and fresh, but now it all just sounds dated.
While other artists from the same era, BT, Hybrid, Way Out West and so on developed, Chicane just stood where they were. (To be fair, BT went off to a different planet, but at least he developed). And let's be honest, would they have had the success without help from Bryan Adams halfway through their career and all their other collaborations?
As for the CD - the 12" of Saltwater should have been included, not the 3:22 edit and where is Strong in Love with Sylvia Mason James and the decent Disco Citizens mix of Sunstroke?
Giving this 3 stars instead of 2 as it does contain the original 12" of Offshore, and not that god awful Offshore 97..
Get involved., 12 Oct 2008
Let me just start by saying i like Chicane. The album far from the maddening crowds wasn't a let down when i bought it after hearing and falling in love with Offshore (all those years ago!). Behind the sun was an amazing follow up album too and both have been in my favourites ever since. But Nicks later stuff didn't quite reach the same standard as far as i'm concerned. Then i saw this best of album coming out and i was interested to see what tracks would be chosen. Half the tracks i'd not even heard before so i was sceptical as i assumed it would be like the newer stuff that i dont really like. I was wrong. I dont know where i got the idea his new stuff was pants coz i like every track on this album. I'd never heard the Tom jones track before, thats banging. Spirit is ledge. And with the classics such as offshore and sunstroke its quality. If you just like a tune or 2 of chicanes get this album as i bet you'll become a huge fan after listening to it. One pitfall with it though is that it hasnt got autumn tactics on it. Why the hell not??? Best tune ever, never mind best Chicane song ever!! Anyway i'll shut up now, buy it!!
Fantastic Album - A complete must have!!, 11 Oct 2008
I bought this album today and all I can say is it is simply fantastic - I had no idea Chicane had so many well known tracks. I won't ever tire of listening to this cd - it has brought back loads of happy memories!!
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Third
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Portishead;
Universal;
2008-04-28;
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Usually dispatched within 24 hours
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Amazon: £4.97
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Product Description
Portishead's Third has been a long time coming, the result of a lengthy creative topor following 1997's dark, distinctly underrated album Portishead. Importantly, though, they've shaken it. While the core trio of Beth Gibbons, Geoff Barrow, and Adrian Utley remains, this is quite a different band to Portishead's 90s incarnation: gone is the slo-mo turntable scratching and smoky jazz feel, replaced by heavy, brooding rhythms, vintage-sounding electronics, and spindly guitar. Still present, though, is that sense of emotional fracture and deep gloom. "Silence" opens with a dense drum loop which suddenly falls away to reveal Gibbons' voice, cold but magnificent: "Wounded and afraid, inside my head/Falling through changes". "Nylon Smile", meanwhile, is a fine example of Third's occasional folksy edge, an acoustic song reminiscent of Leonard Cohen that, around its midpoint, lifts off on a propulsive electronic rhythm, Gibbons holding one clear, hard note as synthesisers bubble beneath. At times, it's a harsh and foreboding listen: the electronic drums of "Machine Gun" might put off the listener hoping for smooth dinner party fare. But Third is a brave and forward-thinking return, and one great enough to justify its lengthy gestation. --Louis Pattison
Customer Reviews
Back On Form, 11 Nov 2008
If, like me, you're one of those people who was blown away by Felt Mountain but disappointed by what came after then Seventh Tree may give you cause to rejoice.
Although a very different beast to FM this album shares the same quirky, sensual and exotic oddness as Goldfrapp's remarkable debut. The main difference between the two is mood - FM was frequently quite dark (and in the case of Deer Stop, downright creepy) but Seventh Tree is a long summer's day to Felt Moutain's eerie twilight.
Goldfrapp obviously don't mind annoying their fans - having thoroughly cheesed-off many Felt Moutain lovers (including me) by going off in a wildly differnt direction for their next two albums they've now annoyed some of the fans of those albums by abandoning the dance-orientated electronica in favour of something altogether more subtle and bewitching. Heaven knows where they'll go next.
5 stars for 'Cologne Cerrone Houdini' alone....., 20 Oct 2008
I seem to have been lost in Goldfrapp land for the last few months!
I couldn't seem to stop playing the live version of 'Strict Machine at Glastonbury' on YouTube along with 'Train' and others....then I downloaded this.
Don't worry, I read all the reviews on Amazon first and I think the considered opinion on here is correct. Which is, no it is nothing like 'Black Cherry'. It is very subtle and growing. There is none of Alison the cool as fuck disco diva, (which like I say, I'm a fan of). But this is very cool in a very different way. As she sings in 'Road To Somewhere':
'bring it on, come along, on the road to somewhere...take our time, see the sights, on the road to somewhere...'
When Alison Goldfrapp invites you to chill with her on a blissful drive, how can you NOT go along for the ride?
I have to say right now, 'Cologne Cerrone Houdini' will definitely be one of the most beautiful songs you'll ever hear, so that gets 5 stars alone. The singing on single 'A&E' is a good marker for the feel of the rest of the album. And when she sings 'we're here to welcome you...' on other singe 'Happiness', I can't stop myself singing it with her! Her synthesized voice is utterly unique.
The decade of partying on borrowed money is over and this album is perfect for the national come-down. It is genius.
P.S. KD Lang's 'Watershed' which has recently been released as well goes together with 'Seventh Tree' like a cup of tea and Digestive Biccy's! Perfection.
David Lo Pan, 06 Oct 2008
Ok for people that know the film Big Trouble in Little China would you agree that Goldfrapp are a lot like David Lo Pan. Let me explain - one part of them is interesting music and is quite orchestral and the other half is this rubbish glam disco. So basically two different sides.
So for the people that enjoyed Felt Mountain this album is very similar. Quite orchestral in the construction but they have took influence from their dabble in electronic. The result is quite spectacular.
So for a musical intellect it is definitely worth an inspection. For the less intellectual that crave electro pop then go elsewhere.
Astounding, 28 Aug 2008
This is why, when captive on an aeroplane, you should listen/watch different stuff. This is the most compelling new album I've heard for a while - keep listening to it, and discovering new depths. It's clever, simultaneously retro and bang up to date, and quite fascinating. Remarkable.
Sumptuous, 07 Jul 2008
Yes, of course, most album reviews on Amazon are positive, and much of the rest are from people crying 'sell out'.
Well, for what 42 years on the planet and a first ever Amazon review are worth, this is one of those very very rare albums that takes music to a new level, that even on first listening you know will live on, not necessarily defining an era, but being forever known and rediscovered. It's that good.
With the possible exception of 'Caravan Girls', nothing on this album is weak or forced - it experiments, disturbs and delights whilst at all times demonstrating an utter mastery of the craft of beautiful song writing. And underneath all of that, there remains the slightly disturbed aura of Felt Mountain that led to it being the soundtrack to the magnificent 'Monkey Dust'.
Amazon is full of supposedly 'must have' albums; this is a real one.
Not the "crossover" everyone makes it out to be, 03 Nov 2008
Firstly, maybe I should explain where I'm coming from in writing this review. I'm a true junglist and an avid Pendulum fan, I have been since I first heard "Spiral" all those years ago. I watched them make 2 years of great records before they finally dropped "Hold Your Colour" in our laps. Needless to say it was sensational. I love every single track on that album and it remains today one of my all-time favourites. So when I caught word of a new Pendulum LP in the making, I immediately had high hopes for another DnB stormer.
By the time I reached "The Tempest" I was almost in tears. It was, to me, like finding out a band I loved had split up. Pendulum are dead. This album is just an awful attempt, by a band I don't even know anymore, at blending 2 or 3 different genres together into ten tracks of failure. I'm listening to "9000 Miles" and trying to describe the dismal hybrid-wannabe drivel resonating from my speakers right now is.. well, it's indescribable. Writing this is reminding me of the loss of one of my favourite artists all over again, it hurts! :(
Backing up my criticism a little; the vocals are WAY too FX-heavy. Generally this is used to overcompensate for talentless vocalists - yes, I am suggesting something here. Also, this album is regularly used by wannabe DnB fans who are trying to "me too" their way into a music scene they perceive to be cool. This ISN'T DnB. Not by a long stretch. This is a mediocre rock/electronica mix with a breakbeat rhythm. That's also one of the reasons I felt the need to write a critical review. The amount of people putting this rubbish under the DnB umbrella is really starting to annoy me.
Why have I given it two stars when I hate it so much? Simply because I believe that all music has intrinsic value. I don't think any song can simply be labelled "bad" because someone, somewhere will like it and to them it isn't "bad" at all. The fact of the matter is that the pop/chart-loving crowd will lap this up. And if you accept it for what it is, it becomes an average-fare pop album. It's just that I'm having a hard time accepting this for what it is because I expected so much more from the guys that brought me the best album of 2005. People who have only ever heard of Pendulum through "In Silico" or just love mainstream trash may make something of this album, it just doesn't float my boat, thank you very much.
The Cheesiest Dance/Rock Album... Ever!, 13 Oct 2008
The same Big Beat drumming over the course of all 10 tracks...check.
Vocals taken from the Cher 'I Believe' hall of shame...check.
Lyrics that make 'Firestarter' sound like a deep statement...check.
Sound effects from the Scooter pro tools set...check.
...and we are ready to roll! Prepare to unleash hell!!
The thing is - occasionally we all like to inflict a little pain on ourselves and I can't believe I'm saying this... 'In Silico' can be quite a fun listen sometimes.
Just sometimes mind...
The Worlds Finest, 10 Sep 2008
Im not a massive fan of drum n bass and dont think i ever will be but 'In Silico' has certainly drawn me in and made me think twice. I constantly listened to Radio 1 talking about how great Pendulum were so i thought i had to listen for myself and see if they were all they were cracked up to be!!
They certainly didnt disappoint!
I only brought this album at the weekend and it has been playing on my car radio ever since. 'Propane Nightmares' is probably the stand out track on the album and the most recognisable to any non-pendulum fan but 'The Other Side', '9,000 Miles' & 'Granite' are other faviroutes.
A must buy for anyone!
in silico, 26 Aug 2008
My first impressions were good, as pendulum introduced me into d`n b. But after much listening and reading outher reviews I have come to notice that this album is just there to get them into the charts, regardless of true brum and bass.
Pendulum have fused together a load of power chourds and a live drummer to what could potentally been a d`n b track.
So in all; this is just really bassy rock music, (and I hate rock).
An album that will be quickly forgotten, 18 Aug 2008
I must say that I agree entirely with the review by Mr H Pearce, entitled "A change of direction", and cited as the "most helpful critical review" - he has hit the nail on the head.
I too was a big fan of Hold Your Colour as a superb cross-over album, with just the right amount of grittiness to make substantial rock and DnB references, without making both completely homogonised and bland. Alas, in Silico homogonises pretty hard, and the result is an album that sounds as though it were expressly composed for the lastest Hollywood blockbuster soundtrack.
As per Mr Pearce's insightful review, it will doubtless have a few feet tapping when it comes on that bit later in some of the bars, but this album will be forgotten long before Hold Your Colour. No stand out classics here, in an effort to appeal to absolutley everyone. Bit of a shame.
I'll echo all the positives, 07 Nov 2008
Agree with most of the reviews listed. If, like me, you went to Uni in the early 90's and have been a fan of that genre ever since you'll have almost grown up with Nick Bracegirdle's music and all the myriad offferings it inspired and spawned
From the days of saltwater to the excellent maddening crowds CD, his music has always evolved, always delivered and always impressed
Keep it up for another 10 years Nick ..
Ahhh - Finally! , 20 Oct 2008
It's 1997, my TV's switched on and I'm watching MTV. A song is just starting, but the name hasn't appeared yet. I hear a very low hum, which starts picking up a beat and a beach appears... The title of the song and artis come up, one that i have never heard before but that will mark a new era in music history: Chicane - Saltwater.
It blew me away. i still remember seeing the woman on the beach (from a bird's eye kind of view) and the sun reflected on the sand & water. The beat, the melody, the tune, it was AWESOME and i could not cope without the CD! Before all my cd's got stolen (at gatwick airport FYI) i had all the Chicane CD's.
When I saw this CD advertised the other day I was astonished, I actually leaped up from the sofa and shouted "CHICANE!!!! THAT'S MY FAVOURITE DJ!" and my girlfriend just nodded, wondering what i was on. Clearly, I bought the CD and now she listens to it more than I do.
Even though this is an awesome compliation, the other CD's remain a must have for two reasons: 1) they're all awesome, and 2) anyone who likes this sort of music respects Chicane and will want to have every piece of work this man has ever published.
Thank you for an awesome 11 years!!!
Okay, 14 Oct 2008
I was and always have been a fan, but listening to this CD makes me realise why I don't listen to them all that much anymore - from '96 to present, unless you know their music, you can't tell which ones are from '96 and which are new as the sound never changes. Back in '96, it was new and fresh, but now it all just sounds dated.
While other artists from the same era, BT, Hybrid, Way Out West and so on developed, Chicane just stood where they were. (To be fair, BT went off to a different planet, but at least he developed). And let's be honest, would they have had the success without help from Bryan Adams halfway through their career and all their other collaborations?
As for the CD - the 12" of Saltwater should have been included, not the 3:22 edit and where is Strong in Love with Sylvia Mason James and the decent Disco Citizens mix of Sunstroke?
Giving this 3 stars instead of 2 as it does contain the original 12" of Offshore, and not that god awful Offshore 97..
Get involved., 12 Oct 2008
Let me just start by saying i like Chicane. The album far from the maddening crowds wasn't a let down when i bought it after hearing and falling in love with Offshore (all those years ago!). Behind the sun was an amazing follow up album too and both have been in my favourites ever since. But Nicks later stuff didn't quite reach the same standard as far as i'm concerned. Then i saw this best of album coming out and i was interested to see what tracks would be chosen. Half the tracks i'd not even heard before so i was sceptical as i assumed it would be like the newer stuff that i dont really like. I was wrong. I dont know where i got the idea his new stuff was pants coz i like every track on this album. I'd never heard the Tom jones track before, thats banging. Spirit is ledge. And with the classics such as offshore and sunstroke its quality. If you just like a tune or 2 of chicanes get this album as i bet you'll become a huge fan after listening to it. One pitfall with it though is that it hasnt got autumn tactics on it. Why the hell not??? Best tune ever, never mind best Chicane song ever!! Anyway i'll shut up now, buy it!!
Fantastic Album - A complete must have!!, 11 Oct 2008
I bought this album today and all I can say is it is simply fantastic - I had no idea Chicane had so many well known tracks. I won't ever tire of listening to this cd - it has brought back loads of happy memories!!
What a comeback, 21 Nov 2008
Much of the time bands who have gone into hibernation return with albums which are mere shadows of their previous work. This album is the complete opposite and successfully captures the eerie tones which occupy many of their best songs. I simply cannot pick a favourite from an album which oozes style.
what a load of crock, 11 Nov 2008
what a load of miserable garbled junk....
portishead should be embarassed of themselves...
i am only giving it one star because amazon wont let me give it zero stars...
utter durge..
Moshing for hip hoppers, 24 Oct 2008
When I first heard Portishead's second album it sounded too much like a rusty tinman falling down a flight of even rustier iron stairs into an industrial meat grinder. So the album remained unlistened to for maybe a year, until I decided to give it a second chance and eventually fell in love with it. Third is very much a further progression in the same direction as before, but I have learned from my mistakes, and know that anything unusual and unexpected takes time to get used to. Initially I hated Machine Gun, and couldn't see how it was meant to be musical in any way, but as often seems to be the case, the tracks I hate most in the beginning turn out to be the winners in the long run.
If you approach music with expectation then you are setting yourself up to be let down, just listen to the album and don't let your ego get in the way.
This album is a dirty gem.
With the emphasis on dirty.
And gem.
If you're that worried about spending your hardly earned cash on an album you may or may not like, then just download it illegally you tight-fisted infidels.
Peace.
Morose Encounters of the Third Kind, 13 Oct 2008
This album is really on the pulse and that is the greatest compliment you can pay a band who haven't released any new material in over 10 years. 'We Carry On' is the surging adrenaline and panicking heartbeat at the centre of this very scary ride. It's the sound of our collective urban nightmare! 'The Rip' is an instant classic - just beautiful and yes, a bit sad. 'Machine Gun' and 'Plastic' wear obvious Aphex Twin and Burial influences but are still uniquely different to anything else out there. Comeback of the year.
Amazing, 09 Sep 2008
Look, if you've given this album a poor review then stop, put on a good pair of headphones, and listen to this album properly without skipping tracks. Quite frankly this is the most moving thing I've heard for a long time.
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Customer Reviews
Back On Form, 11 Nov 2008
If, like me, you're one of those people who was blown away by Felt Mountain but disappointed by what came after then Seventh Tree may give you cause to rejoice.
Although a very different beast to FM this album shares the same quirky, sensual and exotic oddness as Goldfrapp's remarkable debut. The main difference between the two is mood - FM was frequently quite dark (and in the case of Deer Stop, downright creepy) but Seventh Tree is a long summer's day to Felt Moutain's eerie twilight.
Goldfrapp obviously don't mind annoying their fans - having thoroughly cheesed-off many Felt Moutain lovers (including me) by going off in a wildly differnt direction for their next two albums they've now annoyed some of the fans of those albums by abandoning the dance-orientated electronica in favour of something altogether more subtle and bewitching. Heaven knows where they'll go next.
5 stars for 'Cologne Cerrone Houdini' alone....., 20 Oct 2008
I seem to have been lost in Goldfrapp land for the last few months!
I couldn't seem to stop playing the live version of 'Strict Machine at Glastonbury' on YouTube along with 'Train' and others....then I downloaded this.
Don't worry, I read all the reviews on Amazon first and I think the considered opinion on here is correct. Which is, no it is nothing like 'Black Cherry'. It is very subtle and growing. There is none of Alison the cool as fuck disco diva, (which like I say, I'm a fan of). But this is very cool in a very different way. As she sings in 'Road To Somewhere':
'bring it on, come along, on the road to somewhere...take our time, see the sights, on the road to somewhere...'
When Alison Goldfrapp invites you to chill with her on a blissful drive, how can you NOT go along for the ride?
I have to say right now, 'Cologne Cerrone Houdini' will definitely be one of the most beautiful songs you'll ever hear, so that gets 5 stars alone. The singing on single 'A&E' is a good marker for the feel of the rest of the album. And when she sings 'we're here to welcome you...' on other singe 'Happiness', I can't stop myself singing it with her! Her synthesized voice is utterly unique.
The decade of partying on borrowed money is over and this album is perfect for the national come-down. It is genius.
P.S. KD Lang's 'Watershed' which has recently been released as well goes together with 'Seventh Tree' like a cup of tea and Digestive Biccy's! Perfection.
David Lo Pan, 06 Oct 2008
Ok for people that know the film Big Trouble in Little China would you agree that Goldfrapp are a lot like David Lo Pan. Let me explain - one part of them is interesting music and is quite orchestral and the other half is this rubbish glam disco. So basically two different sides.
So for the people that enjoyed Felt Mountain this album is very similar. Quite orchestral in the construction but they have took influence from their dabble in electronic. The result is quite spectacular.
So for a musical intellect it is definitely worth an inspection. For the less intellectual that crave electro pop then go elsewhere.
Astounding, 28 Aug 2008
This is why, when captive on an aeroplane, you should listen/watch different stuff. This is the most compelling new album I've heard for a while - keep listening to it, and discovering new depths. It's clever, simultaneously retro and bang up to date, and quite fascinating. Remarkable.
Sumptuous, 07 Jul 2008
Yes, of course, most album reviews on Amazon are positive, and much of the rest are from people crying 'sell out'.
Well, for what 42 years on the planet and a first ever Amazon review are worth, this is one of those very very rare albums that takes music to a new level, that even on first listening you know will live on, not necessarily defining an era, but being forever known and rediscovered. It's that good.
With the possible exception of 'Caravan Girls', nothing on this album is weak or forced - it experiments, disturbs and delights whilst at all times demonstrating an utter mastery of the craft of beautiful song writing. And underneath all of that, there remains the slightly disturbed aura of Felt Mountain that led to it being the soundtrack to the magnificent 'Monkey Dust'.
Amazon is full of supposedly 'must have' albums; this is a real one.
Not the "crossover" everyone makes it out to be, 03 Nov 2008
Firstly, maybe I should explain where I'm coming from in writing this review. I'm a true junglist and an avid Pendulum fan, I have been since I first heard "Spiral" all those years ago. I watched them make 2 years of great records before they finally dropped "Hold Your Colour" in our laps. Needless to say it was sensational. I love every single track on that album and it remains today one of my all-time favourites. So when I caught word of a new Pendulum LP in the making, I immediately had high hopes for another DnB stormer.
By the time I reached "The Tempest" I was almost in tears. It was, to me, like finding out a band I loved had split up. Pendulum are dead. This album is just an awful attempt, by a band I don't even know anymore, at blending 2 or 3 different genres together into ten tracks of failure. I'm listening to "9000 Miles" and trying to describe the dismal hybrid-wannabe drivel resonating from my speakers right now is.. well, it's indescribable. Writing this is reminding me of the loss of one of my favourite artists all over again, it hurts! :(
Backing up my criticism a little; the vocals are WAY too FX-heavy. Generally this is used to overcompensate for talentless vocalists - yes, I am suggesting something here. Also, this album is regularly used by wannabe DnB fans who are trying to "me too" their way into a music scene they perceive to be cool. This ISN'T DnB. Not by a long stretch. This is a mediocre rock/electronica mix with a breakbeat rhythm. That's also one of the reasons I felt the need to write a critical review. The amount of people putting this rubbish under the DnB umbrella is really starting to annoy me.
Why have I given it two stars when I hate it so much? Simply because I believe that all music has intrinsic value. I don't think any song can simply be labelled "bad" because someone, somewhere will like it and to them it isn't "bad" at all. The fact of the matter is that the pop/chart-loving crowd will lap this up. And if you accept it for what it is, it becomes an average-fare pop album. It's just that I'm having a hard time accepting this for what it is because I expected so much more from the guys that brought me the best album of 2005. People who have only ever heard of Pendulum through "In Silico" or just love mainstream trash may make something of this album, it just doesn't float my boat, thank you very much.
The Cheesiest Dance/Rock Album... Ever!, 13 Oct 2008
The same Big Beat drumming over the course of all 10 tracks...check.
Vocals taken from the Cher 'I Believe' hall of shame...check.
Lyrics that make 'Firestarter' sound like a deep statement...check.
Sound effects from the Scooter pro tools set...check.
...and we are ready to roll! Prepare to unleash hell!!
The thing is - occasionally we all like to inflict a little pain on ourselves and I can't believe I'm saying this... 'In Silico' can be quite a fun listen sometimes.
Just sometimes mind...
The Worlds Finest, 10 Sep 2008
Im not a massive fan of drum n bass and dont think i ever will be but 'In Silico' has certainly drawn me in and made me think twice. I constantly listened to Radio 1 talking about how great Pendulum were so i thought i had to listen for myself and see if they were all they were cracked up to be!!
They certainly didnt disappoint!
I only brought this album at the weekend and it has been playing on my car radio ever since. 'Propane Nightmares' is probably the stand out track on the album and the most recognisable to any non-pendulum fan but 'The Other Side', '9,000 Miles' & 'Granite' are other faviroutes.
A must buy for anyone!
in silico, 26 Aug 2008
My first impressions were good, as pendulum introduced me into d`n b. But after much listening and reading outher reviews I have come to notice that this album is just there to get them into the charts, regardless of true brum and bass.
Pendulum have fused together a load of power chourds and a live drummer to what could potentally been a d`n b track.
So in all; this is just really bassy rock music, (and I hate rock).
An album that will be quickly forgotten, 18 Aug 2008
I must say that I agree entirely with the review by Mr H Pearce, entitled "A change of direction", and cited as the "most helpful critical review" - he has hit the nail on the head.
I too was a big fan of Hold Your Colour as a superb cross-over album, with just the right amount of grittiness to make substantial rock and DnB references, without making both completely homogonised and bland. Alas, in Silico homogonises pretty hard, and the result is an album that sounds as though it were expressly composed for the lastest Hollywood blockbuster soundtrack.
As per Mr Pearce's insightful review, it will doubtless have a few feet tapping when it comes on that bit later in some of the bars, but this album will be forgotten long before Hold Your Colour. No stand out classics here, in an effort to appeal to absolutley everyone. Bit of a shame.
I'll echo all the positives, 07 Nov 2008
Agree with most of the reviews listed. If, like me, you went to Uni in the early 90's and have been a fan of that genre ever since you'll have almost grown up with Nick Bracegirdle's music and all the myriad offferings it inspired and spawned
From the days of saltwater to the excellent maddening crowds CD, his music has always evolved, always delivered and always impressed
Keep it up for another 10 years Nick ..
Ahhh - Finally! , 20 Oct 2008
It's 1997, my TV's switched on and I'm watching MTV. A song is just starting, but the name hasn't appeared yet. I hear a very low hum, which starts picking up a beat and a beach appears... The title of the song and artis come up, one that i have never heard before but that will mark a new era in music history: Chicane - Saltwater.
It blew me away. i still remember seeing the woman on the beach (from a bird's eye kind of view) and the sun reflected on the sand & water. The beat, the melody, the tune, it was AWESOME and i could not cope without the CD! Before all my cd's got stolen (at gatwick airport FYI) i had all the Chicane CD's.
When I saw this CD advertised the other day I was astonished, I actually leaped up from the sofa and shouted "CHICANE!!!! THAT'S MY FAVOURITE DJ!" and my girlfriend just nodded, wondering what i was on. Clearly, I bought the CD and now she listens to it more than I do.
Even though this is an awesome compliation, the other CD's remain a must have for two reasons: 1) they're all awesome, and 2) anyone who likes this sort of music respects Chicane and will want to have every piece of work this man has ever published.
Thank you for an awesome 11 years!!!
Okay, 14 Oct 2008
I was and always have been a fan, but listening to this CD makes me realise why I don't listen to them all that much anymore - from '96 to present, unless you know their music, you can't tell which ones are from '96 and which are new as the sound never changes. Back in '96, it was new and fresh, but now it all just sounds dated.
While other artists from the same era, BT, Hybrid, Way Out West and so on developed, Chicane just stood where they were. (To be fair, BT went off to a different planet, but at least he developed). And let's be honest, would they have had the success without help from Bryan Adams halfway through their career and all their other collaborations?
As for the CD - the 12" of Saltwater should have been included, not the 3:22 edit and where is Strong in Love with Sylvia Mason James and the decent Disco Citizens mix of Sunstroke?
Giving this 3 stars instead of 2 as it does contain the original 12" of Offshore, and not that god awful Offshore 97..
Get involved., 12 Oct 2008
Let me just start by saying i like Chicane. The album far from the maddening crowds wasn't a let down when i bought it after hearing and falling in love with Offshore (all those years ago!). Behind the sun was an amazing follow up album too and both have been in my favourites ever since. But Nicks later stuff didn't quite reach the same standard as far as i'm concerned. Then i saw this best of album coming out and i was interested to see what tracks would be chosen. Half the tracks i'd not even heard before so i was sceptical as i assumed it would be like the newer stuff that i dont really like. I was wrong. I dont know where i got the idea his new stuff was pants coz i like every track on this album. I'd never heard the Tom jones track before, thats banging. Spirit is ledge. And with the classics such as offshore and sunstroke its quality. If you just like a tune or 2 of chicanes get this album as i bet you'll become a huge fan after listening to it. One pitfall with it though is that it hasnt got autumn tactics on it. Why the hell not??? Best tune ever, never mind best Chicane song ever!! Anyway i'll shut up now, buy it!!
Fantastic Album - A complete must have!!, 11 Oct 2008
I bought this album today and all I can say is it is simply fantastic - I had no idea Chicane had so many well known tracks. I won't ever tire of listening to this cd - it has brought back loads of happy memories!!
What a comeback, 21 Nov 2008
Much of the time bands who have gone into hibernation return with albums which are mere shadows of their previous work. This album is the complete opposite and successfully captures the eerie tones which occupy many of their best songs. I simply cannot pick a favourite from an album which oozes style.
what a load of crock, 11 Nov 2008
what a load of miserable garbled junk....
portishead should be embarassed of themselves...
i am only giving it one star because amazon wont let me give it zero stars...
utter durge..
Moshing for hip hoppers, 24 Oct 2008
When I first heard Portishead's second album it sounded too much like a rusty tinman falling down a flight of even rustier iron stairs into an industrial meat grinder. So the album remained unlistened to for maybe a year, until I decided to give it a second chance and eventually fell in love with it. Third is very much a further progression in the same direction as before, but I have learned from my mistakes, and know that anything unusual and unexpected takes time to get used to. Initially I hated Machine Gun, and couldn't see how it was meant to be musical in any way, but as often seems to be the case, the tracks I hate most in the beginning turn out to be the winners in the long run.
If you approach music with expectation then you are setting yourself up to be let down, just listen to the album and don't let your ego get in the way.
This album is a dirty gem.
With the emphasis on dirty.
And gem.
If you're that worried about spending your hardly earned cash on an album you may or may not like, then just download it illegally you tight-fisted infidels.
Peace.
Morose Encounters of the Third Kind, 13 Oct 2008
This album is really on the pulse and that is the greatest compliment you can pay a band who haven't released any new material in over 10 years. 'We Carry On' is the surging adrenaline and panicking heartbeat at the centre of this very scary ride. It's the sound of our collective urban nightmare! 'The Rip' is an instant classic - just beautiful and yes, a bit sad. 'Machine Gun' and 'Plastic' wear obvious Aphex Twin and Burial influences but are still uniquely different to anything else out there. Comeback of the year.
Amazing, 09 Sep 2008
Look, if you've given this album a poor review then stop, put on a good pair of headphones, and listen to this album properly without skipping tracks. Quite frankly this is the most moving thing I've heard for a long time.
Best Club Album Yet !!!, 27 Oct 2008
Well i must say i thought this was just another compilation of the latest tunes that i don't care about at all. How i was wrong !!
This is brilliant, it contains new songs such as "Cry for You" and also contains some real classics such as "Luvstruck" which we recognize from "Kevin and Perry". The list really does go on and not only are they brilliant tracks but they are also all club mixes of these songs so there's added bass and speed on most tracks.
Good for general listening but obviously much better in the car, club, house party or anywhere with loud speakers and subs !!
EASILY worth the money !!
Ben
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Hotel Costes - 11
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Stephane Pompougnac;
Pschent;
2008-09-15;
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Usually dispatched within 1-2 business days
*Best price found from Amazon Marketplace seller
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*Amazon: £9.99
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Customer Reviews
Back On Form, 11 Nov 2008
If, like me, you're one of those people who was blown away by Felt Mountain but disappointed by what came after then Seventh Tree may give you cause to rejoice.
Although a very different beast to FM this album shares the same quirky, sensual and exotic oddness as Goldfrapp's remarkable debut. The main difference between the two is mood - FM was frequently quite dark (and in the case of Deer Stop, downright creepy) but Seventh Tree is a long summer's day to Felt Moutain's eerie twilight.
Goldfrapp obviously don't mind annoying their fans - having thoroughly cheesed-off many Felt Moutain lovers (including me) by going off in a wildly differnt direction for their next two albums they've now annoyed some of the fans of those albums by abandoning the dance-orientated electronica in favour of something altogether more subtle and bewitching. Heaven knows where they'll go next.
5 stars for 'Cologne Cerrone Houdini' alone....., 20 Oct 2008
I seem to have been lost in Goldfrapp land for the last few months!
I couldn't seem to stop playing the live version of 'Strict Machine at Glastonbury' on YouTube along with 'Train' and others....then I downloaded this.
Don't worry, I read all the reviews on Amazon first and I think the considered opinion on here is correct. Which is, no it is nothing like 'Black Cherry'. It is very subtle and growing. There is none of Alison the cool as fuck disco diva, (which like I say, I'm a fan of). But this is very cool in a very different way. As she sings in 'Road To Somewhere':
'bring it on, come along, on the road to somewhere...take our time, see the sights, on the road to somewhere...'
When Alison Goldfrapp invites you to chill with her on a blissful drive, how can you NOT go along for the ride?
I have to say right now, 'Cologne Cerrone Houdini' will definitely be one of the most beautiful songs you'll ever hear, so that gets 5 stars alone. The singing on single 'A&E' is a good marker for the feel of the rest of the album. And when she sings 'we're here to welcome you...' on other singe 'Happiness', I can't stop myself singing it with her! Her synthesized voice is utterly unique.
The decade of partying on borrowed money is over and this album is perfect for the national come-down. It is genius.
P.S. KD Lang's 'Watershed' which has recently been released as well goes together with 'Seventh Tree' like a cup of tea and Digestive Biccy's! Perfection.
David Lo Pan, 06 Oct 2008
Ok for people that know the film Big Trouble in Little China would you agree that Goldfrapp are a lot like David Lo Pan. Let me explain - one part of them is interesting music and is quite orchestral and the other half is this rubbish glam disco. So basically two different sides.
So for the people that enjoyed Felt Mountain this album is very similar. Quite orchestral in the construction but they have took influence from their dabble in electronic. The result is quite spectacular.
So for a musical intellect it is definitely worth an inspection. For the less intellectual that crave electro pop then go elsewhere.
Astounding, 28 Aug 2008
This is why, when captive on an aeroplane, you should listen/watch different stuff. This is the most compelling new album I've heard for a while - keep listening to it, and discovering new depths. It's clever, simultaneously retro and bang up to date, and quite fascinating. Remarkable.
Sumptuous, 07 Jul 2008
Yes, of course, most album reviews on Amazon are positive, and much of the rest are from people crying 'sell out'.
Well, for what 42 years on the planet and a first ever Amazon review are worth, this is one of those very very rare albums that takes music to a new level, that even on first listening you know will live on, not necessarily defining an era, but being forever known and rediscovered. It's that good.
With the possible exception of 'Caravan Girls', nothing on this album is weak or forced - it experiments, disturbs and delights whilst at all times demonstrating an utter mastery of the craft of beautiful song writing. And underneath all of that, there remains the slightly disturbed aura of Felt Mountain that led to it being the soundtrack to the magnificent 'Monkey Dust'.
Amazon is full of supposedly 'must have' albums; this is a real one.
Not the "crossover" everyone makes it out to be, 03 Nov 2008
Firstly, maybe I should explain where I'm coming from in writing this review. I'm a true junglist and an avid Pendulum fan, I have been since I first heard "Spiral" all those years ago. I watched them make 2 years of great records before they finally dropped "Hold Your Colour" in our laps. Needless to say it was sensational. I love every single track on that album and it remains today one of my all-time favourites. So when I caught word of a new Pendulum LP in the making, I immediately had high hopes for another DnB stormer.
By the time I reached "The Tempest" I was almost in tears. It was, to me, like finding out a band I loved had split up. Pendulum are dead. This album is just an awful attempt, by a band I don't even know anymore, at blending 2 or 3 different genres together into ten tracks of failure. I'm listening to "9000 Miles" and trying to describe the dismal hybrid-wannabe drivel resonating from my speakers right now is.. well, it's indescribable. Writing this is reminding me of the loss of one of my favourite artists all over again, it hurts! :(
Backing up my criticism a little; the vocals are WAY too FX-heavy. Generally this is used to overcompensate for talentless vocalists - yes, I am suggesting something here. Also, this album is regularly used by wannabe DnB fans who are trying to "me too" their way into a music scene they perceive to be cool. This ISN'T DnB. Not by a long stretch. This is a mediocre rock/electronica mix with a breakbeat rhythm. That's also one of the reasons I felt the need to write a critical review. The amount of people putting this rubbish under the DnB umbrella is really starting to annoy me.
Why have I given it two stars when I hate it so much? Simply because I believe that all music has intrinsic value. I don't think any song can simply be labelled "bad" because someone, somewhere will like it and to them it isn't "bad" at all. The fact of the matter is that the pop/chart-loving crowd will lap this up. And if you accept it for what it is, it becomes an average-fare pop album. It's just that I'm having a hard time accepting this for what it is because I expected so much more from the guys that brought me the best album of 2005. People who have only ever heard of Pendulum through "In Silico" or just love mainstream trash may make something of this album, it just doesn't float my boat, thank you very much.
The Cheesiest Dance/Rock Album... Ever!, 13 Oct 2008
The same Big Beat drumming over the course of all 10 tracks...check.
Vocals taken from the Cher 'I Believe' hall of shame...check.
Lyrics that make 'Firestarter' sound like a deep statement...check.
Sound effects from the Scooter pro tools set...check.
...and we are ready to roll! Prepare to unleash hell!!
The thing is - occasionally we all like to inflict a little pain on ourselves and I can't believe I'm saying this... 'In Silico' can be quite a fun listen sometimes.
Just sometimes mind...
The Worlds Finest, 10 Sep 2008
Im not a massive fan of drum n bass and dont think i ever will be but 'In Silico' has certainly drawn me in and made me think twice. I constantly listened to Radio 1 talking about how great Pendulum were so i thought i had to listen for myself and see if they were all they were cracked up to be!!
They certainly didnt disappoint!
I only brought this album at the weekend and it has been playing on my car radio ever since. 'Propane Nightmares' is probably the stand out track on the album and the most recognisable to any non-pendulum fan but 'The Other Side', '9,000 Miles' & 'Granite' are other faviroutes.
A must buy for anyone!
in silico, 26 Aug 2008
My first impressions were good, as pendulum introduced me into d`n b. But after much listening and reading outher reviews I have come to notice that this album is just there to get them into the charts, regardless of true brum and bass.
Pendulum have fused together a load of power chourds and a live drummer to what could potentally been a d`n b track.
So in all; this is just really bassy rock music, (and I hate rock).
An album that will be quickly forgotten, 18 Aug 2008
I must say that I agree entirely with the review by Mr H Pearce, entitled "A change of direction", and cited as the "most helpful critical review" - he has hit the nail on the head.
I too was a big fan of Hold Your Colour as a superb cross-over album, with just the right amount of grittiness to make substantial rock and DnB references, without making both completely homogonised and bland. Alas, in Silico homogonises pretty hard, and the result is an album that sounds as though it were expressly composed for the lastest Hollywood blockbuster soundtrack.
As per Mr Pearce's insightful review, it will doubtless have a few feet tapping when it comes on that bit later in some of the bars, but this album will be forgotten long before Hold Your Colour. No stand out classics here, in an effort to appeal to absolutley everyone. Bit of a shame.
I'll echo all the positives, 07 Nov 2008
Agree with most of the reviews listed. If, like me, you went to Uni in the early 90's and have been a fan of that genre ever since you'll have almost grown up with Nick Bracegirdle's music and all the myriad offferings it inspired and spawned
From the days of saltwater to the excellent maddening crowds CD, his music has always evolved, always delivered and always impressed
Keep it up for another 10 years Nick ..
Ahhh - Finally! , 20 Oct 2008
It's 1997, my TV's switched on and I'm watching MTV. A song is just starting, but the name hasn't appeared yet. I hear a very low hum, which starts picking up a beat and a beach appears... The title of the song and artis come up, one that i have never heard before but that will mark a new era in music history: Chicane - Saltwater.
It blew me away. i still remember seeing the woman on the beach (from a bird's eye kind of view) and the sun reflected on the sand & water. The beat, the melody, the tune, it was AWESOME and i could not cope without the CD! Before all my cd's got stolen (at gatwick airport FYI) i had all the Chicane CD's.
When I saw this CD advertised the other day I was astonished, I actually leaped up from the sofa and shouted "CHICANE!!!! THAT'S MY FAVOURITE DJ!" and my girlfriend just nodded, wondering what i was on. Clearly, I bought the CD and now she listens to it more than I do.
Even though this is an awesome compliation, the other CD's remain a must have for two reasons: 1) they're all awesome, and 2) anyone who likes this sort of music respects Chicane and will want to have every piece of work this man has ever published.
Thank you for an awesome 11 years!!!
Okay, 14 Oct 2008
I was and always have been a fan, but listening to this CD makes me realise why I don't listen to them all that much anymore - from '96 to present, unless you know their music, you can't tell which ones are from '96 and which are new as the sound never changes. Back in '96, it was new and fresh, but now it all just sounds dated.
While other artists from the same era, BT, Hybrid, Way Out West and so on developed, Chicane just stood where they were. (To be fair, BT went off to a different planet, but at least he developed). And let's be honest, would they have had the success without help from Bryan Adams halfway through their career and all their other collaborations?
As for the CD - the 12" of Saltwater should have been included, not the 3:22 edit and where is Strong in Love with Sylvia Mason James and the decent Disco Citizens mix of Sunstroke?
Giving this 3 stars instead of 2 as it does contain the original 12" of Offshore, and not that god awful Offshore 97..
Get involved., 12 Oct 2008
Let me just start by saying i like Chicane. The album far from the maddening crowds wasn't a let down when i bought it after hearing and falling in love with Offshore (all those years ago!). Behind the sun was an amazing follow up album too and both have been in my favourites ever since. But Nicks later stuff didn't quite reach the same standard as far as i'm concerned. Then i saw this best of album coming out and i was interested to see what tracks would be chosen. Half the tracks i'd not even heard before so i was sceptical as i assumed it would be like the newer stuff that i dont really like. I was wrong. I dont know where i got the idea his new stuff was pants coz i like every track on this album. I'd never heard the Tom jones track before, thats banging. Spirit is ledge. And with the classics such as offshore and sunstroke its quality. If you just like a tune or 2 of chicanes get this album as i bet you'll become a huge fan after listening to it. One pitfall with it though is that it hasnt got autumn tactics on it. Why the hell not??? Best tune ever, never mind best Chicane song ever!! Anyway i'll shut up now, buy it!!
Fantastic Album - A complete must have!!, 11 Oct 2008
I bought this album today and all I can say is it is simply fantastic - I had no idea Chicane had so many well known tracks. I won't ever tire of listening to this cd - it has brought back loads of happy memories!!
What a comeback, 21 Nov 2008
Much of the time bands who have gone into hibernation return with albums which are mere shadows of their previous work. This album is the complete opposite and successfully captures the eerie tones which occupy many of their best songs. I simply cannot pick a favourite from an album which oozes style.
what a load of crock, 11 Nov 2008
what a load of miserable garbled junk....
portishead should be embarassed of themselves...
i am only giving it one star because amazon wont let me give it zero stars...
utter durge..
Moshing for hip hoppers, 24 Oct 2008
When I first heard Portishead's second album it sounded too much like a rusty tinman falling down a flight of even rustier iron stairs into an industrial meat grinder. So the album remained unlistened to for maybe a year, until I decided to give it a second chance and eventually fell in love with it. Third is very much a further progression in the same direction as before, but I have learned from my mistakes, and know that anything unusual and unexpected takes time to get used to. Initially I hated Machine Gun, and couldn't see how it was meant to be musical in any way, but as often seems to be the case, the tracks I hate most in the beginning turn out to be the winners in the long run.
If you approach music with expectation then you are setting yourself up to be let down, just listen to the album and don't let your ego get in the way.
This album is a dirty gem.
With the emphasis on dirty.
And gem.
If you're that worried about spending your hardly earned cash on an album you may or may not like, then just download it illegally you tight-fisted infidels.
Peace.
Morose Encounters of the Third Kind, 13 Oct 2008
This album is really on the pulse and that is the greatest compliment you can pay a band who haven't released any new material in over 10 years. 'We Carry On' is the surging adrenaline and panicking heartbeat at the centre of this very scary ride. It's the sound of our collective urban nightmare! 'The Rip' is an instant classic - just beautiful and yes, a bit sad. 'Machine Gun' and 'Plastic' wear obvious Aphex Twin and Burial influences but are still uniquely different to anything else out there. Comeback of the year.
Amazing, 09 Sep 2008
Look, if you've given this album a poor review then stop, put on a good pair of headphones, and listen to this album properly without skipping tracks. Quite frankly this is the most moving thing I've heard for a long time.
Best Club Album Yet !!!, 27 Oct 2008
Well i must say i thought this was just another compilation of the latest tunes that i don't care about at all. How i was wrong !!
This is brilliant, it contains new songs such as "Cry for You" and also contains some real classics such as "Luvstruck" which we recognize from "Kevin and Perry". The list really does go on and not only are they brilliant tracks but they are also all club mixes of these songs so there's added bass and speed on most tracks.
Good for general listening but obviously much better in the car, club, house party or anywhere with loud speakers and subs !!
EASILY worth the money !!
Ben
Keeps up the high standards, 29 Oct 2008
As you may gather from this review title, I bought this simply because I have all the other CDs in this series.
So, what's new? Very little, which if you like this type of music is a GOOD THING. A superb selection of grooves and tracks. If I'm being super-critical, theres a couple of tracks near the start of the album which I feel don't quite work or are a little weak, but once it gets moving it does what all the Hotel Costes CDs do - make you feel good.
Maybe not the strongest in every department out of all the Hotel Costes CDs, but nowhere near the worst. Perfect for when you have a few firends around chatting, for chilled nights in or for Sunday morning pick-me-up. Highly recommend.
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Supernature
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Goldfrapp;
Mute;
2005-08-22;
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Usually dispatched within 1-2 business days
*Best price found from Amazon Marketplace seller
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*Amazon: £2.07
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Product Description
With their Black Cherry album, the duo of vocalist Alison Goldfrapp and composer Will Gregory moved emphatically away from the folky, filmic forays of their debut Felt Mountain to explore edgier, sexier themes. Supernature, their third long-player, continues to probe this more "adult" world, lashing together lascivious electro, cascading synths and the exhumed spirits of artists like Gary Numan and Giorgio Moroder. Lead single "Ooh La La", with its cosmetic sheen and hedonistic pop feel, is a good indicator for the rest of the album. The aphotic, flirtatious pulse of tracks like "Ride A White Horse" and "Koko" contrast subtly with spectral dream-pieces such as "Let It Take U" and "U Never Know", while Goldfrapp's vocals--dripping here with a digitized sensuality--and Gregory's arching soundscapes provide textural continuity. Occasionally vampish and consistently visceral, this is a classy excursion into Goldfrappian gothic dance-pop.
Customer Reviews
Back On Form, 11 Nov 2008
If, like me, you're one of those people who was blown away by Felt Mountain but disappointed by what came after then Seventh Tree may give you cause to rejoice.
Although a very different beast to FM this album shares the same quirky, sensual and exotic oddness as Goldfrapp's remarkable debut. The main difference between the two is mood - FM was frequently quite dark (and in the case of Deer Stop, downright creepy) but Seventh Tree is a long summer's day to Felt Moutain's eerie twilight.
Goldfrapp obviously don't mind annoying their fans - having thoroughly cheesed-off many Felt Moutain lovers (including me) by going off in a wildly differnt direction for their next two albums they've now annoyed some of the fans of those albums by abandoning the dance-orientated electronica in favour of something altogether more subtle and bewitching. Heaven knows where they'll go next.
5 stars for 'Cologne Cerrone Houdini' alone....., 20 Oct 2008
I seem to have been lost in Goldfrapp land for the last few months!
I couldn't seem to stop playing the live version of 'Strict Machine at Glastonbury' on YouTube along with 'Train' and others....then I downloaded this.
Don't worry, I read all the reviews on Amazon first and I think the considered opinion on here is correct. Which is, no it is nothing like 'Black Cherry'. It is very subtle and growing. There is none of Alison the cool as fuck disco diva, (which like I say, I'm a fan of). But this is very cool in a very different way. As she sings in 'Road To Somewhere':
'bring it on, come along, on the road to somewhere...take our time, see the sights, on the road to somewhere...'
When Alison Goldfrapp invites you to chill with her on a blissful drive, how can you NOT go along for the ride?
I have to say right now, 'Cologne Cerrone Houdini' will definitely be one of the most beautiful songs you'll ever hear, so that gets 5 stars alone. The singing on single 'A&E' is a good marker for the feel of the rest of the album. And when she sings 'we're here to welcome you...' on other singe 'Happiness', I can't stop myself singing it with her! Her synthesized voice is utterly unique.
The decade of partying on borrowed money is over and this album is perfect for the national come-down. It is genius.
P.S. KD Lang's 'Watershed' which has recently been released as well goes together with 'Seventh Tree' like a cup of tea and Digestive Biccy's! Perfection.
David Lo Pan, 06 Oct 2008
Ok for people that know the film Big Trouble in Little China would you agree that Goldfrapp are a lot like David Lo Pan. Let me explain - one part of them is interesting music and is quite orchestral and the other half is this rubbish glam disco. So basically two different sides.
So for the people that enjoyed Felt Mountain this album is very similar. Quite orchestral in the construction but they have took influence from their dabble in electronic. The result is quite spectacular.
So for a musical intellect it is definitely worth an inspection. For the less intellectual that crave electro pop then go elsewhere.
Astounding, 28 Aug 2008
This is why, when captive on an aeroplane, you should listen/watch different stuff. This is the most compelling new album I've heard for a while - keep listening to it, and discovering new depths. It's clever, simultaneously retro and bang up to date, and quite fascinating. Remarkable.
Sumptuous, 07 Jul 2008
Yes, of course, most album reviews on Amazon are positive, and much of the rest are from people crying 'sell out'.
Well, for what 42 years on the planet and a first ever Amazon review are worth, this is one of those very very rare albums that takes music to a new level, that even on first listening you know will live on, not necessarily defining an era, but being forever known and rediscovered. It's that good.
With the possible exception of 'Caravan Girls', nothing on this album is weak or forced - it experiments, disturbs and delights whilst at all times demonstrating an utter mastery of the craft of beautiful song writing. And underneath all of that, there remains the slightly disturbed aura of Felt Mountain that led to it being the soundtrack to the magnificent 'Monkey Dust'.
Amazon is full of supposedly 'must have' albums; this is a real one.
Not the "crossover" everyone makes it out to be, 03 Nov 2008
Firstly, maybe I should explain where I'm coming from in writing this review. I'm a true junglist and an avid Pendulum fan, I have been since I first heard "Spiral" all those years ago. I watched them make 2 years of great records before they finally dropped "Hold Your Colour" in our laps. Needless to say it was sensational. I love every single track on that album and it remains today one of my all-time favourites. So when I caught word of a new Pendulum LP in the making, I immediately had high hopes for another DnB stormer.
By the time I reached "The Tempest" I was almost in tears. It was, to me, like finding out a band I loved had split up. Pendulum are dead. This album is just an awful attempt, by a band I don't even know anymore, at blending 2 or 3 different genres together into ten tracks of failure. I'm listening to "9000 Miles" and trying to describe the dismal hybrid-wannabe drivel resonating from my speakers right now is.. well, it's indescribable. Writing this is reminding me of the loss of one of my favourite artists all over again, it hurts! :(
Backing up my criticism a little; the vocals are WAY too FX-heavy. Generally this is used to overcompensate for talentless vocalists - yes, I am suggesting something here. Also, this album is regularly used by wannabe DnB fans who are trying to "me too" their way into a music scene they perceive to be cool. This ISN'T DnB. Not by a long stretch. This is a mediocre rock/electronica mix with a breakbeat rhythm. That's also one of the reasons I felt the need to write a critical review. The amount of people putting this rubbish under the DnB umbrella is really starting to annoy me.
Why have I given it two stars when I hate it so much? Simply because I believe that all music has intrinsic value. I don't think any song can simply be labelled "bad" because someone, somewhere will like it and to them it isn't "bad" at all. The fact of the matter is that the pop/chart-loving crowd will lap this up. And if you accept it for what it is, it becomes an average-fare pop album. It's just that I'm having a hard time accepting this for what it is because I expected so much more from the guys that brought me the best album of 2005. People who have only ever heard of Pendulum through "In Silico" or just love mainstream trash may make something of this album, it just doesn't float my boat, thank you very much.
The Cheesiest Dance/Rock Album... Ever!, 13 Oct 2008
The same Big Beat drumming over the course of all 10 tracks...check.
Vocals taken from the Cher 'I Believe' hall of shame...check.
Lyrics that make 'Firestarter' sound like a deep statement...check.
Sound effects from the Scooter pro tools set...check.
...and we are ready to roll! Prepare to unleash hell!!
The thing is - occasionally we all like to inflict a little pain on ourselves and I can't believe I'm saying this... 'In Silico' can be quite a fun listen sometimes.
Just sometimes mind...
The Worlds Finest, 10 Sep 2008
Im not a massive fan of drum n bass and dont think i ever will be but 'In Silico' has certainly drawn me in and made me think twice. I constantly listened to Radio 1 talking about how great Pendulum were so i thought i had to listen for myself and see if they were all they were cracked up to be!!
They certainly didnt disappoint!
I only brought this album at the weekend and it has been playing on my car radio ever since. 'Propane Nightmares' is probably the stand out track on the album and the most recognisable to any non-pendulum fan but 'The Other Side', '9,000 Miles' & 'Granite' are other faviroutes.
A must buy for anyone!
in silico, 26 Aug 2008
My first impressions were good, as pendulum introduced me into d`n b. But after much listening and reading outher reviews I have come to notice that this album is just there to get them into the charts, regardless of true brum and bass.
Pendulum have fused together a load of power chourds and a live drummer to what could potentally been a d`n b track.
So in all; this is just really bassy rock music, (and I hate rock).
An album that will be quickly forgotten, 18 Aug 2008
I must say that I agree entirely with the review by Mr H Pearce, entitled "A change of direction", and cited as the "most helpful critical review" - he has hit the nail on the head.
I too was a big fan of Hold Your Colour as a superb cross-over album, with just the right amount of grittiness to make substantial rock and DnB references, without making both completely homogonised and bland. Alas, in Silico homogonises pretty hard, and the result is an album that sounds as though it were expressly composed for the lastest Hollywood blockbuster soundtrack.
As per Mr Pearce's insightful review, it will doubtless have a few feet tapping when it comes on that bit later in some of the bars, but this album will be forgotten long before Hold Your Colour. No stand out classics here, in an effort to appeal to absolutley everyone. Bit of a shame.
I'll echo all the positives, 07 Nov 2008
Agree with most of the reviews listed. If, like me, you went to Uni in the early 90's and have been a fan of that genre ever since you'll have almost grown up with Nick Bracegirdle's music and all the myriad offferings it inspired and spawned
From the days of saltwater to the excellent maddening crowds CD, his music has always evolved, always delivered and always impressed
Keep it up for another 10 years Nick ..
Ahhh - Finally! , 20 Oct 2008
It's 1997, my TV's switched on and I'm watching MTV. A song is just starting, but the name hasn't appeared yet. I hear a very low hum, which starts picking up a beat and a beach appears... The title of the song and artis come up, one that i have never heard before but that will mark a new era in music history: Chicane - Saltwater.
It blew me away. i still remember seeing the woman on the beach (from a bird's eye kind of view) and the sun reflected on the sand & water. The beat, the melody, the tune, it was AWESOME and i could not cope without the CD! Before all my cd's got stolen (at gatwick airport FYI) i had all the Chicane CD's.
When I saw this CD advertised the other day I was astonished, I actually leaped up from the sofa and shouted "CHICANE!!!! THAT'S MY FAVOURITE DJ!" and my girlfriend just nodded, wondering what i was on. Clearly, I bought the CD and now she listens to it more than I do.
Even though this is an awesome compliation, the other CD's remain a must have for two reasons: 1) they're all awesome, and 2) anyone who likes this sort of music respects Chicane and will want to have every piece of work this man has ever published.
Thank you for an awesome 11 years!!!
Okay, 14 Oct 2008
I was and always have been a fan, but listening to this CD makes me realise why I don't listen to them all that much anymore - from '96 to present, unless you know their music, you can't tell which ones are from '96 and which are new as the sound never changes. Back in '96, | | |