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 Customer Reviews
beautiful chill out, 14 Oct 2008
just beautiful, some melodies are so simple but so moving, they make you cry, others just clear your mind and refresh your soul, I even use it for stress management and relaxation classes
Wonderful easy listening, 27 Dec 2007
I picked this up after I was transfixed by the track Otremare which was used in the film This Is England. I'd read that most of the music by Einaudi sounds similar, yet each track is unique. I couldn't agree more. This is hughly addictive stuff. Mostly piano with the occasional string instrument thrown in, this makes for a great listen while pottering about or just winding down. I don't listen to a great deal of music like this generally so I can't really compare it to anything else or even claim to understand why I like it. But I do really like it.
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Customer Reviews
beautiful chill out, 14 Oct 2008
just beautiful, some melodies are so simple but so moving, they make you cry, others just clear your mind and refresh your soul, I even use it for stress management and relaxation classes
Wonderful easy listening, 27 Dec 2007
I picked this up after I was transfixed by the track Otremare which was used in the film This Is England. I'd read that most of the music by Einaudi sounds similar, yet each track is unique. I couldn't agree more. This is hughly addictive stuff. Mostly piano with the occasional string instrument thrown in, this makes for a great listen while pottering about or just winding down. I don't listen to a great deal of music like this generally so I can't really compare it to anything else or even claim to understand why I like it. But I do really like it.
A definitive collection, 28 Jan 2008
Most, if not all, of these recordings have been released previously by EMI, while some of them - notably the 1965 Elgar Cello Concerto - have proved so popular that they have been continuously available since their initial release.
Despite the inevitable duplication - du Pre fans will almost certainly already have the Elgar and Haydn concertos - this is undoubtedly the definitive Jacqueline du Pre collection, providing 17 CDs of cello works by a huge array of composers from baroque (Bach and Handel) to Beethoven and the romantics and modernists such as Chopin & Bruch. There are no fewer than 25 different composers represented.
The set really does demonstrate the versatility of the cellist, with so many works which have been overlooked it's the best set I've seen to do real justice to one of the 20th centuries most famous and enigmatic performers.
The 17 CDs are nicely supplied in card sleeves and a compact box just 5cm thick, with a 24 page (20 in English) booklet detailing performers, performing dates, venues. Sadly lacking however is a good informative biography of du Pre's life, which is surely an essential requirement of a comprehensive set like this?
Top marks though for a complete set of recordings, well packaged & presented.
Beautiful music played as only she could..., 07 Nov 2007
Du Pré did not live long enough to develop to the same level as Pablo Casals or Mstislav Rostropovich, but she was a truly great and individual voice, and deserves her place among the great cellists...
This box does what it says on the tin, 17 CDs of music, with few repetitions of repertoire).
There really is no point trying to pick out 'highlights' from this box, the performance standard from all concerned is that high, most obviously from her husband Daniel Barenboim.
The remastered sound is excellent and suitably full bodied. The sturdy box is nicely compact.
The booklet, however, is frankly woeful. Track list/recording details, and a (thankfully) short, embarrassingly gushing 'tribute' by one Mr Nupen which, if you started knowing nothing about Du Pre, you would finish it in much the same state. And that's your lot. I know this is a budget release, but Du Pre deserves better than Mr Nupen's drivel.
But the music is such that even this is soon forgotten...
All in all a highly recommended box set for all lovers of good music.
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Rachmaninov: Piano Concertos Nos. 1-4
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Vladimir Ashkenazy London Symphony Orchestra André Previn;
Universal Classics;
1995-09-18;
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Usually dispatched within 1-2 business days
*Best price found from Amazon Marketplace seller
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*Amazon: £7.82
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Product Description
If you don't already have the complete Rachmaninov concertos, you can buy this version with total confidence. There may be better recordings of the individual works (such as the legendary Michelangeli in No. 4 or Argerich in No. 3) but this remains the finest complete recording, unrivalled since it was made in the early 1970s. Only the boxy sound (in itself not bad enough to lessen the recommendation) and the tuning of the piano in the first movement of the First Concerto counts against it. Vladimir Ashkenazy is one of Rachmaninov's most sympathetic interpreters, both as pianist and latterly as conductor. He never ladles on the sugar in the way some interpreters do and the music sounds all the greater for it. Previn is a superb ally, and his relationship with the LSO was one of the most distinguished in the orchestra's history. The highlights are too numerous to number: by far the best thing is to buy it and hear it for yourself. --Harriet Smith
Customer Reviews
beautiful chill out, 14 Oct 2008
just beautiful, some melodies are so simple but so moving, they make you cry, others just clear your mind and refresh your soul, I even use it for stress management and relaxation classes Wonderful easy listening, 27 Dec 2007
I picked this up after I was transfixed by the track Otremare which was used in the film This Is England. I'd read that most of the music by Einaudi sounds similar, yet each track is unique. I couldn't agree more. This is hughly addictive stuff. Mostly piano with the occasional string instrument thrown in, this makes for a great listen while pottering about or just winding down. I don't listen to a great deal of music like this generally so I can't really compare it to anything else or even claim to understand why I like it. But I do really like it. A definitive collection, 28 Jan 2008
Most, if not all, of these recordings have been released previously by EMI, while some of them - notably the 1965 Elgar Cello Concerto - have proved so popular that they have been continuously available since their initial release.
Despite the inevitable duplication - du Pre fans will almost certainly already have the Elgar and Haydn concertos - this is undoubtedly the definitive Jacqueline du Pre collection, providing 17 CDs of cello works by a huge array of composers from baroque (Bach and Handel) to Beethoven and the romantics and modernists such as Chopin & Bruch. There are no fewer than 25 different composers represented.
The set really does demonstrate the versatility of the cellist, with so many works which have been overlooked it's the best set I've seen to do real justice to one of the 20th centuries most famous and enigmatic performers.
The 17 CDs are nicely supplied in card sleeves and a compact box just 5cm thick, with a 24 page (20 in English) booklet detailing performers, performing dates, venues. Sadly lacking however is a good informative biography of du Pre's life, which is surely an essential requirement of a comprehensive set like this?
Top marks though for a complete set of recordings, well packaged & presented.
Beautiful music played as only she could..., 07 Nov 2007
Du Pré did not live long enough to develop to the same level as Pablo Casals or Mstislav Rostropovich, but she was a truly great and individual voice, and deserves her place among the great cellists...
This box does what it says on the tin, 17 CDs of music, with few repetitions of repertoire).
There really is no point trying to pick out 'highlights' from this box, the performance standard from all concerned is that high, most obviously from her husband Daniel Barenboim.
The remastered sound is excellent and suitably full bodied. The sturdy box is nicely compact.
The booklet, however, is frankly woeful. Track list/recording details, and a (thankfully) short, embarrassingly gushing 'tribute' by one Mr Nupen which, if you started knowing nothing about Du Pre, you would finish it in much the same state. And that's your lot. I know this is a budget release, but Du Pre deserves better than Mr Nupen's drivel.
But the music is such that even this is soon forgotten...
All in all a highly recommended box set for all lovers of good music. Very good, 29 Nov 2008
To my ears this was a very good recording of the great composer's piano concertos. Reality check, 14 Apr 2007
No question that Ashkenazy, Argerich, & Michelangeli are geat pianists and that their Rach recordings are among the best. But two interpreters are so outstanding that their recordings are...what can one say...transcendent ?
The recordings by Rachmaninov himself are benchmarks and beyond reproach. Unfortunately he lived at a time when recording technology was primitive, although modern restoration specialists have made a wonderful job of bringing his recordings to life on the Naxos Historical label. If one cannot put up with the shortcomings of restored mechanical/electric recording technology, then the next best option is Horowitz, on whom Rachmaninov himself had conferred his blessing. But the technical quality of the Horowitz recordings falls short of what we expect today. What to do?
There is a great modern pianist who plays the Rachmaninov concertos and the Paganini Variations with all the technical brilliance and interpretive skill of the composer himself, to my mind superior to all the well-known pianists named so far. In many places he has forsworn flashy displays of technique to revert strictly to Rachmaninov's score, especially with respect to tempi. He has been well served with a first-rate modern recording - Stephen Hough, with the Dallas Symphony under Andrew Litton. You will not be disappointed. The best collection of the 4concertos, 21 Feb 2006
Although it is possible that some prefer the playing of Michelangi for these recordings, i believe they are being short-sighted. On this record Ashkenazy demonstrates his Russian training and interpretation, thus getting much closer to the style that befits Rachmaninov! I recommend this album strongly if you strive to hear these well known concertos in the Russian style they were composed! But if you strive for a western style of interpretation then don't buy this! Ashkenazy performs all of the four concertos with his typicall musicalaty that never fails to provoke thought, but his performane of the 2nd deserves special mention! And not forgetting the fine LSO playing throughout, admirally conducted By Andre Previn! Fantastic, 17 May 2004
The title says it all, this CD is absolutely fantastic! Ashkenazy is a great pianist and Rachmaninov a wonderful composter. These 2 people combined into 1 CD is a must-have CD! Although I can also recommend Horowitz for this CD. Just buy it and you'll see this is a great CD. Drama within melodrama, 07 Feb 2004
Yet again I see that some of the reviewers on this page are lamenting the lack of 'drama' or 'passion' which comes with players who push their performance to the upper limits at the expense of technical clarity. One has cited Martha Argerich's superlative recording of the 3rd concerto and Michaelangeli's 4th: both brilliant pianists, both excellent interpretations, both legendary intellects. Yet, not Russian. Argerich was trained in South America, and Michaelangeli claims to be self-taught (although most probably Italian-based). However Ashkenazy hails from the Russian school where an emphasis upon technical precision is paramount, emotional interpretation all-pervading. Just listen to Richter's similarly note-perfect interpretation on Deutsche Grammophon, or Kissin's on Red Seal. What about Glemser, Ousset, Thibaudet (with Ashkenazy conducting, I might add)? All of these recordings are without pianistic errors, and yet manage to top the summit of Rachmaninov interpretations. Ashkenazy has had the unfortunate label of 'one who tried to chase too many rabbits' - that is, he recorded too much repertoire too fast and without giving himself time to properly settle with the music. This is partially true. But then again, who can blame him for it? A young man, freshly defected from the USSR to the West, humble, technically brilliant, emotionally also, and a lovely character to match: he was signed up by Decca almost instantly, and, after the smash hit that was his first recording with Perlman of the Franck Violin Sonata, set about his attack upon almost the entire piano repertoire (with the major exceptions of Bach, Haydn, Grieg, and a few others). Seen by many (myself also) as the Rachmaninov interpreter 'ne plus ultra', what these reviewers have to bear in mind is: could any of us do as well? Critics slander Ashkenazy for spreading the opening chords of the second piano concerto: well, he has small hands and therefore cannot manage them (I find this problem too, even though my hands are quite large - the chords are awkward for most people, save maybe Richter and Rachmaninov himself). Would it be heresy to say I preferred Ashkenazy's interpretations of Rachmaninov's entire output over Rachmaninov himself? Some would say so, others, the more philosophical of you out there, might just put it down to subjective viewpoint. Why don't you buyers stop listening to reviewers, buy the CD, and find out for yourselves?
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Customer Reviews
beautiful chill out, 14 Oct 2008
just beautiful, some melodies are so simple but so moving, they make you cry, others just clear your mind and refresh your soul, I even use it for stress management and relaxation classes Wonderful easy listening, 27 Dec 2007
I picked this up after I was transfixed by the track Otremare which was used in the film This Is England. I'd read that most of the music by Einaudi sounds similar, yet each track is unique. I couldn't agree more. This is hughly addictive stuff. Mostly piano with the occasional string instrument thrown in, this makes for a great listen while pottering about or just winding down. I don't listen to a great deal of music like this generally so I can't really compare it to anything else or even claim to understand why I like it. But I do really like it. A definitive collection, 28 Jan 2008
Most, if not all, of these recordings have been released previously by EMI, while some of them - notably the 1965 Elgar Cello Concerto - have proved so popular that they have been continuously available since their initial release.
Despite the inevitable duplication - du Pre fans will almost certainly already have the Elgar and Haydn concertos - this is undoubtedly the definitive Jacqueline du Pre collection, providing 17 CDs of cello works by a huge array of composers from baroque (Bach and Handel) to Beethoven and the romantics and modernists such as Chopin & Bruch. There are no fewer than 25 different composers represented.
The set really does demonstrate the versatility of the cellist, with so many works which have been overlooked it's the best set I've seen to do real justice to one of the 20th centuries most famous and enigmatic performers.
The 17 CDs are nicely supplied in card sleeves and a compact box just 5cm thick, with a 24 page (20 in English) booklet detailing performers, performing dates, venues. Sadly lacking however is a good informative biography of du Pre's life, which is surely an essential requirement of a comprehensive set like this?
Top marks though for a complete set of recordings, well packaged & presented.
Beautiful music played as only she could..., 07 Nov 2007
Du Pré did not live long enough to develop to the same level as Pablo Casals or Mstislav Rostropovich, but she was a truly great and individual voice, and deserves her place among the great cellists...
This box does what it says on the tin, 17 CDs of music, with few repetitions of repertoire).
There really is no point trying to pick out 'highlights' from this box, the performance standard from all concerned is that high, most obviously from her husband Daniel Barenboim.
The remastered sound is excellent and suitably full bodied. The sturdy box is nicely compact.
The booklet, however, is frankly woeful. Track list/recording details, and a (thankfully) short, embarrassingly gushing 'tribute' by one Mr Nupen which, if you started knowing nothing about Du Pre, you would finish it in much the same state. And that's your lot. I know this is a budget release, but Du Pre deserves better than Mr Nupen's drivel.
But the music is such that even this is soon forgotten...
All in all a highly recommended box set for all lovers of good music. Very good, 29 Nov 2008
To my ears this was a very good recording of the great composer's piano concertos. Reality check, 14 Apr 2007
No question that Ashkenazy, Argerich, & Michelangeli are geat pianists and that their Rach recordings are among the best. But two interpreters are so outstanding that their recordings are...what can one say...transcendent ?
The recordings by Rachmaninov himself are benchmarks and beyond reproach. Unfortunately he lived at a time when recording technology was primitive, although modern restoration specialists have made a wonderful job of bringing his recordings to life on the Naxos Historical label. If one cannot put up with the shortcomings of restored mechanical/electric recording technology, then the next best option is Horowitz, on whom Rachmaninov himself had conferred his blessing. But the technical quality of the Horowitz recordings falls short of what we expect today. What to do?
There is a great modern pianist who plays the Rachmaninov concertos and the Paganini Variations with all the technical brilliance and interpretive skill of the composer himself, to my mind superior to all the well-known pianists named so far. In many places he has forsworn flashy displays of technique to revert strictly to Rachmaninov's score, especially with respect to tempi. He has been well served with a first-rate modern recording - Stephen Hough, with the Dallas Symphony under Andrew Litton. You will not be disappointed. The best collection of the 4concertos, 21 Feb 2006
Although it is possible that some prefer the playing of Michelangi for these recordings, i believe they are being short-sighted. On this record Ashkenazy demonstrates his Russian training and interpretation, thus getting much closer to the style that befits Rachmaninov! I recommend this album strongly if you strive to hear these well known concertos in the Russian style they were composed! But if you strive for a western style of interpretation then don't buy this! Ashkenazy performs all of the four concertos with his typicall musicalaty that never fails to provoke thought, but his performane of the 2nd deserves special mention! And not forgetting the fine LSO playing throughout, admirally conducted By Andre Previn! Fantastic, 17 May 2004
The title says it all, this CD is absolutely fantastic! Ashkenazy is a great pianist and Rachmaninov a wonderful composter. These 2 people combined into 1 CD is a must-have CD! Although I can also recommend Horowitz for this CD. Just buy it and you'll see this is a great CD. Drama within melodrama, 07 Feb 2004
Yet again I see that some of the reviewers on this page are lamenting the lack of 'drama' or 'passion' which comes with players who push their performance to the upper limits at the expense of technical clarity. One has cited Martha Argerich's superlative recording of the 3rd concerto and Michaelangeli's 4th: both brilliant pianists, both excellent interpretations, both legendary intellects. Yet, not Russian. Argerich was trained in South America, and Michaelangeli claims to be self-taught (although most probably Italian-based). However Ashkenazy hails from the Russian school where an emphasis upon technical precision is paramount, emotional interpretation all-pervading. Just listen to Richter's similarly note-perfect interpretation on Deutsche Grammophon, or Kissin's on Red Seal. What about Glemser, Ousset, Thibaudet (with Ashkenazy conducting, I might add)? All of these recordings are without pianistic errors, and yet manage to top the summit of Rachmaninov interpretations. Ashkenazy has had the unfortunate label of 'one who tried to chase too many rabbits' - that is, he recorded too much repertoire too fast and without giving himself time to properly settle with the music. This is partially true. But then again, who can blame him for it? A young man, freshly defected from the USSR to the West, humble, technically brilliant, emotionally also, and a lovely character to match: he was signed up by Decca almost instantly, and, after the smash hit that was his first recording with Perlman of the Franck Violin Sonata, set about his attack upon almost the entire piano repertoire (with the major exceptions of Bach, Haydn, Grieg, and a few others). Seen by many (myself also) as the Rachmaninov interpreter 'ne plus ultra', what these reviewers have to bear in mind is: could any of us do as well? Critics slander Ashkenazy for spreading the opening chords of the second piano concerto: well, he has small hands and therefore cannot manage them (I find this problem too, even though my hands are quite large - the chords are awkward for most people, save maybe Richter and Rachmaninov himself). Would it be heresy to say I preferred Ashkenazy's interpretations of Rachmaninov's entire output over Rachmaninov himself? Some would say so, others, the more philosophical of you out there, might just put it down to subjective viewpoint. Why don't you buyers stop listening to reviewers, buy the CD, and find out for yourselves?
Eagerly awaited, 23 Oct 2008
This has been eagerly awaited after hearing the Ebene perform the Debussy and the Ravel live at this summer's Salzburg Festival. They are a young group of musicians who also appear on the European jazz scene. This brings to their playing a buzz which may be linked to their ability to improvise freely. However, when playing these pieces there is a discipline evident in their interpretation as well. Hear also their interpretation of the first three Barok Quartets and subline live recordings of Haydn.
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Customer Reviews
beautiful chill out, 14 Oct 2008
just beautiful, some melodies are so simple but so moving, they make you cry, others just clear your mind and refresh your soul, I even use it for stress management and relaxation classes Wonderful easy listening, 27 Dec 2007
I picked this up after I was transfixed by the track Otremare which was used in the film This Is England. I'd read that most of the music by Einaudi sounds similar, yet each track is unique. I couldn't agree more. This is hughly addictive stuff. Mostly piano with the occasional string instrument thrown in, this makes for a great listen while pottering about or just winding down. I don't listen to a great deal of music like this generally so I can't really compare it to anything else or even claim to understand why I like it. But I do really like it. A definitive collection, 28 Jan 2008
Most, if not all, of these recordings have been released previously by EMI, while some of them - notably the 1965 Elgar Cello Concerto - have proved so popular that they have been continuously available since their initial release.
Despite the inevitable duplication - du Pre fans will almost certainly already have the Elgar and Haydn concertos - this is undoubtedly the definitive Jacqueline du Pre collection, providing 17 CDs of cello works by a huge array of composers from baroque (Bach and Handel) to Beethoven and the romantics and modernists such as Chopin & Bruch. There are no fewer than 25 different composers represented.
The set really does demonstrate the versatility of the cellist, with so many works which have been overlooked it's the best set I've seen to do real justice to one of the 20th centuries most famous and enigmatic performers.
The 17 CDs are nicely supplied in card sleeves and a compact box just 5cm thick, with a 24 page (20 in English) booklet detailing performers, performing dates, venues. Sadly lacking however is a good informative biography of du Pre's life, which is surely an essential requirement of a comprehensive set like this?
Top marks though for a complete set of recordings, well packaged & presented.
Beautiful music played as only she could..., 07 Nov 2007
Du Pré did not live long enough to develop to the same level as Pablo Casals or Mstislav Rostropovich, but she was a truly great and individual voice, and deserves her place among the great cellists...
This box does what it says on the tin, 17 CDs of music, with few repetitions of repertoire).
There really is no point trying to pick out 'highlights' from this box, the performance standard from all concerned is that high, most obviously from her husband Daniel Barenboim.
The remastered sound is excellent and suitably full bodied. The sturdy box is nicely compact.
The booklet, however, is frankly woeful. Track list/recording details, and a (thankfully) short, embarrassingly gushing 'tribute' by one Mr Nupen which, if you started knowing nothing about Du Pre, you would finish it in much the same state. And that's your lot. I know this is a budget release, but Du Pre deserves better than Mr Nupen's drivel.
But the music is such that even this is soon forgotten...
All in all a highly recommended box set for all lovers of good music. Very good, 29 Nov 2008
To my ears this was a very good recording of the great composer's piano concertos. Reality check, 14 Apr 2007
No question that Ashkenazy, Argerich, & Michelangeli are geat pianists and that their Rach recordings are among the best. But two interpreters are so outstanding that their recordings are...what can one say...transcendent ?
The recordings by Rachmaninov himself are benchmarks and beyond reproach. Unfortunately he lived at a time when recording technology was primitive, although modern restoration specialists have made a wonderful job of bringing his recordings to life on the Naxos Historical label. If one cannot put up with the shortcomings of restored mechanical/electric recording technology, then the next best option is Horowitz, on whom Rachmaninov himself had conferred his blessing. But the technical quality of the Horowitz recordings falls short of what we expect today. What to do?
There is a great modern pianist who plays the Rachmaninov concertos and the Paganini Variations with all the technical brilliance and interpretive skill of the composer himself, to my mind superior to all the well-known pianists named so far. In many places he has forsworn flashy displays of technique to revert strictly to Rachmaninov's score, especially with respect to tempi. He has been well served with a first-rate modern recording - Stephen Hough, with the Dallas Symphony under Andrew Litton. You will not be disappointed. The best collection of the 4concertos, 21 Feb 2006
Although it is possible that some prefer the playing of Michelangi for these recordings, i believe they are being short-sighted. On this record Ashkenazy demonstrates his Russian training and interpretation, thus getting much closer to the style that befits Rachmaninov! I recommend this album strongly if you strive to hear these well known concertos in the Russian style they were composed! But if you strive for a western style of interpretation then don't buy this! Ashkenazy performs all of the four concertos with his typicall musicalaty that never fails to provoke thought, but his performane of the 2nd deserves special mention! And not forgetting the fine LSO playing throughout, admirally conducted By Andre Previn! Fantastic, 17 May 2004
The title says it all, this CD is absolutely fantastic! Ashkenazy is a great pianist and Rachmaninov a wonderful composter. These 2 people combined into 1 CD is a must-have CD! Although I can also recommend Horowitz for this CD. Just buy it and you'll see this is a great CD. Drama within melodrama, 07 Feb 2004
Yet again I see that some of the reviewers on this page are lamenting the lack of 'drama' or 'passion' which comes with players who push their performance to the upper limits at the expense of technical clarity. One has cited Martha Argerich's superlative recording of the 3rd concerto and Michaelangeli's 4th: both brilliant pianists, both excellent interpretations, both legendary intellects. Yet, not Russian. Argerich was trained in South America, and Michaelangeli claims to be self-taught (although most probably Italian-based). However Ashkenazy hails from the Russian school where an emphasis upon technical precision is paramount, emotional interpretation all-pervading. Just listen to Richter's similarly note-perfect interpretation on Deutsche Grammophon, or Kissin's on Red Seal. What about Glemser, Ousset, Thibaudet (with Ashkenazy conducting, I might add)? All of these recordings are without pianistic errors, and yet manage to top the summit of Rachmaninov interpretations. Ashkenazy has had the unfortunate label of 'one who tried to chase too many rabbits' - that is, he recorded too much repertoire too fast and without giving himself time to properly settle with the music. This is partially true. But then again, who can blame him for it? A young man, freshly defected from the USSR to the West, humble, technically brilliant, emotionally also, and a lovely character to match: he was signed up by Decca almost instantly, and, after the smash hit that was his first recording with Perlman of the Franck Violin Sonata, set about his attack upon almost the entire piano repertoire (with the major exceptions of Bach, Haydn, Grieg, and a few others). Seen by many (myself also) as the Rachmaninov interpreter 'ne plus ultra', what these reviewers have to bear in mind is: could any of us do as well? Critics slander Ashkenazy for spreading the opening chords of the second piano concerto: well, he has small hands and therefore cannot manage them (I find this problem too, even though my hands are quite large - the chords are awkward for most people, save maybe Richter and Rachmaninov himself). Would it be heresy to say I preferred Ashkenazy's interpretations of Rachmaninov's entire output over Rachmaninov himself? Some would say so, others, the more philosophical of you out there, might just put it down to subjective viewpoint. Why don't you buyers stop listening to reviewers, buy the CD, and find out for yourselves?
Eagerly awaited, 23 Oct 2008
This has been eagerly awaited after hearing the Ebene perform the Debussy and the Ravel live at this summer's Salzburg Festival. They are a young group of musicians who also appear on the European jazz scene. This brings to their playing a buzz which may be linked to their ability to improvise freely. However, when playing these pieces there is a discipline evident in their interpretation as well. Hear also their interpretation of the first three Barok Quartets and subline live recordings of Haydn.
Passionate, 15 Oct 2008
I play these pieces regularly on my piano but I was reduced to tears on hearing several of these renditions by Barenboim. They are intensely intellectual and emotive interpretations and may not be to your taste but boy, they do have impact. I am now searching for Barenboim's later recordings to compare the styles. Impetuous youth, or genius? Only you can tell!!
incredible, 12 Jul 2008
Barenboim is in absolutely incredible form in these recordings. He IS, in my mind, Beethoven in his interpretation. I can really lose myself in the way he performs the music. He is so unbelievably focussed, and has such an open heart. Recommended thoroughly.
An Artist At His Peak, 04 Mar 2008
As Daniel Barenboim was my introduction into the classical world, I had a great admiration for his sincerity and interpretation of Beethoven's Pathetiqué, Appasionata and Moonlight sonatas.
However, after having been exposed to other lesser known artists, such as Emanuel Ax, I have come to realise that Barenboim has long since passed his peak. But this particular recording IS Barenboim at his peak. You would be hard pressed to find another interpretation with the same consistency, vitality and freshness, with a magical instinct of knowing just how to make Beethoven's complex music sound right and flow 'correctly'.
Recommended...
Perfectly good Beethoven set for the price., 13 Dec 2006
Whenever I buy a set of CD's at such a discount price, I instantly question the reason(s) why they are so cheap. Especially when I see who the artist(s) are and what the record label is, as is the case here.
But my fears are laid to rest because I think this is one of the best value for money items I've ever bought.
I actually remember owning part of this Barenboim cycle on old vinyl LP's (in a different era!) so I know what I was to expect.
Being re-mastered on CD's has meant a new crispness and dynamics to the recording, breathing new life to, what I think are very competent and sensitive accounts of these wonderful works (I actually think this Beethovens' most expressive and intimate medium as he was, primarily, a pianist).
Barenboim has a very understated approach to the works; letting them, largely, speak for themselves. Not putting too much personal interpretation into them, but at the same time having a sensitivity and clarity to form and structure, and an understanding of the musical mind of the composer.
He is not frightened of including the exposition repeats. Something that was sadly not observed with other artists of the mid-to-late twentieth century.
Recordings are, by and large, good, considering their age (mainly 60's and 70's) when Barenboim was at his peak as a pianist. It's a shame though, that some of the works are not laid out in chronoligical or compositional order on the ten discs. If, like me, you want to follow the works in compositional order to grasp the musical thinking of the composer at the time: You have to chop and change discs somewhat! And also, even though there are adequate write ups for the music there is nothing on Barenboim himself.
But these are small quibbles considering that you're paying about 2-50 GBP per disc...
Great value for money and you won't go far wrong with them...
Barenboim's EMI Piano Sonatas, 08 Aug 2006
Daniel Barenboim plays them slowly which is fine to me. The longest sonata is the "Hammerklavier" and it is the hardest and he is slow that he makes it c.an hour. He also has a mixture of joy, passion, emotions etc. I like the way how he does the "Appassionata" because he plays slowly to show great passion. He does speed up in the joyous and happy bits. This is one of my favourite sets but I have other favourite sets as well.
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Debussy - Clair de lune
Usually dispatched within 1-2 business days
*Best price found from Amazon Marketplace seller
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*Amazon: £4.40
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Customer Reviews
beautiful chill out, 14 Oct 2008
just beautiful, some melodies are so simple but so moving, they make you cry, others just clear your mind and refresh your soul, I even use it for stress management and relaxation classes Wonderful easy listening, 27 Dec 2007
I picked this up after I was transfixed by the track Otremare which was used in the film This Is England. I'd read that most of the music by Einaudi sounds similar, yet each track is unique. I couldn't agree more. This is hughly addictive stuff. Mostly piano with the occasional string instrument thrown in, this makes for a great listen while pottering about or just winding down. I don't listen to a great deal of music like this generally so I can't really compare it to anything else or even claim to understand why I like it. But I do really like it. A definitive collection, 28 Jan 2008
Most, if not all, of these recordings have been released previously by EMI, while some of them - notably the 1965 Elgar Cello Concerto - have proved so popular that they have been continuously available since their initial release.
Despite the inevitable duplication - du Pre fans will almost certainly already have the Elgar and Haydn concertos - this is undoubtedly the definitive Jacqueline du Pre collection, providing 17 CDs of cello works by a huge array of composers from baroque (Bach and Handel) to Beethoven and the romantics and modernists such as Chopin & Bruch. There are no fewer than 25 different composers represented.
The set really does demonstrate the versatility of the cellist, with so many works which have been overlooked it's the best set I've seen to do real justice to one of the 20th centuries most famous and enigmatic performers.
The 17 CDs are nicely supplied in card sleeves and a compact box just 5cm thick, with a 24 page (20 in English) booklet detailing performers, performing dates, venues. Sadly lacking however is a good informative biography of du Pre's life, which is surely an essential requirement of a comprehensive set like this?
Top marks though for a complete set of recordings, well packaged & presented.
Beautiful music played as only she could..., 07 Nov 2007
Du Pré did not live long enough to develop to the same level as Pablo Casals or Mstislav Rostropovich, but she was a truly great and individual voice, and deserves her place among the great cellists...
This box does what it says on the tin, 17 CDs of music, with few repetitions of repertoire).
There really is no point trying to pick out 'highlights' from this box, the performance standard from all concerned is that high, most obviously from her husband Daniel Barenboim.
The remastered sound is excellent and suitably full bodied. The sturdy box is nicely compact.
The booklet, however, is frankly woeful. Track list/recording details, and a (thankfully) short, embarrassingly gushing 'tribute' by one Mr Nupen which, if you started knowing nothing about Du Pre, you would finish it in much the same state. And that's your lot. I know this is a budget release, but Du Pre deserves better than Mr Nupen's drivel.
But the music is such that even this is soon forgotten...
All in all a highly recommended box set for all lovers of good music. Very good, 29 Nov 2008
To my ears this was a very good recording of the great composer's piano concertos. Reality check, 14 Apr 2007
No question that Ashkenazy, Argerich, & Michelangeli are geat pianists and that their Rach recordings are among the best. But two interpreters are so outstanding that their recordings are...what can one say...transcendent ?
The recordings by Rachmaninov himself are benchmarks and beyond reproach. Unfortunately he lived at a time when recording technology was primitive, although modern restoration specialists have made a wonderful job of bringing his recordings to life on the Naxos Historical label. If one cannot put up with the shortcomings of restored mechanical/electric recording technology, then the next best option is Horowitz, on whom Rachmaninov himself had conferred his blessing. But the technical quality of the Horowitz recordings falls short of what we expect today. What to do?
There is a great modern pianist who plays the Rachmaninov concertos and the Paganini Variations with all the technical brilliance and interpretive skill of the composer himself, to my mind superior to all the well-known pianists named so far. In many places he has forsworn flashy displays of technique to revert strictly to Rachmaninov's score, especially with respect to tempi. He has been well served with a first-rate modern recording - Stephen Hough, with the Dallas Symphony under Andrew Litton. You will not be disappointed. The best collection of the 4concertos, 21 Feb 2006
Although it is possible that some prefer the playing of Michelangi for these recordings, i believe they are being short-sighted. On this record Ashkenazy demonstrates his Russian training and interpretation, thus getting much closer to the style that befits Rachmaninov! I recommend this album strongly if you strive to hear these well known concertos in the Russian style they were composed! But if you strive for a western style of interpretation then don't buy this! Ashkenazy performs all of the four concertos with his typicall musicalaty that never fails to provoke thought, but his performane of the 2nd deserves special mention! And not forgetting the fine LSO playing throughout, admirally conducted By Andre Previn! Fantastic, 17 May 2004
The title says it all, this CD is absolutely fantastic! Ashkenazy is a great pianist and Rachmaninov a wonderful composter. These 2 people combined into 1 CD is a must-have CD! Although I can also recommend Horowitz for this CD. Just buy it and you'll see this is a great CD. Drama within melodrama, 07 Feb 2004
Yet again I see that some of the reviewers on this page are lamenting the lack of 'drama' or 'passion' which comes with players who push their performance to the upper limits at the expense of technical clarity. One has cited Martha Argerich's superlative recording of the 3rd concerto and Michaelangeli's 4th: both brilliant pianists, both excellent interpretations, both legendary intellects. Yet, not Russian. Argerich was trained in South America, and Michaelangeli claims to be self-taught (although most probably Italian-based). However Ashkenazy hails from the Russian school where an emphasis upon technical precision is paramount, emotional interpretation all-pervading. Just listen to Richter's similarly note-perfect interpretation on Deutsche Grammophon, or Kissin's on Red Seal. What about Glemser, Ousset, Thibaudet (with Ashkenazy conducting, I might add)? All of these recordings are without pianistic errors, and yet manage to top the summit of Rachmaninov interpretations. Ashkenazy has had the unfortunate label of 'one who tried to chase too many rabbits' - that is, he recorded too much repertoire too fast and without giving himself time to properly settle with the music. This is partially true. But then again, who can blame him for it? A young man, freshly defected from the USSR to the West, humble, technically brilliant, emotionally also, and a lovely character to match: he was signed up by Decca almost instantly, and, after the smash hit that was his first recording with Perlman of the Franck Violin Sonata, set about his attack upon almost the entire piano repertoire (with the major exceptions of Bach, Haydn, Grieg, and a few others). Seen by many (myself also) as the Rachmaninov interpreter 'ne plus ultra', what these reviewers have to bear in mind is: could any of us do as well? Critics slander Ashkenazy for spreading the opening chords of the second piano concerto: well, he has small hands and therefore cannot manage them (I find this problem too, even though my hands are quite large - the chords are awkward for most people, save maybe Richter and Rachmaninov himself). Would it be heresy to say I preferred Ashkenazy's interpretations of Rachmaninov's entire output over Rachmaninov himself? Some would say so, others, the more philosophical of you out there, might just put it down to subjective viewpoint. Why don't you buyers stop listening to reviewers, buy the CD, and find out for yourselves?
Eagerly awaited, 23 Oct 2008
This has been eagerly awaited after hearing the Ebene perform the Debussy and the Ravel live at this summer's Salzburg Festival. They are a young group of musicians who also appear on the European jazz scene. This brings to their playing a buzz which may be linked to their ability to improvise freely. However, when playing these pieces there is a discipline evident in their interpretation as well. Hear also their interpretation of the first three Barok Quartets and subline live recordings of Haydn.
Passionate, 15 Oct 2008
I play these pieces regularly on my piano but I was reduced to tears on hearing several of these renditions by Barenboim. They are intensely intellectual and emotive interpretations and may not be to your taste but boy, they do have impact. I am now searching for Barenboim's later recordings to compare the styles. Impetuous youth, or genius? Only you can tell!!
incredible, 12 Jul 2008
Barenboim is in absolutely incredible form in these recordings. He IS, in my mind, Beethoven in his interpretation. I can really lose myself in the way he performs the music. He is so unbelievably focussed, and has such an open heart. Recommended thoroughly.
An Artist At His Peak, 04 Mar 2008
As Daniel Barenboim was my introduction into the classical world, I had a great admiration for his sincerity and interpretation of Beethoven's Pathetiqué, Appasionata and Moonlight sonatas.
However, after having been exposed to other lesser known artists, such as Emanuel Ax, I have come to realise that Barenboim has long since passed his peak. But this particular recording IS Barenboim at his peak. You would be hard pressed to find another interpretation with the same consistency, vitality and freshness, with a magical instinct of knowing just how to make Beethoven's complex music sound right and flow 'correctly'.
Recommended...
Perfectly good Beethoven set for the price., 13 Dec 2006
Whenever I buy a set of CD's at such a discount price, I instantly question the reason(s) why they are so cheap. Especially when I see who the artist(s) are and what the record label is, as is the case here.
But my fears are laid to rest because I think this is one of the best value for money items I've ever bought.
I actually remember owning part of this Barenboim cycle on old vinyl LP's (in a different era!) so I know what I was to expect.
Being re-mastered on CD's has meant a new crispness and dynamics to the recording, breathing new life to, what I think are very competent and sensitive accounts of these wonderful works (I actually think this Beethovens' most expressive and intimate medium as he was, primarily, a pianist).
Barenboim has a very understated approach to the works; letting them, largely, speak for themselves. Not putting too much personal interpretation into them, but at the same time having a sensitivity and clarity to form and structure, and an understanding of the musical mind of the composer.
He is not frightened of including the exposition repeats. Something that was sadly not observed with other artists of the mid-to-late twentieth century.
Recordings are, by and large, good, considering their age (mainly 60's and 70's) when Barenboim was at his peak as a pianist. It's a shame though, that some of the works are not laid out in chronoligical or compositional order on the ten discs. If, like me, you want to follow the works in compositional order to grasp the musical thinking of the composer at the time: You have to chop and change discs somewhat! And also, even though there are adequate write ups for the music there is nothing on Barenboim himself.
But these are small quibbles considering that you're paying about 2-50 GBP per disc...
Great value for money and you won't go far wrong with them...
Barenboim's EMI Piano Sonatas, 08 Aug 2006
Daniel Barenboim plays them slowly which is fine to me. The longest sonata is the "Hammerklavier" and it is the hardest and he is slow that he makes it c.an hour. He also has a mixture of joy, passion, emotions etc. I like the way how he does the "Appassionata" because he plays slowly to show great passion. He does speed up in the joyous and happy bits. This is one of my favourite sets but I have other favourite sets as well.
Stunning, 03 Jan 2009
This is one of the most stunning and moving works of choral music I have ever heard. I don't know what classification it officially holds, but I would say it was akin to modern church choral music. Polyphony's voices are perfectly suited to the ethereal chords which are so beautiful that I've literally been moved to tears several times - particularly to Water Night, and I've only owned the album for 24 hours! Buy this album NOW - you won't regret it. Thank you so much Eric Whitacre, I'm immensely glad you were born.
No middle ground?, 27 Dec 2008
I believe that many of the composers who have emerged towards the end of the 20th century create an extra-ordinary polarity in listeners. I think that the likes of Arvo Part, Gorecki, Lauridsen and Whitacre are just outstanding. I wonder whether that is because I myself sing in a choir?
This is just gorgeous music. For those who love it as much as I do you may want to try R Murray Schafer, a Canadian. I was introduced to his music this summer and it has many of the resonances of Whitacre.
I must say that no-one has the right to say "Do not buy this". I would not, myself, buy any atonal music from the 1950s-1980s but I will defend anyone who wants to. Shame on reviewers who say this.
Beautiful album, 07 Oct 2008
If you like listening or singing choral music you must own this CD. This is a beautiful album. One of the best pieces is A Boy and a Girl, a lyrical piece that is simply stunning. Eric Whitacre is growing in reputation as one of the best choral composers of this generation. This album cements that reputation.
dreary and irritating, 01 May 2008
I'm with Michael Hamilton on this one. Loads of polyphony in search of a melody and most irritating, particularly track 6 (When David heard) where the interminable "My son" had me tearing my hair out(at least the bit that's left!) Save your money and try the excellent Polyphony in " Nocturnes" or "Lux aeterna" by Morten Lauridson.
Divine, 31 Dec 2007
I'm more a Reggae/Dub/Soul kind of guy but got intrigued by the other reviews while surfing through the amazon CD section and decided to buy it: A brilliant piece of art - divine is the best description! And I'm not even into classic stuff ...
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Product Description
Whoever first dreamt up the title "The Only Piano/Opera/Banjo Album You'll Ever Need" must have been hoping record buyers wouldn't take it too literally. A translation would be "We Hope That When You've Listened To This You'll Want To Buy Lots More Piano/Opera/Banjo Albums". So as an attempt to lure listeners into the world of the piano, how does this set measure up? Most of the all-time favourite piano pieces are here (though you won't find Golliwogg's Cakewalk) and childhood memories may well be stirred by the likes of Für Elise and Rondo alla Turca. It's not all solo piano--the orchestra is wheeled on for the Big Moments from concertos by Grieg, Tchaikovsky, Beethoven, Mozart and Rachmaninov (who also gets the famous 18th variation from Rhapsody on a Theme of Paganini). Among the big-name pianists represented are Geza Anda, Emanuel Ax, Emil Gilels, Vladimir Horowitz, Alfredo Perl, Kathryn Stott and Andrew Wilde. Recordings range in time from 1955 to 1999. Purists may bridle at the lollipop nature of the programme, but for those genuinely looking for an introduction to the instrument's richly rewarding repertoire, the 150 minutes of music on these two CDs should fit the bill nicely. --Keith Clarke
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Bach - Sacred Arias & Cantatas
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English Concert;
Virgin Classics;
2008-08-25;
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Usually dispatched within 1-2 business days
*Best price found from Amazon Marketplace seller
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*Amazon: £8.87
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Customer Reviews
beautiful chill out, 14 Oct 2008
just beautiful, some melodies are so simple but so moving, they make you cry, others just clear your mind and refresh your soul, I even use it for stress management and relaxation classes Wonderful easy listening, 27 Dec 2007
I picked this up after I was transfixed by the track Otremare which was used in the film This Is England. I'd read that most of the music by Einaudi sounds similar, yet each track is unique. I couldn't agree more. This is hughly addictive stuff. Mostly piano with the occasional string instrument thrown in, this makes for a great listen while pottering about or just winding down. I don't listen to a great deal of music like this generally so I can't really compare it to anything else or even claim to understand why I like it. But I do really like it. A definitive collection, 28 Jan 2008
Most, if not all, of these recordings have been released previously by EMI, while some of them - notably the 1965 Elgar Cello Concerto - have proved so popular that they have been continuously available since their initial release.
Despite the inevitable duplication - du Pre fans will almost certainly already have the Elgar and Haydn concertos - this is undoubtedly the definitive Jacqueline du Pre collection, providing 17 CDs of cello works by a huge array of composers from baroque (Bach and Handel) to Beethoven and the romantics and modernists such as Chopin & Bruch. There are no fewer than 25 different composers represented.
The set really does demonstrate the versatility of the cellist, with so many works which have been overlooked it's the best set I've seen to do real justice to one of the 20th centuries most famous and enigmatic performers.
The 17 CDs are nicely supplied in card sleeves and a compact box just 5cm thick, with a 24 page (20 in English) booklet detailing performers, performing dates, venues. Sadly lacking however is a good informative biography of du Pre's life, which is surely an essential requirement of a comprehensive set like this?
Top marks though for a complete set of recordings, well packaged & presented.
Beautiful music played as only she could..., 07 Nov 2007
Du Pré did not live long enough to develop to the same level as Pablo Casals or Mstislav Rostropovich, but she was a truly great and individual voice, and deserves her place among the great cellists...
This box does what it says on the tin, 17 CDs of music, with few repetitions of repertoire).
There really is no point trying to pick out 'highlights' from this box, the performance standard from all concerned is that high, most obviously from her husband Daniel Barenboim.
The remastered sound is excellent and suitably full bodied. The sturdy box is nicely compact.
The booklet, however, is frankly woeful. Track list/recording details, and a (thankfully) short, embarrassingly gushing 'tribute' by one Mr Nupen which, if you started knowing nothing about Du Pre, you would finish it in much the same state. And that's your lot. I know this is a budget release, but Du Pre deserves better than Mr Nupen's drivel.
But the music is such that even this is soon forgotten...
All in all a highly recommended box set for all lovers of good music. Very good, 29 Nov 2008
To my ears this was a very good recording of the great composer's piano concertos. Reality check, 14 Apr 2007
No question that Ashkenazy, Argerich, & Michelangeli are geat pianists and that their Rach recordings are among the best. But two interpreters are so outstanding that their recordings are...what can one say...transcendent ?
The recordings by Rachmaninov himself are benchmarks and beyond reproach. Unfortunately he lived at a time when recording technology was primitive, although modern restoration specialists have made a wonderful job of bringing his recordings to life on the Naxos Historical label. If one cannot put up with the shortcomings of restored mechanical/electric recording technology, then the next best option is Horowitz, on whom Rachmaninov himself had conferred his blessing. But the technical quality of the Horowitz recordings falls short of what we expect today. What to do?
There is a great modern pianist who plays the Rachmaninov concertos and the Paganini Variations with all the technical brilliance and interpretive skill of the composer himself, to my mind superior to all the well-known pianists named so far. In many places he has forsworn flashy displays of technique to revert strictly to Rachmaninov's score, especially with respect to tempi. He has been well served with a first-rate modern recording - Stephen Hough, with the Dallas Symphony under Andrew Litton. You will not be disappointed. The best collection of the 4concertos, 21 Feb 2006
Although it is possible that some prefer the playing of Michelangi for these recordings, i believe they are being short-sighted. On this record Ashkenazy demonstrates his Russian training and interpretation, thus getting much closer to the style that befits Rachmaninov! I recommend this album strongly if you strive to hear these well known concertos in the Russian style they were composed! But if you strive for a western style of interpretation then don't buy this! Ashkenazy performs all of the four concertos with his typicall musicalaty that never fails to provoke thought, but his performane of the 2nd deserves special mention! And not forgetting the fine LSO playing throughout, admirally conducted By Andre Previn! Fantastic, 17 May 2004
The title says it all, this CD is absolutely fantastic! Ashkenazy is a great pianist and Rachmaninov a wonderful composter. These 2 people combined into 1 CD is a must-have CD! Although I can also recommend Horowitz for this CD. Just buy it and you'll see this is a great CD. Drama within melodrama, 07 Feb 2004
Yet again I see that some of the reviewers on this page are lamenting the lack of 'drama' or 'passion' which comes with players who push their performance to the upper limits at the expense of technical clarity. One has cited Martha Argerich's superlative recording of the 3rd concerto and Michaelangeli's 4th: both brilliant pianists, both excellent interpretations, both legendary intellects. Yet, not Russian. Argerich was trained in South America, and Michaelangeli claims to be self-taught (although most probably Italian-based). However Ashkenazy hails from the Russian school where an emphasis upon technical precision is paramount, emotional interpretation all-pervading. Just listen to Richter's similarly note-perfect interpretation on Deutsche Grammophon, or Kissin's on Red Seal. What about Glemser, Ousset, Thibaudet (with Ashkenazy conducting, I might add)? All of these recordings are without pianistic errors, and yet manage to top the summit of Rachmaninov interpretations. Ashkenazy has had the unfortunate label of 'one who tried to chase too many rabbits' - that is, he recorded too much repertoire too fast and without giving himself time to properly settle with the music. This is partially true. But then again, who can blame him for it? A young man, freshly defected from the USSR to the West, humble, technically brilliant, emotionally also, and a lovely character to match: he was signed up by Decca almost instantly, and, after the smash hit that was his first recording with Perlman of the Franck Violin Sonata, set about his attack upon almost the entire piano repertoire (with the major exceptions of Bach, Haydn, Grieg, and a few others). Seen by many (myself also) as the Rachmaninov interpreter 'ne plus ultra', what these reviewers have to bear in mind is: could any of us do as well? Critics slander Ashkenazy for spreading the opening chords of the second piano concerto: well, he has small hands and therefore cannot manage them (I find this problem too, even though my hands are quite large - the chords are awkward for most people, save maybe Richter and Rachmaninov himself). Would it be heresy to say I preferred Ashkenazy's interpretations of Rachmaninov's entire output over Rachmaninov himself? Some would say so, others, the more philosophical of you out there, might just put it down to subjective viewpoint. Why don't you buyers stop listening to reviewers, buy the CD, and find out for yourselves?
Eagerly awaited, 23 Oct 2008
This has been eagerly awaited after hearing the Ebene perform the Debussy and the Ravel live at this summer's Salzburg Festival. They are a young group of musicians who also appear on the European jazz scene. This brings to their playing a buzz which may be linked to their ability to improvise freely. However, when playing these pieces there is a discipline evident in their interpretation as well. Hear also their interpretation of the first three Barok Quartets and subline live recordings of Haydn.
Passionate, 15 Oct 2008
I play these pieces regularly on my piano but I was reduced to tears on hearing several of these renditions by Barenboim. They are intensely intellectual and emotive interpretations and may not be to your taste but boy, they do have impact. I am now searching for Barenboim's later recordings to compare the styles. Impetuous youth, or genius? Only you can tell!!
incredible, 12 Jul 2008
Barenboim is in absolutely incredible form in these recordings. He IS, in my mind, Beethoven in his interpretation. I can really lose myself in the way he performs the music. He is so unbelievably focussed, and has such an open heart. Recommended thoroughly.
An Artist At His Peak, 04 Mar 2008
As Daniel Barenboim was my introduction into the classical world, I had a great admiration for his sincerity and interpretation of Beethoven's Pathetiqué, Appasionata and Moonlight sonatas.
However, after having been exposed to other lesser known artists, such as Emanuel Ax, I have come to realise that Barenboim has long since passed his peak. But this particular recording IS Barenboim at his peak. You would be hard pressed to find another interpretation with the same consistency, vitality and freshness, with a magical instinct of knowing just how to make Beethoven's complex music sound right and flow 'correctly'.
Recommended...
Perfectly good Beethoven set for the price., 13 Dec 2006
Whenever I buy a set of CD's at such a discount price, I instantly question the reason(s) why they are so cheap. Especially when I see who the artist(s) are and what the record label is, as is the case here.
But my fears are laid to rest because I think this is one of the best value for money items I've ever bought.
I actually remember owning part of this Barenboim cycle on old vinyl LP's (in a different era!) so I know what I was to expect.
Being re-mastered on CD's has meant a new crispness and dynamics to the recording, breathing new life to, what I think are very competent and sensitive accounts of these wonderful works (I actually think this Beethovens' most expressive and intimate medium as he was, primarily, a pianist).
Barenboim has a very understated approach to the works; letting them, largely, speak for themselves. Not putting too much personal interpretation into them, but at the same time having a sensitivity and clarity to form and structure, and an understanding of the musical mind of the composer.
He is not frightened of including the exposition repeats. Something that was sadly not observed with other artists of the mid-to-late twentieth century.
Recordings are, by and large, good, considering their age (mainly 60's and 70's) when Barenboim was at his peak as a pianist. It's a shame though, that some of the works are not laid out in chronoligical or compositional order on the ten discs. If, like me, you want to follow the works in compositional order to grasp the musical thinking of the composer at the time: You have to chop and change discs somewhat! And also, even though there are adequate write ups for the music there is nothing on Barenboim himself.
But these are small quibbles considering that you're paying about 2-50 GBP per disc...
Great value for money and you won't go far wrong with them...
Barenboim's EMI Piano Sonatas, 08 Aug 2006
Daniel Barenboim plays them slowly which is fine to me. The longest sonata is the "Hammerklavier" and it is the hardest and he is slow that he makes it c.an hour. He also has a mixture of joy, passion, emotions etc. I like the way how he does the "Appassionata" because he plays slowly to show great passion. He does speed up in the joyous and happy bits. This is one of my favourite sets but I have other favourite sets as well.
Stunning, 03 Jan 2009
This is one of the most stunning and moving works of choral music I have ever heard. I don't know what classification it officially holds, but I would say it was akin to modern church choral music. Polyphony's voices are perfectly suited to the ethereal chords which are so beautiful that I've literally been moved to tears several times - particularly to Water Night, and I've only owned the album for 24 hours! Buy this album NOW - you won't regret it. Thank you so much Eric Whitacre, I'm immensely glad you were born.
No middle ground?, 27 Dec 2008
I believe that many of the composers who have emerged towards the end of the 20th century create an extra-ordinary polarity in listeners. I think that the likes of Arvo Part, Gorecki, Lauridsen and Whitacre are just outstanding. I wonder whether that is because I myself sing in a choir?
This is just gorgeous music. For those who love it as much as I do you may want to try R Murray Schafer, a Canadian. I was introduced to his music this summer and it has many of the resonances of Whitacre.
I must say that no-one has the right to say "Do not buy this". I would not, myself, buy any atonal music from the 1950s-1980s but I will defend anyone who wants to. Shame on reviewers who say this.
Beautiful album, 07 Oct 2008
If you like listening or singing choral music you must own this CD. This is a beautiful album. One of the best pieces is A Boy and a Girl, a lyrical piece that is simply stunning. Eric Whitacre is growing in reputation as one of the best choral composers of this generation. This album cements that reputation.
dreary and irritating, 01 May 2008
I'm with Michael Hamilton on this one. Loads of polyphony in search of a melody and most irritating, particularly track 6 (When David heard) where the interminable "My son" had me tearing my hair out(at least the bit that's left!) Save your money and try the excellent Polyphony in " Nocturnes" or "Lux aeterna" by Morten Lauridson.
Divine, 31 Dec 2007
I'm more a Reggae/Dub/Soul kind of guy but got intrigued by the other reviews while surfing through the amazon CD section and decided to buy it: A brilliant piece of art - divine is the best description! And I'm not even into classic stuff ...
A glorious celebration of a singer's and composer's art, 11 Sep 2008
This is a long-awaited Bach disc from David Daniels. We are more accustomed to having him sing heroic Handel operatic roles, branch out into American folk songs, or even into Berlioz, but somehow it was inevitable that he would end up recording the Bach arias he has often sung in concert performances of the Passions, the B Minor Mass or Cantatas. And what a disc it has turned out to be. I had never heard him sing Bach before so this disc was a revelation to me. Andreas Scholl has received notable and deserved praise for the purity of his tone and somewhat restrained [Church] interpretation of Bach cantatas for alto, but Daniels' performances here are a different animal, as you would expect from an experienced operatic singer. But these are not vocal fireworks for the sake of it, far from it: just as sensitive to the texts as Scholl, Daniels somehow draws you into the melodic lines with dramatic intensity, carefully colouring the vocal line with shades of light and dark, accenting certain words in a way that some countertenors would have hammed up. His voice has lost the luscious soprano tone of his earlier recordings, but he has gained so much more in many ways in the lower and middle reaches of his voice, and his ability to float the line and long-held note is gorgeous. Daniels believes every word he is singing, his interpretation almost making you feel that you are the one singing the words. For him the Word is made flesh.
Inevitably, one picks out highlights in a disc such as this. Daniels' singing of two movements from Ich Habe Genug - Ich Habe Genug and Schlummert Ein - are worth the price alone, and his Erbarme Dich from the St John Passion is heart-rending. I had not, until listening to this disc, really felt all that much affinity with the Bach Cantatas or Passions, but Daniels has won this listener over with his careful caressing of every phrase. He has revealed greater depths in this music than I have heard from other countertenors or contraltos singing this repertoire, and there cannot be any greater praise for an instinctive and under-rated interpreter than that.
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Customer Reviews
beautiful chill out, 14 Oct 2008
just beautiful, some melodies are so simple but so moving, they make you cry, others just clear your mind and refresh your soul, I even use it for stress management and relaxation classes Wonderful easy listening, 27 Dec 2007
I picked this up after I was transfixed by the track Otremare which was used in the film This Is England. I'd read that most of the music by Einaudi sounds similar, yet each track is unique. I couldn't agree more. This is hughly addictive stuff. Mostly piano with the occasional string instrument thrown in, this makes for a great listen while pottering about or just winding down. I don't listen to a great deal of music like this generally so I can't really compare it to anything else or even claim to understand why I like it. But I do really like it. A definitive collection, 28 Jan 2008
Most, if not all, of these recordings have been released previously by EMI, while some of them - notably the 1965 Elgar Cello Concerto - have proved so popular that they have been continuously available since their initial release.
Despite the inevitable duplication - du Pre fans will almost certainly already have the Elgar and Haydn concertos - this is undoubtedly the definitive Jacqueline du Pre collection, providing 17 CDs of cello works by a huge array of composers from baroque (Bach and Handel) to Beethoven and the romantics and modernists such as Chopin & Bruch. There are no fewer than 25 different composers represented.
The set really does demonstrate the versatility of the cellist, with so many works which have been overlooked it's the best set I've seen to do real justice to one of the 20th centuries most famous and enigmatic performers.
The 17 CDs are nicely supplied in card sleeves and a compact box just 5cm thick, with a 24 page (20 in English) booklet detailing performers, performing dates, venues. Sadly lacking however is a good informative biography of du Pre's life, which is surely an essential requirement of a comprehensive set like this?
Top marks though for a complete set of recordings, well packaged & presented.
Beautiful music played as only she could..., 07 Nov 2007
Du Pré did not live long enough to develop to the same level as Pablo Casals or Mstislav Rostropovich, but she was a truly great and individual voice, and deserves her place among the great cellists...
This box does what it says on the tin, 17 CDs of music, with few repetitions of repertoire).
There really is no point trying to pick out 'highlights' from this box, the performance standard from all concerned is that high, most obviously from her husband Daniel Barenboim.
The remastered sound is excellent and suitably full bodied. The sturdy box is nicely compact.
The booklet, however, is frankly woeful. Track list/recording details, and a (thankfully) short, embarrassingly gushing 'tribute' by one Mr Nupen which, if you started knowing nothing about Du Pre, you would finish it in much the same state. And that's your lot. I know this is a budget release, but Du Pre deserves better than Mr Nupen's drivel.
But the music is such that even this is soon forgotten...
All in all a highly recommended box set for all lovers of good music. Very good, 29 Nov 2008
To my ears this was a very good recording of the great composer's piano concertos. Reality check, 14 Apr 2007
No question that Ashkenazy, Argerich, & Michelangeli are geat pianists and that their Rach recordings are among the best. But two interpreters are so outstanding that their recordings are...what can one say...transcendent ?
The recordings by Rachmaninov himself are benchmarks and beyond reproach. Unfortunately he lived at a time when recording technology was primitive, although modern restoration specialists have made a wonderful job of bringing his recordings to life on the Naxos Historical label. If one cannot put up with the shortcomings of restored mechanical/electric recording technology, then the next best option is Horowitz, on whom Rachmaninov himself had conferred his blessing. But the technical quality of the Horowitz recordings falls short of what we expect today. What to do?
There is a great modern pianist who plays the Rachmaninov concertos and the Paganini Variations with all the technical brilliance and interpretive skill of the composer himself, to my mind superior to all the well-known pianists named so far. In many places he has forsworn flashy displays of technique to revert strictly to Rachmaninov's score, especially with respect to tempi. He has been well served with a first-rate modern recording - Stephen Hough, with the Dallas Symphony under Andrew Litton. You will not be disappointed. The best collection of the 4concertos, 21 Feb 2006
Although it is possible that some prefer the playing of Michelangi for these recordings, i believe they are being short-sighted. On this record Ashkenazy demonstrates his Russian training and interpretation, thus getting much closer to the style that befits Rachmaninov! I recommend this album strongly if you strive to hear these well known concertos in the Russian style they were composed! But if you strive for a western style of interpretation then don't buy this! Ashkenazy performs all of the four concertos with his typicall musicalaty that never fails to provoke thought, but his performane of the 2nd deserves special mention! And not forgetting the fine LSO playing throughout, admirally conducted By Andre Previn! Fantastic, 17 May 2004
The title says it all, this CD is absolutely fantastic! Ashkenazy is a great pianist and Rachmaninov a wonderful composter. These 2 people combined into 1 CD is a must-have CD! Although I can also recommend Horowitz for this CD. Just buy it and you'll see this is a great CD. Drama within melodrama, 07 Feb 2004
Yet again I see that some of the reviewers on this page are lamenting the lack of 'drama' or 'passion' which comes with players who push their performance to the upper limits at the expense of technical clarity. One has cited Martha Argerich's superlative recording of the 3rd concerto and Michaelangeli's 4th: both brilliant pianists, both excellent interpretations, both legendary intellects. Yet, not Russian. Argerich was trained in South America, and Michaelangeli claims to be self-taught (although most probably Italian-based). However Ashkenazy hails from the Russian school where an emphasis upon technical precision is paramount, emotional interpretation all-pervading. Just listen to Richter's similarly note-perfect interpretation on Deutsche Grammophon, or Kissin's on Red Seal. What about Glemser, Ousset, Thibaudet (with Ashkenazy conducting, I might add)? All of these recordings are without pianistic errors, and yet manage to top the summit of Rachmaninov interpretations. Ashkenazy has had the unfortunate label of 'one who tried to chase too many rabbits' - that is, he recorded too much repertoire too fast and without giving himself time to properly settle with the music. This is partially true. But then again, who can blame him for it? A young man, freshly defected from the USSR to the West, humble, technically brilliant, emotionally also, and a lovely character to match: he was signed up by Decca almost instantly, and, after the smash hit that was his first recording with Perlman of the Franck Violin Sonata, set about his attack upon almost the entire piano repertoire (with the major exceptions of Bach, Haydn, Grieg, and a few others). Seen by many (myself also) as the Rachmaninov interpreter 'ne plus ultra', what these reviewers have to bear in mind is: could any of us do as well? Critics slander Ashkenazy for spreading the opening chords of the second piano concerto: well, he has small hands and therefore cannot manage them (I find this problem too, even though my hands are quite large - the chords are awkward for most people, save maybe Richter and Rachmaninov himself). Would it be heresy to say I preferred Ashkenazy's interpretations of Rachmaninov's entire output over Rachmaninov himself? Some would say so, others, the more philosophical of you out there, might just put it down to subjective viewpoint. Why don't you buyers stop listening to reviewers, buy the CD, and find out for yourselves?
Eagerly awaited, 23 Oct 2008
This has been eagerly awaited after hearing the Ebene perform the Debussy and the Ravel live at this summer's Salzburg Festival. They are a young group of musicians who also appear on the European jazz scene. This brings to their playing a buzz which may be linked to their ability to improvise freely. However, when playing these pieces there is a discipline evident in their interpretation as well. Hear also their interpretation of the first three Barok Quartets and subline live recordings of Haydn.
Passionate, 15 Oct 2008
I play these pieces regularly on my piano but I was reduced to tears on hearing several of these renditions by Barenboim. They are intensely intellectual and emotive interpretations and may not be to your taste but boy, they do have impact. I am now searching for Barenboim's later recordings to compare the styles. Impetuous youth, or genius? Only you can tell!!
incredible, 12 Jul 2008
Barenboim is in absolutely incredible form in these recordings. He IS, in my mind, Beethoven in his interpretation. I can really lose myself in the way he performs the music. He is so unbelievably focussed, and has such an open heart. Recommended thoroughly.
An Artist At His Peak, 04 Mar 2008
As Daniel Barenboim was my introduction into the classical world, I had a great admiration for his sincerity and interpretation of Beethoven's Pathetiqué, Appasionata and Moonlight sonatas.
However, after having been exposed to other lesser known artists, such as Emanuel Ax, I have come to realise that Barenboim has long since passed his peak. But this particular recording IS Barenboim at his peak. You would be hard pressed to find another interpretation with the same consistency, vitality and freshness, with a magical instinct of knowing just how to make Beethoven's complex music sound right and flow 'correctly'.
Recommended...
Perfectly good Beethoven set for the price., 13 Dec 2006
Whenever I buy a set of CD's at such a discount price, I instantly question the reason(s) why they are so cheap. Especially when I see who the artist(s) are and what the record label is, as is the case here.
But my fears are laid to rest because I think this is one of the best value for money items I've ever bought.
I actually remember owning part of this Barenboim cycle on old vinyl LP's (in a different era!) so I know what I was to expect.
Being re-mastered on CD's has meant a new crispness and dynamics to the recording, breathing new life to, what I think are very competent and sensitive accounts of these wonderful works (I actually think this Beethovens' most expressive and intimate medium as he was, primarily, a pianist).
Barenboim has a very understated approach to the works; letting them, largely, speak for themselves. Not putting too much personal interpretation into them, but at the same time having a sensitivity and clarity to form and structure, and an understanding of the musical mind of the composer.
He is not frightened of including the exposition repeats. Something that was sadly not observed with other artists of the mid-to-late twentieth century.
Recordings are, by and large, good, considering their age (mainly 60's and 70's) when Barenboim was at his peak as a pianist. It's a shame though, that some of the works are not laid out in chronoligical or compositional order on the ten discs. If, like me, you want to follow the works in compositional order to grasp the musical thinking of the composer at the time: You have to chop and change discs somewhat! And also, even though there are adequate write ups for the music there is nothing on Barenboim himself.
But these are small quibbles considering that you're paying about 2-50 GBP per disc...
Great value for money and you won't go far wrong with them...
Barenboim's EMI Piano Sonatas, 08 Aug 2006
Daniel Barenboim plays them slowly which is fine to me. The longest sonata is the "Hammerklavier" and it is the hardest and he is slow that he makes it c.an hour. He also has a mixture of joy, passion, emotions etc. I like the way how he does the "Appassionata" because he plays slowly to show great passion. He does speed up in the joyous and happy bits. This is one of my favourite sets but I have other favourite sets as well.
Stunning, 03 Jan 2009
This is one of the most stunning and moving works of choral music I have ever heard. I don't know what classification it officially holds, but I would say it was akin to modern church choral music. Polyphony's voices are perfectly suited to the ethereal chords which are so beautiful that I've literally been moved to tears several times - particularly to Water Night, and I've only owned the album for 24 hours! Buy this album NOW - you won't regret it. Thank you so much Eric Whitacre, I'm immensely glad you were born.
No middle ground?, 27 Dec 2008
I believe that many of the composers who have emerged towards the end of the 20th century create an extra-ordinary polarity in listeners. I think that the likes of Arvo Part, Gorecki, Lauridsen and Whitacre are just outstanding. I wonder whether that is because I myself sing in a choir?
This is just gorgeous music. For those who love it as much as I do you may want to try R Murray Schafer, a Canadian. I was introduced to his music this summer and it has many of the resonances of Whitacre.
I must say that no-one has the right to say "Do not buy this". I would not, myself, buy any atonal music from the 1950s-1980s but I will defend anyone who wants to. Shame on reviewers who say this.
Beautiful album, 07 Oct 2008
If you like listening or singing choral music you must own this CD. This is a beautiful album. One of the best pieces is A Boy and a Girl, a lyrical piece that is simply stunning. Eric Whitacre is growing in reputation as one of the best choral composers of this generation. This album cements that reputation.
dreary and irritating, 01 May 2008
I'm with Michael Hamilton on this one. Loads of polyphony in search of a melody and most irritating, particularly track 6 (When David heard) where the interminable "My son" had me tearing my hair out(at least the bit that's left!) Save your money and try the excellent Polyphony in " Nocturnes" or "Lux aeterna" by Morten Lauridson.
Divine, 31 Dec 2007
I'm more a Reggae/Dub/Soul kind of guy but got intrigued by the other reviews while surfing through the amazon CD section and decided to buy it: A brilliant piece of art - divine is the best description! And I'm not even into classic stuff ...
A glorious celebration of a singer's and composer's art, 11 Sep 2008
This is a long-awaited Bach disc from David Daniels. We are more accustomed to having him sing heroic Handel operatic roles, branch out into American folk songs, or even into Berlioz, but somehow it was inevitable that he would end up recording the Bach arias he has often sung in concert performances of the Passions, the B Minor Mass or Cantatas. And what a disc it has turned out to be. I had never heard him sing Bach before so this disc was a revelation to me. Andreas Scholl has received notable and deserved praise for the purity of his tone and somewhat restrained [Church] interpretation of Bach cantatas for alto, but Daniels' performances here are a different animal, as you would expect from an experienced operatic singer. But these are not vocal fireworks for the sake of it, far from it: just as se | | |