Devotional, 08 Jan 2006
In 1993, Depeche Mode released this reworking of their “Songs of Faith and Devotion” album, from that year. Testosterone and bravado ooze from every track, just as they do on the original album. Witness, Walking In My Shoes, where an industrial press of a rhythm section brutally pummels the song into life, or the gospel-ish Condemnation, which leaves the listener feeling both enriched and uplifted. Every song has been remoulded to suit the live arena and the results are both stimulating and exhilarating.

DM at their absolute rockiest (if that's a word)., 14 Jun 2005
The studio version of SOFAD is renowned for its departure from the "classic" Depeche Mode sound; from the almost heay-metal 'I Feel You' to the beautiful symphonic 'One Caress'. The live album manages to rock that little bit more, dirtying up the mix sufficiently for the best head-banging experience one is likely to get from listening to this band.

Dave Gahan's voice holds up extremely well, bearing in mind this was a torrid time indeed for him. Martin Gore's genius never ceases to amaze me; check out the guitar riffs on 'Mercy In You' - it's worth buying the album just for this track. Alan Wilder introduces us to the unique spectacle of a member of Depeche Mode on drums!

Personally, I would have preferred this album to have been a live album for the Devotional Tour (featuring stunning performances of 'World In My Eyes' and 'Enjoy The Silence'), rather than a live version of the SOFAD album. The track list is identical to the studio version, but there is sufficient variation in each mix to make this worth buying. The synth strings on 'One Caress' don't really hold up by today's standards but you've got to admire them for not just piping in a tape.

All in all, great stuff. Rock on!

101 it ain't!, 07 Jun 2001
Live albums always contain one or two surprises but the surprises are all on the box with this Depeche Mode release. It is exactly the same songs as SOFAD and in exactly the same order.

Luckily for them, the quality of the songs and the energy hold the album together even if Dave's voice is a bit flaky in places (Condemnation for example). Most of the songs are also different enough from their studio masters to create a surprisingly different listening experience - Higher Love being a case in point.

It is nice enough for the average Depeche Mode fan like myself but I can't see the more discerning music fan parting with more dollars for this after they've already bought SOFAD.

Three live albums that capture synth pioneer Gary Numan at the peak of his powers, Living Ornaments '79, '80 and '81 - the first two recorded at Hammersmith Odeon, the third an epic `farewell' to the fans staged at Wembley Arena - are triumphant testaments to entertaining rock largesse.

Nothing wrong with '79, exactly - within, there's fine takes on early Numan staples "Cars", "Are Friends Electric?", and "M.E". But it's the other two that ought to be big news for Numan fans. '80 will spark the plugs of the obsessives: over double the length of the lacklustre ten-track effort that first emerged in the Spring of '81, it completes the full performance using some recently rediscovered, digitally remastered footage taken direct from the mixing desk. Meanwhile, `81 is probably the pick of the bunch. Blessed with an expansive sound, and captured shortly before Numan started to lose control of his unstable muse, it sees him survey the landscape of Replicas, The Pleasure Principle, and Telekon with imperious poise and immaculate showmanship. The only regret is that you can't see the elaborate stage-set. --Louis Patterson

Devotional, 08 Jan 2006
In 1993, Depeche Mode released this reworking of their “Songs of Faith and Devotion” album, from that year. Testosterone and bravado ooze from every track, just as they do on the original album. Witness, Walking In My Shoes, where an industrial press of a rhythm section brutally pummels the song into life, or the gospel-ish Condemnation, which leaves the listener feeling both enriched and uplifted. Every song has been remoulded to suit the live arena and the results are both stimulating and exhilarating.

DM at their absolute rockiest (if that's a word)., 14 Jun 2005
The studio version of SOFAD is renowned for its departure from the "classic" Depeche Mode sound; from the almost heay-metal 'I Feel You' to the beautiful symphonic 'One Caress'. The live album manages to rock that little bit more, dirtying up the mix sufficiently for the best head-banging experience one is likely to get from listening to this band.

Dave Gahan's voice holds up extremely well, bearing in mind this was a torrid time indeed for him. Martin Gore's genius never ceases to amaze me; check out the guitar riffs on 'Mercy In You' - it's worth buying the album just for this track. Alan Wilder introduces us to the unique spectacle of a member of Depeche Mode on drums!

Personally, I would have preferred this album to have been a live album for the Devotional Tour (featuring stunning performances of 'World In My Eyes' and 'Enjoy The Silence'), rather than a live version of the SOFAD album. The track list is identical to the studio version, but there is sufficient variation in each mix to make this worth buying. The synth strings on 'One Caress' don't really hold up by today's standards but you've got to admire them for not just piping in a tape.

All in all, great stuff. Rock on!

101 it ain't!, 07 Jun 2001
Live albums always contain one or two surprises but the surprises are all on the box with this Depeche Mode release. It is exactly the same songs as SOFAD and in exactly the same order.

Luckily for them, the quality of the songs and the energy hold the album together even if Dave's voice is a bit flaky in places (Condemnation for example). Most of the songs are also different enough from their studio masters to create a surprisingly different listening experience - Higher Love being a case in point.

It is nice enough for the average Depeche Mode fan like myself but I can't see the more discerning music fan parting with more dollars for this after they've already bought SOFAD.

unbelievably well preserved, 26 Jun 2003
This concert is incredibly 24 years old and still sounds fresh and relevant. The recording,at Hammersmith Odeon, is of a whole concert from Numan's first UK tour, following the huge success of Are Friends Electric, Cars and the two albums Replicas and The Pleasure Principle.

It showcases a polished performance by a tight band. The setlist is a comprehensive summary of his career at that point and is also a good historical piece of electronica.

Classic numan, 18 Nov 2000
I bought this Lp when it was first released together with living ornaments 1980 back in 1981 as a box set (which I still own)however Ive noticed A few extra tracks on the cd version. this CD is a must buy for all fans of electronic music,from the best in the field.

The double-CD Scarred, recorded live at Brixton Academy on Gary Numan's triumphant Pure tour in 2000, is the first of several releases marking his 25 years as a recording artist. He's certainly been through a lot since Tubeway Army's "That's Too Bad", his debut back in February, 1978. Initially hailed as the king of electro, he fell spectacularly from grace then, years later, having been cited as an influence by the varied likes of Afrika Bambaataa and Trent Reznor, managed to claw his way back to the top. As with Pure, Scarred is infinitely heavier than his early material, clattering drums, pounding dancebeats, grinding samples, filthy guitar and a menacing, ever-present bass lending it an industrial roar--"The Angel Wars" and "Rip" are particularly explosive. Bu! t Numan, being a master-showman, does not limit himself to all-out attack. "Little Invitro", with its pained plea of "If only… if only" is fraught and delicate before rising to its grungey crescendo, while "Dance" is both sweet and forlorn. Of course, the hits are here, too. "Are 'Friends' Electric?" benefits from a profound drop in the middle eight, though "Cars" is delivered so jauntily it loses its sense of melancholic isolation. But that's a minor disappointment given the electro-feast on offer. --Dominic Wills

Devotional, 08 Jan 2006
In 1993, Depeche Mode released this reworking of their “Songs of Faith and Devotion” album, from that year. Testosterone and bravado ooze from every track, just as they do on the original album. Witness, Walking In My Shoes, where an industrial press of a rhythm section brutally pummels the song into life, or the gospel-ish Condemnation, which leaves the listener feeling both enriched and uplifted. Every song has been remoulded to suit the live arena and the results are both stimulating and exhilarating.

DM at their absolute rockiest (if that's a word)., 14 Jun 2005
The studio version of SOFAD is renowned for its departure from the "classic" Depeche Mode sound; from the almost heay-metal 'I Feel You' to the beautiful symphonic 'One Caress'. The live album manages to rock that little bit more, dirtying up the mix sufficiently for the best head-banging experience one is likely to get from listening to this band.

Dave Gahan's voice holds up extremely well, bearing in mind this was a torrid time indeed for him. Martin Gore's genius never ceases to amaze me; check out the guitar riffs on 'Mercy In You' - it's worth buying the album just for this track. Alan Wilder introduces us to the unique spectacle of a member of Depeche Mode on drums!

Personally, I would have preferred this album to have been a live album for the Devotional Tour (featuring stunning performances of 'World In My Eyes' and 'Enjoy The Silence'), rather than a live version of the SOFAD album. The track list is identical to the studio version, but there is sufficient variation in each mix to make this worth buying. The synth strings on 'One Caress' don't really hold up by today's standards but you've got to admire them for not just piping in a tape.

All in all, great stuff. Rock on!

101 it ain't!, 07 Jun 2001
Live albums always contain one or two surprises but the surprises are all on the box with this Depeche Mode release. It is exactly the same songs as SOFAD and in exactly the same order.

Luckily for them, the quality of the songs and the energy hold the album together even if Dave's voice is a bit flaky in places (Condemnation for example). Most of the songs are also different enough from their studio masters to create a surprisingly different listening experience - Higher Love being a case in point.

It is nice enough for the average Depeche Mode fan like myself but I can't see the more discerning music fan parting with more dollars for this after they've already bought SOFAD.

unbelievably well preserved, 26 Jun 2003
This concert is incredibly 24 years old and still sounds fresh and relevant. The recording,at Hammersmith Odeon, is of a whole concert from Numan's first UK tour, following the huge success of Are Friends Electric, Cars and the two albums Replicas and The Pleasure Principle.

It showcases a polished performance by a tight band. The setlist is a comprehensive summary of his career at that point and is also a good historical piece of electronica.

Classic numan, 18 Nov 2000
I bought this Lp when it was first released together with living ornaments 1980 back in 1981 as a box set (which I still own)however Ive noticed A few extra tracks on the cd version. this CD is a must buy for all fans of electronic music,from the best in the field.

INDUSTRIAL NIGHT !!!!, 05 Sep 2006
The concert revolves heavily around Gazza's last (at the time) 2 albums, Pure and Exile.The sound ranges from very good to excellent despite some tonal uneveness from one song to the other, with earth-shattering bottom end and slightly muffled upper treble easily compensated for with any decent equalizer. The first 8 tracks (out of 22 - 100'running time)are performed unispiredly and just in the same manner as on their respective studio records. I expect different versions when I buy a live record or attend a concert. From the ending of Cars on,on which drummer Rich Beasley unleashes a frenzy of trebley percussion, the concert really turns worth the while !; superb versions of Dead Heaven, A Prayer For The Unborn and THE most incredible I Can Breathe ever played by the band take place.The 2d disc ends with a variation of the song Dance, which I used to hate on the studio record but this version is lightyears better. I thought this 2cd would come sonically too close to the dvds I already owned, but ended up being a worthy addition to my Numan collection, as almost everything Numan is !!! Good bang for the buck (or value for the money, as brits say )

BRILLIANT!!, 05 Feb 2003
If you were there in October 2000 you will surely agree that this was one of the best Numan shows in recent history (especially if, like me, you thought it was a bit pants in Hackney last year). In terms of choice of music and atmosphere, Brixton was the best single gig I can remember for a long time. Of course it was the launch of the Pure album too and this made the night all the more memorable. This album catches the whole mood of the evening, all the tracks played that night were fantastic. You won't be disappointed if you buy this-its great value considering its a double CD.

FAULTLESS a classic in every sense!, 02 Feb 2003
First 5 star rating I have ever given but this deserves it. A stunning collection of live work, brilliantly performed by Numan. Classic tracks are given the Indutrial shading of post-Exile production and all work brilliantly. This is wonderful material. Proof final, if any is needed, of just how stong Numan's work had become. Scarred offers a true wall of sound experience. This is ground-zero! Be prepaered to have your speakers tremble at some of the massive bass rumblings and slamming guitars. Numan truly rules the kingdom of Industrial-Gothic. Nobody comes close to his edge of soaring lyrics, multi-layered sound and angst delivery. The new studio album is eaglerly anticipated. I can see whay the radio doesn't play him, he's just too good, too strong and too powerful. The charts weren't meant for this. It is simply too good. Buy it, enjoy and marvel!

numan at his best, 29 Jan 2003
Its been a while since the last live album by Numan and its safe to say he is back to his best.The sound quality of the album is impressive with Numan mixing synthesiser and guitar extremely well.The outstanding tracks are Pure,Little invitro,This wreckage and a rarely played live version of Dance.For those who missed the gig its a stark reminder that Numan is here to stay.A must buy for Numan fans old and new.

2CD's of Gary Numan at his best LIVE, 29 Jan 2003
This CD is great taken from one of his gigs back in 2000, it is packed with all the stuff from his last studio LP "Pure" and quite a few from his earlier stuff "Observer" being one. Its dark and great listening material for the car. This CD is certainly better than anything Mr Manson has done live. A must.

Devotional, 08 Jan 2006
In 1993, Depeche Mode released this reworking of their “Songs of Faith and Devotion” album, from that year. Testosterone and bravado ooze from every track, just as they do on the original album. Witness, Walking In My Shoes, where an industrial press of a rhythm section brutally pummels the song into life, or the gospel-ish Condemnation, which leaves the listener feeling both enriched and uplifted. Every song has been remoulded to suit the live arena and the results are both stimulating and exhilarating.

DM at their absolute rockiest (if that's a word)., 14 Jun 2005
The studio version of SOFAD is renowned for its departure from the "classic" Depeche Mode sound; from the almost heay-metal 'I Feel You' to the beautiful symphonic 'One Caress'. The live album manages to rock that little bit more, dirtying up the mix sufficiently for the best head-banging experience one is likely to get from listening to this band.

Dave Gahan's voice holds up extremely well, bearing in mind this was a torrid time indeed for him. Martin Gore's genius never ceases to amaze me; check out the guitar riffs on 'Mercy In You' - it's worth buying the album just for this track. Alan Wilder introduces us to the unique spectacle of a member of Depeche Mode on drums!

Personally, I would have preferred this album to have been a live album for the Devotional Tour (featuring stunning performances of 'World In My Eyes' and 'Enjoy The Silence'), rather than a live version of the SOFAD album. The track list is identical to the studio version, but there is sufficient variation in each mix to make this worth buying. The synth strings on 'One Caress' don't really hold up by today's standards but you've got to admire them for not just piping in a tape.

All in all, great stuff. Rock on!

101 it ain't!, 07 Jun 2001
Live albums always contain one or two surprises but the surprises are all on the box with this Depeche Mode release. It is exactly the same songs as SOFAD and in exactly the same order.

Luckily for them, the quality of the songs and the energy hold the album together even if Dave's voice is a bit flaky in places (Condemnation for example). Most of the songs are also different enough from their studio masters to create a surprisingly different listening experience - Higher Love being a case in point.

It is nice enough for the average Depeche Mode fan like myself but I can't see the more discerning music fan parting with more dollars for this after they've already bought SOFAD.

unbelievably well preserved, 26 Jun 2003
This concert is incredibly 24 years old and still sounds fresh and relevant. The recording,at Hammersmith Odeon, is of a whole concert from Numan's first UK tour, following the huge success of Are Friends Electric, Cars and the two albums Replicas and The Pleasure Principle.

It showcases a polished performance by a tight band. The setlist is a comprehensive summary of his career at that point and is also a good historical piece of electronica.

Classic numan, 18 Nov 2000
I bought this Lp when it was first released together with living ornaments 1980 back in 1981 as a box set (which I still own)however Ive noticed A few extra tracks on the cd version. this CD is a must buy for all fans of electronic music,from the best in the field.

INDUSTRIAL NIGHT !!!!, 05 Sep 2006
The concert revolves heavily around Gazza's last (at the time) 2 albums, Pure and Exile.The sound ranges from very good to excellent despite some tonal uneveness from one song to the other, with earth-shattering bottom end and slightly muffled upper treble easily compensated for with any decent equalizer. The first 8 tracks (out of 22 - 100'running time)are performed unispiredly and just in the same manner as on their respective studio records. I expect different versions when I buy a live record or attend a concert. From the ending of Cars on,on which drummer Rich Beasley unleashes a frenzy of trebley percussion, the concert really turns worth the while !; superb versions of Dead Heaven, A Prayer For The Unborn and THE most incredible I Can Breathe ever played by the band take place.The 2d disc ends with a variation of the song Dance, which I used to hate on the studio record but this version is lightyears better. I thought this 2cd would come sonically too close to the dvds I already owned, but ended up being a worthy addition to my Numan collection, as almost everything Numan is !!! Good bang for the buck (or value for the money, as brits say )

BRILLIANT!!, 05 Feb 2003
If you were there in October 2000 you will surely agree that this was one of the best Numan shows in recent history (especially if, like me, you thought it was a bit pants in Hackney last year). In terms of choice of music and atmosphere, Brixton was the best single gig I can remember for a long time. Of course it was the launch of the Pure album too and this made the night all the more memorable. This album catches the whole mood of the evening, all the tracks played that night were fantastic. You won't be disappointed if you buy this-its great value considering its a double CD.

FAULTLESS a classic in every sense!, 02 Feb 2003
First 5 star rating I have ever given but this deserves it. A stunning collection of live work, brilliantly performed by Numan. Classic tracks are given the Indutrial shading of post-Exile production and all work brilliantly. This is wonderful material. Proof final, if any is needed, of just how stong Numan's work had become. Scarred offers a true wall of sound experience. This is ground-zero! Be prepaered to have your speakers tremble at some of the massive bass rumblings and slamming guitars. Numan truly rules the kingdom of Industrial-Gothic. Nobody comes close to his edge of soaring lyrics, multi-layered sound and angst delivery. The new studio album is eaglerly anticipated. I can see whay the radio doesn't play him, he's just too good, too strong and too powerful. The charts weren't meant for this. It is simply too good. Buy it, enjoy and marvel!

numan at his best, 29 Jan 2003
Its been a while since the last live album by Numan and its safe to say he is back to his best.The sound quality of the album is impressive with Numan mixing synthesiser and guitar extremely well.The outstanding tracks are Pure,Little invitro,This wreckage and a rarely played live version of Dance.For those who missed the gig its a stark reminder that Numan is here to stay.A must buy for Numan fans old and new.

2CD's of Gary Numan at his best LIVE, 29 Jan 2003
This CD is great taken from one of his gigs back in 2000, it is packed with all the stuff from his last studio LP "Pure" and quite a few from his earlier stuff "Observer" being one. Its dark and great listening material for the car. This CD is certainly better than anything Mr Manson has done live. A must.

Timmy's toppermost tunes, 25 Mar 2001
This CD starts with Thomas' best known song, the title trackm which sounds like it was sampled by Flash and The Pans' 'Waiting for a Train'. This is a very simple song, with no more than an organ and a rhythm machine providing the backing. This stark organ sound is present throughout many of the other songs on the CD, but always remains sufficiently unobtrusive to avoid becoming annoying. The songs all fit together nicely with a relaxed feel running throughout the CD. With over an hour of fine music, this is perfect for listening to on a Sunday afternoon (or any other afternoon for that matter!).

Devotional, 08 Jan 2006
In 1993, Depeche Mode released this reworking of their “Songs of Faith and Devotion” album, from that year. Testosterone and bravado ooze from every track, just as they do on the original album. Witness, Walking In My Shoes, where an industrial press of a rhythm section brutally pummels the song into life, or the gospel-ish Condemnation, which leaves the listener feeling both enriched and uplifted. Every song has been remoulded to suit the live arena and the results are both stimulating and exhilarating.

DM at their absolute rockiest (if that's a word)., 14 Jun 2005
The studio version of SOFAD is renowned for its departure from the "classic" Depeche Mode sound; from the almost heay-metal 'I Feel You' to the beautiful symphonic 'One Caress'. The live album manages to rock that little bit more, dirtying up the mix sufficiently for the best head-banging experience one is likely to get from listening to this band.

Dave Gahan's voice holds up extremely well, bearing in mind this was a torrid time indeed for him. Martin Gore's genius never ceases to amaze me; check out the guitar riffs on 'Mercy In You' - it's worth buying the album just for this track. Alan Wilder introduces us to the unique spectacle of a member of Depeche Mode on drums!

Personally, I would have preferred this album to have been a live album for the Devotional Tour (featuring stunning performances of 'World In My Eyes' and 'Enjoy The Silence'), rather than a live version of the SOFAD album. The track list is identical to the studio version, but there is sufficient variation in each mix to make this worth buying. The synth strings on 'One Caress' don't really hold up by today's standards but you've got to admire them for not just piping in a tape.

All in all, great stuff. Rock on!

101 it ain't!, 07 Jun 2001
Live albums always contain one or two surprises but the surprises are all on the box with this Depeche Mode release. It is exactly the same songs as SOFAD and in exactly the same order.

Luckily for them, the quality of the songs and the energy hold the album together even if Dave's voice is a bit flaky in places (Condemnation for example). Most of the songs are also different enough from their studio masters to create a surprisingly different listening experience - Higher Love being a case in point.

It is nice enough for the average Depeche Mode fan like myself but I can't see the more discerning music fan parting with more dollars for this after they've already bought SOFAD.

unbelievably well preserved, 26 Jun 2003
This concert is incredibly 24 years old and still sounds fresh and relevant. The recording,at Hammersmith Odeon, is of a whole concert from Numan's first UK tour, following the huge success of Are Friends Electric, Cars and the two albums Replicas and The Pleasure Principle.

It showcases a polished performance by a tight band. The setlist is a comprehensive summary of his career at that point and is also a good historical piece of electronica.

Classic numan, 18 Nov 2000
I bought this Lp when it was first released together with living ornaments 1980 back in 1981 as a box set (which I still own)however Ive noticed A few extra tracks on the cd version. this CD is a must buy for all fans of electronic music,from the best in the field.

INDUSTRIAL NIGHT !!!!, 05 Sep 2006
The concert revolves heavily around Gazza's last (at the time) 2 albums, Pure and Exile.The sound ranges from very good to excellent despite some tonal uneveness from one song to the other, with earth-shattering bottom end and slightly muffled upper treble easily compensated for with any decent equalizer. The first 8 tracks (out of 22 - 100'running time)are performed unispiredly and just in the same manner as on their respective studio records. I expect different versions when I buy a live record or attend a concert. From the ending of Cars on,on which drummer Rich Beasley unleashes a frenzy of trebley percussion, the concert really turns worth the while !; superb versions of Dead Heaven, A Prayer For The Unborn and THE most incredible I Can Breathe ever played by the band take place.The 2d disc ends with a variation of the song Dance, which I used to hate on the studio record but this version is lightyears better. I thought this 2cd would come sonically too close to the dvds I already owned, but ended up being a worthy addition to my Numan collection, as almost everything Numan is !!! Good bang for the buck (or value for the money, as brits say )

BRILLIANT!!, 05 Feb 2003
If you were there in October 2000 you will surely agree that this was one of the best Numan shows in recent history (especially if, like me, you thought it was a bit pants in Hackney last year). In terms of choice of music and atmosphere, Brixton was the best single gig I can remember for a long time. Of course it was the launch of the Pure album too and this made the night all the more memorable. This album catches the whole mood of the evening, all the tracks played that night were fantastic. You won't be disappointed if you buy this-its great value considering its a double CD.

FAULTLESS a classic in every sense!, 02 Feb 2003
First 5 star rating I have ever given but this deserves it. A stunning collection of live work, brilliantly performed by Numan. Classic tracks are given the Indutrial shading of post-Exile production and all work brilliantly. This is wonderful material. Proof final, if any is needed, of just how stong Numan's work had become. Scarred offers a true wall of sound experience. This is ground-zero! Be prepaered to have your speakers tremble at some of the massive bass rumblings and slamming guitars. Numan truly rules the kingdom of Industrial-Gothic. Nobody comes close to his edge of soaring lyrics, multi-layered sound and angst delivery. The new studio album is eaglerly anticipated. I can see whay the radio doesn't play him, he's just too good, too strong and too powerful. The charts weren't meant for this. It is simply too good. Buy it, enjoy and marvel!

numan at his best, 29 Jan 2003
Its been a while since the last live album by Numan and its safe to say he is back to his best.The sound quality of the album is impressive with Numan mixing synthesiser and guitar extremely well.The outstanding tracks are Pure,Little invitro,This wreckage and a rarely played live version of Dance.For those who missed the gig its a stark reminder that Numan is here to stay.A must buy for Numan fans old and new.

2CD's of Gary Numan at his best LIVE, 29 Jan 2003
This CD is great taken from one of his gigs back in 2000, it is packed with all the stuff from his last studio LP "Pure" and quite a few from his earlier stuff "Observer" being one. Its dark and great listening material for the car. This CD is certainly better than anything Mr Manson has done live. A must.

Timmy's toppermost tunes, 25 Mar 2001
This CD starts with Thomas' best known song, the title trackm which sounds like it was sampled by Flash and The Pans' 'Waiting for a Train'. This is a very simple song, with no more than an organ and a rhythm machine providing the backing. This stark organ sound is present throughout many of the other songs on the CD, but always remains sufficiently unobtrusive to avoid becoming annoying. The songs all fit together nicely with a relaxed feel running throughout the CD. With over an hour of fine music, this is perfect for listening to on a Sunday afternoon (or any other afternoon for that matter!).

Always Outstanding!, 05 Apr 2007
I am always hesitant about buying a live cd, because most of the time the sound isnt always good. I am so happy I took I chance with this cd! The choice of songs and the sound is outstanding! I wish I could have been there! American Life is my favourite Madonna song - and it rocks on this album, it even sounds better than the original! The documentary is interesting, and worth watching to see the live bits of the concert! Really enjoyed this one!!!

Excellent but DVD a little too long!, 14 Oct 2006
Watching this DVD reminded me what a great sense of humour Madonna has! It really is like 'Truth or Dare' 15 yrs later, with a still sassy, controversial Madonna with far less of the rude stuff. But once gain you find her ability to inspire those around her endearing to say the least and her dancers are far more likeable than the some of the bitchy queens on Blond Ambition!!!! MY only criticism would be the Israel section was really streching it and would have worked far better as an extra, as it does feel tagged on and does not allow for the natural closure of the end of the tour footage.

The live CD is a great bonus. "Nobody knows me" was my least favourite track of my least favourite Madonna album, now I love it as this live version gives it a new lease of life! "Lament" proves undeniably she can sing brilliantly live and is a nice addition, but the Missy Elliot remix of "Into the groove" is still lacking to say the least! "Crazy for you" seems a real shame of an omission, if only that it was the song she dedicated to her fans on the tour and was a track she had never played live in the UK before. But still worth it for the ever-fresh "Vogue" and dance mix of "Hollywood" (Madonna kissing Britney and Christina version).

Madonna, 02 Oct 2006
This is great in general. I think even if you're not a true Madonna fan it would still be an interesting viewing. Madonna is a fascinating creature and this DVD gives you a great insight into the madness of her life and those around her whom she either adores or await her beckon call. Some bits are a bit slow-going to be honest but there are some deeply moving and motivational bits too. Just keep the tissues to hand for last prayer!

The CD is good but i think you really have to be in the mood to listen to it all the way through though the live version of Vogue is class!

Madonna's Live CD + DVD!, 06 Sep 2006
When she fell of her horse last year and broke some ribs, nobody was expecting the Queen of Pop to return with three huge hits and a very good album. Now, for the first time, Madonna releases a live cd and DVD with all of her great hits, from Holiday to American Life and a great documentary from her 2004 ReInvention Tour. Directed by Jonas Akerlund. It's worth the try!

Disappointment Re-invented, 04 Jul 2006
The format of Madonna's first tour documentary (Truth or Dare/In Bed With Madonna) was clearly such a crowd pleaser that Secret director Jonus Akerlund opted not to reinvent the wheel. Sure, if it ain't broke don't fix it but the problem here is not so much the style of presentation as the leading lady herself. With Madonna's credit as executive producer you cannot help but feel her paw prints all over the final product. The concert looks incredible, she gives a flawless performance in all concert sequences and when (for the most part) she sings live - she hits the spot.

What made the first film so fascinating were the backstage antics of the dancers, singers, sound technicians, make-up girls and ofcourse the evian bottle felating icon herself. The film was rock and roll, cat fighting queens and prima donna strops all over the place.... this `sequel' is just a bit boring in comparison.

OK - so Madonna feels "there are less ups and downs in my life" and she reveals to us that she "wants to change", she also sings a heart warming rendition of John Lennon's imagine as two Palestinian and Israeli children (clearly actors filmed during the rehearsal phase of the tour) walk off into the sunset. I accept and politically support the ideal she is portraying but I wanted more tits, ass and "you stink - pussy man" or at least something interesting. I also came away feeling that Madonna had really lost touch with her audience. Early in the film when talking about her nerves for the opening night, she quotes some advice "don't think of them (the audience) as being thousands of people, think of them as thousands of lights"... whatever gets you through the night Madonna but each of those lights paid around £150.00 sit there twinkling, I suggest you think of them as paying customers.

It's not all mysticism and life-coaching (although pretty much), the award for `best actor in a supporting role' goes to her five year old son Rocco who steals the show. He smashes and bashes and bashes some more across the screen and has such a beautiful geezer boy attitude you can't help but love `im - along with the most infectious laugh you'll ever see on screen; the child is a joy. And to close with Rocco's own words, for the rest of the film you are left scratching your head and asking the question "What the heck are you talking about?"

Devotional, 08 Jan 2006
In 1993, Depeche Mode released this reworking of their “Songs of Faith and Devotion” album, from that year. Testosterone and bravado ooze from every track, just as they do on the original album. Witness, Walking In My Shoes, where an industrial press of a rhythm section brutally pummels the song into life, or the gospel-ish Condemnation, which leaves the listener feeling both enriched and uplifted. Every song has been remoulded to suit the live arena and the results are both stimulating and exhilarating.

DM at their absolute rockiest (if that's a word)., 14 Jun 2005
The studio version of SOFAD is renowned for its departure from the "classic" Depeche Mode sound; from the almost heay-metal 'I Feel You' to the beautiful symphonic 'One Caress'. The live album manages to rock that little bit more, dirtying up the mix sufficiently for the best head-banging experience one is likely to get from listening to this band.

Dave Gahan's voice holds up extremely well, bearing in mind this was a torrid time indeed for him. Martin Gore's genius never ceases to amaze me; check out the guitar riffs on 'Mercy In You' - it's worth buying the album just for this track. Alan Wilder introduces us to the unique spectacle of a member of Depeche Mode on drums!

Personally, I would have preferred this album to have been a live album for the Devotional Tour (featuring stunning performances of 'World In My Eyes' and 'Enjoy The Silence'), rather than a live version of the SOFAD album. The track list is identical to the studio version, but there is sufficient variation in each mix to make this worth buying. The synth strings on 'One Caress' don't really hold up by today's standards but you've got to admire them for not just piping in a tape.

All in all, great stuff. Rock on!

101 it ain't!, 07 Jun 2001
Live albums always contain one or two surprises but the surprises are all on the box with this Depeche Mode release. It is exactly the same songs as SOFAD and in exactly the same order.

Luckily for them, the quality of the songs and the energy hold the album together even if Dave's voice is a bit flaky in places (Condemnation for example). Most of the songs are also different enough from their studio masters to create a surprisingly different listening experience - Higher Love being a case in point.

It is nice enough for the average Depeche Mode fan like myself but I can't see the more discerning music fan parting with more dollars for this after they've already bought SOFAD.

unbelievably well preserved, 26 Jun 2003
This concert is incredibly 24 years old and still sounds fresh and relevant. The recording,at Hammersmith Odeon, is of a whole concert from Numan's first UK tour, following the huge success of Are Friends Electric, Cars and the two albums Replicas and The Pleasure Principle.

It showcases a polished performance by a tight band. The setlist is a comprehensive summary of his career at that point and is also a good historical piece of electronica.

Classic numan, 18 Nov 2000
I bought this Lp when it was first released together with living ornaments 1980 back in 1981 as a box set (which I still own)however Ive noticed A few extra tracks on the cd version. this CD is a must buy for all fans of electronic music,from the best in the field.

INDUSTRIAL NIGHT !!!!, 05 Sep 2006
The concert revolves heavily around Gazza's last (at the time) 2 albums, Pure and Exile.The sound ranges from very good to excellent despite some tonal uneveness from one song to the other, with earth-shattering bottom end and slightly muffled upper treble easily compensated for with any decent equalizer. The first 8 tracks (out of 22 - 100'running time)are performed unispiredly and just in the same manner as on their respective studio records. I expect different versions when I buy a live record or attend a concert. From the ending of Cars on,on which drummer Rich Beasley unleashes a frenzy of trebley percussion, the concert really turns worth the while !; superb versions of Dead Heaven, A Prayer For The Unborn and THE most incredible I Can Breathe ever played by the band take place.The 2d disc ends with a variation of the song Dance, which I used to hate on the studio record but this version is lightyears better. I thought this 2cd would come sonically too close to the dvds I already owned, but ended up being a worthy addition to my Numan collection, as almost everything Numan is !!! Good bang for the buck (or value for the money, as brits say )

BRILLIANT!!, 05 Feb 2003
If you were there in October 2000 you will surely agree that this was one of the best Numan shows in recent history (especially if, like me, you thought it was a bit pants in Hackney last year). In terms of choice of music and atmosphere, Brixton was the best single gig I can remember for a long time. Of course it was the launch of the Pure album too and this made the night all the more memorable. This album catches the whole mood of the evening, all the tracks played that night were fantastic. You won't be disappointed if you buy this-its great value considering its a double CD.

FAULTLESS a classic in every sense!, 02 Feb 2003
First 5 star rating I have ever given but this deserves it. A stunning collection of live work, brilliantly performed by Numan. Classic tracks are given the Indutrial shading of post-Exile production and all work brilliantly. This is wonderful material. Proof final, if any is needed, of just how stong Numan's work had become. Scarred offers a true wall of sound experience. This is ground-zero! Be prepaered to have your speakers tremble at some of the massive bass rumblings and slamming guitars. Numan truly rules the kingdom of Industrial-Gothic. Nobody comes close to his edge of soaring lyrics, multi-layered sound and angst delivery. The new studio album is eaglerly anticipated. I can see whay the radio doesn't play him, he's just too good, too strong and too powerful. The charts weren't meant for this. It is simply too good. Buy it, enjoy and marvel!

numan at his best, 29 Jan 2003
Its been a while since the last live album by Numan and its safe to say he is back to his best.The sound quality of the album is impressive with Numan mixing synthesiser and guitar extremely well.The outstanding tracks are Pure,Little invitro,This wreckage and a rarely played live version of Dance.For those who missed the gig its a stark reminder that Numan is here to stay.A must buy for Numan fans old and new.

2CD's of Gary Numan at his best LIVE, 29 Jan 2003
This CD is great taken from one of his gigs back in 2000, it is packed with all the stuff from his last studio LP "Pure" and quite a few from his earlier stuff "Observer" being one. Its dark and great listening material for the car. This CD is certainly better than anything Mr Manson has done live. A must.

Timmy's toppermost tunes, 25 Mar 2001
This CD starts with Thomas' best known song, the title trackm which sounds like it was sampled by Flash and The Pans' 'Waiting for a Train'. This is a very simple song, with no more than an organ and a rhythm machine providing the backing. This stark organ sound is present throughout many of the other songs on the CD, but always remains sufficiently unobtrusive to avoid becoming annoying. The songs all fit together nicely with a relaxed feel running throughout the CD. With over an hour of fine music, this is perfect for listening to on a Sunday afternoon (or any other afternoon for that matter!).

Always Outstanding!, 05 Apr 2007
I am always hesitant about buying a live cd, because most of the time the sound isnt always good. I am so happy I took I chance with this cd! The choice of songs and the sound is outstanding! I wish I could have been there! American Life is my favourite Madonna song - and it rocks on this album, it even sounds better than the original! The documentary is interesting, and worth watching to see the live bits of the concert! Really enjoyed this one!!!

Excellent but DVD a little too long!, 14 Oct 2006
Watching this DVD reminded me what a great sense of humour Madonna has! It really is like 'Truth or Dare' 15 yrs later, with a still sassy, controversial Madonna with far less of the rude stuff. But once gain you find her ability to inspire those around her endearing to say the least and her dancers are far more likeable than the some of the bitchy queens on Blond Ambition!!!! MY only criticism would be the Israel section was really streching it and would have worked far better as an extra, as it does feel tagged on and does not allow for the natural closure of the end of the tour footage.

The live CD is a great bonus. "Nobody knows me" was my least favourite track of my least favourite Madonna album, now I love it as this live version gives it a new lease of life! "Lament" proves undeniably she can sing brilliantly live and is a nice addition, but the Missy Elliot remix of "Into the groove" is still lacking to say the least! "Crazy for you" seems a real shame of an omission, if only that it was the song she dedicated to her fans on the tour and was a track she had never played live in the UK before. But still worth it for the ever-fresh "Vogue" and dance mix of "Hollywood" (Madonna kissing Britney and Christina version).

Madonna, 02 Oct 2006
This is great in general. I think even if you're not a true Madonna fan it would still be an interesting viewing. Madonna is a fascinating creature and this DVD gives you a great insight into the madness of her life and those around her whom she either adores or await her beckon call. Some bits are a bit slow-going to be honest but there are some deeply moving and motivational bits too. Just keep the tissues to hand for last prayer!

The CD is good but i think you really have to be in the mood to listen to it all the way through though the live version of Vogue is class!

Madonna's Live CD + DVD!, 06 Sep 2006
When she fell of her horse last year and broke some ribs, nobody was expecting the Queen of Pop to return with three huge hits and a very good album. Now, for the first time, Madonna releases a live cd and DVD with all of her great hits, from Holiday to American Life and a great documentary from her 2004 ReInvention Tour. Directed by Jonas Akerlund. It's worth the try!

Disappointment Re-invented, 04 Jul 2006
The format of Madonna's first tour documentary (Truth or Dare/In Bed With Madonna) was clearly such a crowd pleaser that Secret director Jonus Akerlund opted not to reinvent the wheel. Sure, if it ain't broke don't fix it but the problem here is not so much the style of presentation as the leading lady herself. With Madonna's credit as executive producer you cannot help but feel her paw prints all over the final product. The concert looks incredible, she gives a flawless performance in all concert sequences and when (for the most part) she sings live - she hits the spot.

What made the first film so fascinating were the backstage antics of the dancers, singers, sound technicians, make-up girls and ofcourse the evian bottle felating icon herself. The film was rock and roll, cat fighting queens and prima donna strops all over the place.... this `sequel' is just a bit boring in comparison.

OK - so Madonna feels "there are less ups and downs in my life" and she reveals to us that she "wants to change", she also sings a heart warming rendition of John Lennon's imagine as two Palestinian and Israeli children (clearly actors filmed during the rehearsal phase of the tour) walk off into the sunset. I accept and politically support the ideal she is portraying but I wanted more tits, ass and "you stink - pussy man" or at least something interesting. I also came away feeling that Madonna had really lost touch with her audience. Early in the film when talking about her nerves for the opening night, she quotes some advice "don't think of them (the audience) as being thousands of people, think of them as thousands of lights"... whatever gets you through the night Madonna but each of those lights paid around £150.00 sit there twinkling, I suggest you think of them as paying customers.

It's not all mysticism and life-coaching (although pretty much), the award for `best actor in a supporting role' goes to her five year old son Rocco who steals the show. He smashes and bashes and bashes some more across the screen and has such a beautiful geezer boy attitude you can't help but love `im - along with the most infectious laugh you'll ever see on screen; the child is a joy. And to close with Rocco's own words, for the rest of the film you are left scratching your head and asking the question "What the heck are you talking about?"


this is the best live album ever!!, 10 Jan 2004
right - this is the best! donna summer's voice is one of the greatest on our earth and on this cd, you can hear it! a fantastic live orchestra with big strings. all donna summer songs are playing a little bit faster in this great show - live from los angeles 1976, plus the -my man medley, the way we were and mimis song- (her 1. daughter, with her first austria men: sommer!),and at last - track #17, a studio song - down, deep inside - from the movie -the deep-. this was a real glamor disco show - with all her hits from: love to love you baby - once upon a time to last dance, on this time! so if you like a great voice, a real good orchestra and singers and a great feeling - buy this! close your eyes and think you are there! feel happy! note: the original album, had a bonus side, with the -mac arthur park suite-, this is not on the cd, but here is "the deep" song.

Excellent live album, 10 Oct 2003
I bought this in particular for the "bonus track" being the theme from " The Deep"- it is such a great track that it was worth buying the album for. However the rest of the album is a corker-Donna really puts a great show on and runs through most of her hits (at that time) as well as one or two cover versions. She has a great rapport with the crowd and is slick smooth and soulful. If you are a donna summer fan you really should own this!

Devotional, 08 Jan 2006
In 1993, Depeche Mode released this reworking of their “Songs of Faith and Devotion” album, from that year. Testosterone and bravado ooze from every track, just as they do on the original album. Witness, Walking In My Shoes, where an industrial press of a rhythm section brutally pummels the song into life, or the gospel-ish Condemnation, which leaves the listener feeling both enriched and uplifted. Every song has been remoulded to suit the live arena and the results are both stimulating and exhilarating.

DM at their absolute rockiest (if that's a word)., 14 Jun 2005
The studio version of SOFAD is renowned for its departure from the "classic" Depeche Mode sound; from the almost heay-metal 'I Feel You' to the beautiful symphonic 'One Caress'. The live album manages to rock that little bit more, dirtying up the mix sufficiently for the best head-banging experience one is likely to get from listening to this band.

Dave Gahan's voice holds up extremely well, bearing in mind this was a torrid time indeed for him. Martin Gore's genius never ceases to amaze me; check out the guitar riffs on 'Mercy In You' - it's worth buying the album just for this track. Alan Wilder introduces us to the unique spectacle of a member of Depeche Mode on drums!

Personally, I would have preferred this album to have been a live album for the Devotional Tour (featuring stunning performances of 'World In My Eyes' and 'Enjoy The Silence'), rather than a live version of the SOFAD album. The track list is identical to the studio version, but there is sufficient variation in each mix to make this worth buying. The synth strings on 'One Caress' don't really hold up by today's standards but you've got to admire them for not just piping in a tape.

All in all, great stuff. Rock on!

101 it ain't!, 07 Jun 2001
Live albums always contain one or two surprises but the surprises are all on the box with this Depeche Mode release. It is exactly the same songs as SOFAD and in exactly the same order.

Luckily for them, the quality of the songs and the energy hold the album together even if Dave's voice is a bit flaky in places (Condemnation for example). Most of the songs are also different enough from their studio masters to create a surprisingly different listening experience - Higher Love being a case in point.

It is nice enough for the average Depeche Mode fan like myself but I can't see the more discerning music fan parting with more dollars for this after they've already bought SOFAD.

unbelievably well preserved, 26 Jun 2003
This concert is incredibly 24 years old and still sounds fresh and relevant. The recording,at Hammersmith Odeon, is of a whole concert from Numan's first UK tour, following the huge success of Are Friends Electric, Cars and the two albums Replicas and The Pleasure Principle.

It showcases a polished performance by a tight band. The setlist is a comprehensive summary of his career at that point and is also a good historical piece of electronica.

Classic numan, 18 Nov 2000
I bought this Lp when it was first released together with living ornaments 1980 back in 1981 as a box set (which I still own)however Ive noticed A few extra tracks on the cd version. this CD is a must buy for all fans of electronic music,from the best in the field.

INDUSTRIAL NIGHT !!!!, 05 Sep 2006
The concert revolves heavily around Gazza's last (at the time) 2 albums, Pure and Exile.The sound ranges from very good to excellent despite some tonal uneveness from one song to the other, with earth-shattering bottom end and slightly muffled upper treble easily compensated for with any decent equalizer. The first 8 tracks (out of 22 - 100'running time)are performed unispiredly and just in the same manner as on their respective studio records. I expect different versions when I buy a live record or attend a concert. From the ending of Cars on,on which drummer Rich Beasley unleashes a frenzy of trebley percussion, the concert really turns worth the while !; superb versions of Dead Heaven, A Prayer For The Unborn and THE most incredible I Can Breathe ever played by the band take place.The 2d disc ends with a variation of the song Dance, which I used to hate on the studio record but this version is lightyears better. I thought this 2cd would come sonically too close to the dvds I already owned, but ended up being a worthy addition to my Numan collection, as almost everything Numan is !!! Good bang for the buck (or value for the money, as brits say )

BRILLIANT!!, 05 Feb 2003
If you were there in October 2000 you will surely agree that this was one of the best Numan shows in recent history (especially if, like me, you thought it was a bit pants in Hackney last year). In terms of choice of music and atmosphere, Brixton was the best single gig I can remember for a long time. Of course it was the launch of the Pure album too and this made the night all the more memorable. This album catches the whole mood of the evening, all the tracks played that night were fantastic. You won't be disappointed if you buy this-its great value considering its a double CD.

FAULTLESS a classic in every sense!, 02 Feb 2003
First 5 star rating I have ever given but this deserves it. A stunning collection of live work, brilliantly performed by Numan. Classic tracks are given the Indutrial shading of post-Exile production and all work brilliantly. This is wonderful material. Proof final, if any is needed, of just how stong Numan's work had become. Scarred offers a true wall of sound experience. This is ground-zero! Be prepaered to have your speakers tremble at some of the massive bass rumblings and slamming guitars. Numan truly rules the kingdom of Industrial-Gothic. Nobody comes close to his edge of soaring lyrics, multi-layered sound and angst delivery. The new studio album is eaglerly anticipated. I can see whay the radio doesn't play him, he's just too good, too strong and too powerful. The charts weren't meant for this. It is simply too good. Buy it, enjoy and marvel!

numan at his best, 29 Jan 2003
Its been a while since the last live album by Numan and its safe to say he is back to his best.The sound quality of the album is impressive with Numan mixing synthesiser and guitar extremely well.The outstanding tracks are Pure,Little invitro,This wreckage and a rarely played live version of Dance.For those who missed the gig its a stark reminder that Numan is here to stay.A must buy for Numan fans old and new.

2CD's of Gary Numan at his best LIVE, 29 Jan 2003
This CD is great taken from one of his gigs back in 2000, it is packed with all the stuff from his last studio LP "Pure" and quite a few from his earlier stuff "Observer" being one. Its dark and great listening material for the car. This CD is certainly better than anything Mr Manson has done live. A must.

Timmy's toppermost tunes, 25 Mar 2001
This CD starts with Thomas' best known song, the title trackm which sounds like it was sampled by Flash and The Pans' 'Waiting for a Train'. This is a very simple song, with no more than an organ and a rhythm machine providing the backing. This stark organ sound is present throughout many of the other songs on the CD, but always remains sufficiently unobtrusive to avoid becoming annoying. The songs all fit together nicely with a relaxed feel running throughout the CD. With over an hour of fine music, this is perfect for listening to on a Sunday afternoon (or any other afternoon for that matter!).

Always Outstanding!, 05 Apr 2007
I am always hesitant about buying a live cd, because most of the time the sound isnt always good. I am so happy I took I chance with this cd! The choice of songs and the sound is outstanding! I wish I could have been there! American Life is my favourite Madonna song - and it rocks on this album, it even sounds better than the original! The documentary is interesting, and worth watching to see the live bits of the concert! Really enjoyed this one!!!

Excellent but DVD a little too long!, 14 Oct 2006
Watching this DVD reminded me what a great sense of humour Madonna has! It really is like 'Truth or Dare' 15 yrs later, with a still sassy, controversial Madonna with far less of the rude stuff. But once gain you find her ability to inspire those around her endearing to say the least and her dancers are far more likeable than the some of the bitchy queens on Blond Ambition!!!! MY only criticism would be the Israel section was really streching it and would have worked far better as an extra, as it does feel tagged on and does not allow for the natural closure of the end of the tour footage.

The live CD is a great bonus. "Nobody knows me" was my least favourite track of my least favourite Madonna album, now I love it as this live version gives it a new lease of life! "Lament" proves undeniably she can sing brilliantly live and is a nice addition, but the Missy Elliot remix of "Into the groove" is still lacking to say the least! "Crazy for you" seems a real shame of an omission, if only that it was the song she dedicated to her fans on the tour and was a track she had never played live in the UK before. But still worth it for the ever-fresh "Vogue" and dance mix of "Hollywood" (Madonna kissing Britney and Christina version).

Madonna, 02 Oct 2006
This is great in general. I think even if you're not a true Madonna fan it would still be an interesting viewing. Madonna is a fascinating creature and this DVD gives you a great insight into the madness of her life and those around her whom she either adores or await her beckon call. Some bits are a bit slow-going to be honest but there are some deeply moving and motivational bits too. Just keep the tissues to hand for last prayer!

The CD is good but i think you really have to be in the mood to listen to it all the way through though the live version of Vogue is class!

Madonna's Live CD + DVD!, 06 Sep 2006
When she fell of her horse last year and broke some ribs, nobody was expecting the Queen of Pop to return with three huge hits and a very good album. Now, for the first time, Madonna releases a live cd and DVD with all of her great hits, from Holiday to American Life and a great documentary from her 2004 ReInvention Tour. Directed by Jonas Akerlund. It's worth the try!

Disappointment Re-invented, 04 Jul 2006
The format of Madonna's first tour documentary (Truth or Dare/In Bed With Madonna) was clearly such a crowd pleaser that Secret director Jonus Akerlund opted not to reinvent the wheel. Sure, if it ain't broke don't fix it but the problem here is not so much the style of presentation as the leading lady herself. With Madonna's credit as executive producer you cannot help but feel her paw prints all over the final product. The concert looks incredible, she gives a flawless performance in all concert sequences and when (for the most part) she sings live - she hits the spot.

What made the first film so fascinating were the backstage antics of the dancers, singers, sound technicians, make-up girls and ofcourse the evian bottle felating icon herself. The film was rock and roll, cat fighting queens and prima donna strops all over the place.... this `sequel' is just a bit boring in comparison.

OK - so Madonna feels "there are less ups and downs in my life" and she reveals to us that she "wants to change", she also sings a heart warming rendition of John Lennon's imagine as two Palestinian and Israeli children (clearly actors filmed during the rehearsal phase of the tour) walk off into the sunset. I accept and politically support the ideal she is portraying but I wanted more tits, ass and "you stink - pussy man" or at least something interesting. I also came away feeling that Madonna had really lost touch with her audience. Early in the film when talking about her nerves for the opening night, she quotes some advice "don't think of them (the audience) as being thousands of people, think of them as thousands of lights"... whatever gets you through the night Madonna but each of those lights paid around £150.00 sit there twinkling, I suggest you think of them as paying customers.

It's not all mysticism and life-coaching (although pretty much), the award for `best actor in a supporting role' goes to her five year old son Rocco who steals the show. He smashes and bashes and bashes some more across the screen and has such a beautiful geezer boy attitude you can't help but love `im - along with the most infectious laugh you'll ever see on screen; the child is a joy. And to close with Rocco's own words, for the rest of the film you are left scratching your head and asking the question "What the heck are you talking about?"


this is the best live album ever!!, 10 Jan 2004
right - this is the best! donna summer's voice is one of the greatest on our earth and on this cd, you can hear it! a fantastic live orchestra with big strings. all donna summer songs are playing a little bit faster in this great show - live from los angeles 1976, plus the -my man medley, the way we were and mimis song- (her 1. daughter, with her first austria men: sommer!),and at last - track #17, a studio song - down, deep inside - from the movie -the deep-. this was a real glamor disco show - with all her hits from: love to love you baby - once upon a time to last dance, on this time! so if you like a great voice, a real good orchestra and singers and a great feeling - buy this! close your eyes and think you are there! feel happy! note: the original album, had a bonus side, with the -mac arthur park suite-, this is not on the cd, but here is "the deep" song.

Excellent live album, 10 Oct 2003
I bought this in particular for the "bonus track" being the theme from " The Deep"- it is such a great track that it was worth buying the album for. However the rest of the album is a corker-Donna really puts a great show on and runs through most of her hits (at that time) as well as one or two cover versions. She has a great rapport with the crowd and is slick smooth and soulful. If you are a donna summer fan you really should own this!

Dynamic, 01 Feb 2003
Reunion concert recordings of Blondie after a solo period of their singer Deborah Harry. The band is at their best. They play the old hits as well as newer material. My favourite songs are „Dreaming", „Hanging On The Telephone", „Screaming Skin", „Atomic", „Forgive And Forget", and so on, thus actually all of them together. These concert recordings are also available on video. However, I even more like the video „Blondie Live" of the former last concert before their split.

Livid review, 29 Dec 2002
I recently went to a Blondie concert and i liked it so much i thought i would buy this CD. The first thing that you notice which is better than perhaps the studio recorded versions is that there is just so much atmosphere and feeling on each song which makes it so much more enjoyable to listen to.
You also notice however that the songs quite often don't always sound totally like the ones you recognise as they are live versions this may put some people off but i think if you are a real fan of Blondie you will love them. If your a first time buyer of Blondie perhaps this is not the CD to buy and i would suggest getting the Greatest hits CD instead.
The majority of the hits are on here. I think the songs "Dreaming" and "Hanging On The Telephone" sound particularly good live.
You will here lots of cheering and short intorductions of songs by Deborah Harry during this CD and you will really think your at a concert of hers when you are listening to it.
Most of the songs are recorded in late 1998 to about mid 1999 and are recorded at various venues such as the Lyceum London, House Of Blues Las Vegas, Town Hall New York City, 1999 Glastonbury Festival and the Riviera Theater Chicago. So if you went to see her at any of these places during late 1998 to mid 1999 you should get this CD for good memories.
The versions of "Atomic" and "The Tide Is High" sound a lot different than on the other albums and it is worth getting just to see how different the songs can sound.
It is a shame there is no songs from the Plastic Letters and The Hunter album on here as there were some good songs on those albums such as "Denis", "Fan Mail", "For Your Eyes Only" and "Island OF Lost Souls" that are not included on this. There is also no "Union City Blue" which is such a great song and without question should have been on here.
But if you want a bit of classic pop with a bit of life to it then buy his album because you won't be dissapointed.

Devotional, 08 Jan 2006
In 1993, Depeche Mode released this reworking of their “Songs of Faith and Devotion” album, from that year. Testosterone and bravado ooze from every track, just as they do on the original album. Witness, Walking In My Shoes, where an industrial press of a rhythm section brutally pummels the song into life, or the gospel-ish Condemnation, which leaves the listener feeling both enriched and uplifted. Every song has been remoulded to suit the live arena and the results are both stimulating and exhilarating.

DM at their absolute rockiest (if that's a word)., 14 Jun 2005
The studio version of SOFAD is renowned for its departure from the "classic" Depeche Mode sound; from the almost heay-metal 'I Feel You' to the beautiful symphonic 'One Caress'. The live album manages to rock that little bit more, dirtying up the mix sufficiently for the best head-banging experience one is likely to get from listening to this band.

Dave Gahan's voice holds up extremely well, bearing in mind this was a torrid time indeed for him. Martin Gore's genius never ceases to amaze me; check out the guitar riffs on 'Mercy In You' - it's worth buying the album just for this track. Alan Wilder introduces us to the unique spectacle of a member of Depeche Mode on drums!

Personally, I would have preferred this album to have been a live album for the Devotional Tour (featuring stunning performances of 'World In My Eyes' and 'Enjoy The Silence'), rather than a live version of the SOFAD album. The track list is identical to the studio version, but there is sufficient variation in each mix to make this worth buying. The synth strings on 'One Caress' don't really hold up by today's standards but you've got to admire them for not just piping in a tape.

All in all, great stuff. Rock on!

101 it ain't!, 07 Jun 2001
Live albums always contain one or two surprises but the surprises are all on the box with this Depeche Mode release. It is exactly the same songs as SOFAD and in exactly the same order.

Luckily for them, the quality of the songs and the energy hold the album together even if Dave's voice is a bit flaky in places (Condemnation for example). Most of the songs are also different enough from their studio masters to create a surprisingly different listening experience - Higher Love being a case in point.

It is nice enough for the average Depeche Mode fan like myself but I can't see the more discerning music fan parting with more dollars for this after they've already bought SOFAD.

unbelievably well preserved, 26 Jun 2003
This concert is incredibly 24 years old and still sounds fresh and relevant. The recording,at Hammersmith Odeon, is of a whole concert from Numan's first UK tour, following the huge success of Are Friends Electric, Cars and the two albums Replicas and The Pleasure Principle.

It showcases a polished performance by a tight band. The setlist is a comprehensive summary of his career at that point and is also a good historical piece of electronica.

Classic numan, 18 Nov 2000
I bought this Lp when it was first released together with living ornaments 1980 back in 1981 as a box set (which I still own)however Ive noticed A few extra tracks on the cd version. this CD is a must buy for all fans of electronic music,from the best in the field.

INDUSTRIAL NIGHT !!!!, 05 Sep 2006
The concert revolves heavily around Gazza's last (at the time) 2 albums, Pure and Exile.The sound ranges from very good to excellent despite some tonal uneveness from one song to the other, with earth-shattering bottom end and slightly muffled upper treble easily compensated for with any decent equalizer. The first 8 tracks (out of 22 - 100'running time)are performed unispiredly and just in the same manner as on their respective studio records. I expect different versions when I buy a live record or attend a concert. From the ending of Cars on,on which drummer Rich Beasley unleashes a frenzy of trebley percussion, the concert really turns worth the while !; superb versions of Dead Heaven, A Prayer For The Unborn and THE most incredible I Can Breathe ever played by the band take place.The 2d disc ends with a variation of the song Dance, which I used to hate on the studio record but this version is lightyears better. I thought this 2cd would come sonically too close to the dvds I already owned, but ended up being a worthy addition to my Numan collection, as almost everything Numan is !!! Good bang for the buck (or value for the money, as brits say )

BRILLIANT!!, 05 Feb 2003
If you were there in October 2000 you will surely agree that this was one of the best Numan shows in recent history (especially if, like me, you thought it was a bit pants in Hackney last year). In terms of choice of music and atmosphere, Brixton was the best single gig I can remember for a long time. Of course it was the launch of the Pure album too and this made the night all the more memorable. This album catches the whole mood of the evening, all the tracks played that night were fantastic. You won't be disappointed if you buy this-its great value considering its a double CD.

FAULTLESS a classic in every sense!, 02 Feb 2003
First 5 star rating I have ever given but this deserves it. A stunning collection of live work, brilliantly performed by Numan. Classic tracks are given the Indutrial shading of post-Exile production and all work brilliantly. This is wonderful material. Proof final, if any is needed, of just how stong Numan's work had become. Scarred offers a true wall of sound experience. This is ground-zero! Be prepaered to have your speakers tremble at some of the massive bass rumblings and slamming guitars. Numan truly rules the kingdom of Industrial-Gothic. Nobody comes close to his edge of soaring lyrics, multi-layered sound and angst delivery. The new studio album is eaglerly anticipated. I can see whay the radio doesn't play him, he's just too good, too strong and too powerful. The charts weren't meant for this. It is simply too good. Buy it, enjoy and marvel!

numan at his best, 29 Jan 2003
Its been a while since the last live album by Numan and its safe to say he is back to his best.The sound quality of the album is impressive with Numan mixing synthesiser and guitar extremely well.The outstanding tracks are Pure,Little invitro,This wreckage and a rarely played live version of Dance.For those who missed the gig its a stark reminder that Numan is here to stay.A must buy for Numan fans old and new.

2CD's of Gary Numan at his best LIVE, 29 Jan 2003
This CD is great taken from one of his gigs back in 2000, it is packed with all the stuff from his last studio LP "Pure" and quite a few from his earlier stuff "Observer" being one. Its dark and great listening material for the car. This CD is certainly better than anything Mr Manson has done live. A must.

Timmy's toppermost tunes, 25 Mar 2001
This CD starts with Thomas' best known song, the title trackm which sounds like it was sampled by Flash and The Pans' 'Waiting for a Train'. This is a very simple song, with no more than an organ and a rhythm machine providing the backing. This stark organ sound is present throughout many of the other songs on the CD, but always remains sufficiently unobtrusive to avoid becoming annoying. The songs all fit together nicely with a relaxed feel running throughout the CD. With over an hour of fine music, this is perfect for listening to on a Sunday afternoon (or any other afternoon for that matter!).

Always Outstanding!, 05 Apr 2007
I am always hesitant about buying a live cd, because most of the time the sound isnt always good. I am so happy I took I chance with this cd! The choice of songs and the sound is outstanding! I wish I could have been there! American Life is my favourite Madonna song - and it rocks on this album, it even sounds better than the original! The documentary is interesting, and worth watching to see the live bits of the concert! Really enjoyed this one!!!

Excellent but DVD a little too long!, 14 Oct 2006
Watching this DVD reminded me what a great sense of humour Madonna has! It really is like 'Truth or Dare' 15 yrs later, with a still sassy, controversial Madonna with far less of the rude stuff. But once gain you find her ability to inspire those around her endearing to say the least and her dancers are far more likeable than the some of the bitchy queens on Blond Ambition!!!! MY only criticism would be the Israel section was really streching it and would have worked far better as an extra, as it does feel tagged on and does not allow for the natural closure of the end of the tour footage.

The live CD is a great bonus. "Nobody knows me" was my least favourite track of my least favourite Madonna album, now I love it as this live version gives it a new lease of life! "Lament" proves undeniably she can sing brilliantly live and is a nice addition, but the Missy Elliot remix of "Into the groove" is still lacking to say the least! "Crazy for you" seems a real shame of an omission, if only that it was the song she dedicated to her fans on the tour and was a track she had never played live in the UK before. But still worth it for the ever-fresh "Vogue" and dance mix of "Hollywood" (Madonna kissing Britney and Christina version).

Madonna, 02 Oct 2006
This is great in general. I think even if you're not a true Madonna fan it would still be an interesting viewing. Madonna is a fascinating creature and this DVD gives you a great insight into the madness of her life and those around her whom she either adores or await her beckon call. Some bits are a bit slow-going to be honest but there are some deeply moving and motivational bits too. Just keep the tissues to hand for last prayer!

The CD is good but i think you really have to be in the mood to listen to it all the way through though the live version of Vogue is class!

Madonna's Live CD + DVD!, 06 Sep 2006
When she fell of her horse last year and broke some ribs, nobody was expecting the Queen of Pop to return with three huge hits and a very good album. Now, for the first time, Madonna releases a live cd and DVD with all of her great hits, from Holiday to American Life and a great documentary from her 2004 ReInvention Tour. Directed by Jonas Akerlund. It's worth the try!

Disappointment Re-invented, 04 Jul 2006
The format of Madonna's first tour documentary (Truth or Dare/In Bed With Madonna) was clearly such a crowd pleaser that Secret director Jonus Akerlund opted not to reinvent the wheel. Sure, if it ain't broke don't fix it but the problem here is not so much the style of presentation as the leading lady herself. With Madonna's credit as executive producer you cannot help but feel her paw prints all over the final product. The concert looks incredible, she gives a flawless performance in all concert sequences and when (for the most part) she sings live - she hits the spot.

What made the first film so fascinating were the backstage antics of the dancers, singers, sound technicians, make-up girls and ofcourse the evian bottle felating icon herself. The film was rock and roll, cat fighting queens and prima donna strops all over the place.... this `sequel' is just a bit boring in comparison.

OK - so Madonna feels "there are less ups and downs in my life" and she reveals to us that she "wants to change", she also sings a heart warming rendition of John Lennon's imagine as two Palestinian and Israeli children (clearly actors filmed during the rehearsal phase of the tour) walk off into the sunset. I accept and politically support the ideal she is portraying but I wanted more tits, ass and "you stink - pussy man" or at least something interesting. I also came away feeling that Madonna had really lost touch with her audience. Early in the film when talking about her nerves for the opening night, she quotes some advice "don't think of them (the audience) as being thousands of people, think of them as thousands of lights"... whatever gets you through the night Madonna but each of those lights paid around £150.00 sit there twinkling, I suggest you think of them as paying customers.

It's not all mysticism and life-coaching (although pretty much), the award for `best actor in a supporting role' goes to her five year old son Rocco who steals the show. He smashes and bashes and bashes some more across the screen and has such a beautiful geezer boy attitude you can't help but love `im - along with the most infectious laugh you'll ever see on screen; the child is a joy. And to close with Rocco's own words, for the rest of the film you are left scratching your head and asking the question "What the heck are you talking about?"


this is the best live album ever!!, 10 Jan 2004
right - this is the best! donna summer's voice is one of the greatest on our earth and on this cd, you can hear it! a fantastic live orchestra with big strings. all donna summer songs are playing a little bit faster in this great show - live from los angeles 1976, plus the -my man medley, the way we were and mimis song- (her 1. daughter, with her first austria men: sommer!),and at last - track #17, a studio song - down, deep inside - from the movie -the deep-. this was a real glamor disco show - with all her hits from: love to love you baby - once upon a time to last dance, on this time! so if you like a great voice, a real good orchestra and singers and a great feeling - buy this! close your eyes and think you are there! feel happy! note: the original album, had a bonus side, with the -mac arthur park suite-, this is not on the cd, but here is "the deep" song.

Excellent live album, 10 Oct 2003
I bought this in particular for the "bonus track" being the theme from " The Deep"- it is such a great track that it was worth buying the album for. However the rest of the album is a corker-Donna really puts a great show on and runs through most of her hits (at that time) as well as one or two cover versions. She has a great rapport with the crowd and is slick smooth and soulful. If you are a donna summer fan you really should own this!

Dynamic, 01 Feb 2003
Reunion concert recordings of Blondie after a solo period of their singer Deborah Harry. The band is at their best. They play the old hits as well as newer material. My favourite songs are „Dreaming", „Hanging On The Telephone", „Screaming Skin", „Atomic", „Forgive And Forget", and so on, thus actually all of them together. These concert recordings are also available on video. However, I even more like the video „Blondie Live" of the former last concert before their split.

Livid review, 29 Dec 2002
I recently went to a Blondie concert and i liked it so much i thought i would buy this CD. The first thing that you notice which is better than perhaps the studio recorded versions is that there is just so much atmosphere and feeling on each song which makes it so much more enjoyable to listen to.
You also notice however that the songs quite often don't always sound totally like the ones you recognise as they are live versions this may put some people off but i think if you are a real fan of Blondie you will love them. If your a first time buyer of Blondie perhaps this is not the CD to buy and i would suggest getting the Greatest hits CD instead.
The majority of the hits are on here. I think the songs "Dreaming" and "Hanging On The Telephone" sound particularly good live.
You will here lots of cheering and short intorductions of songs by Deborah Harry during this CD and you will really think your at a concert of hers when you are listening to it.
Most of the songs are recorded in late 1998 to about mid 1999 and are recorded at various venues such as the Lyceum London, House Of Blues Las Vegas, Town Hall New York City, 1999 Glastonbury Festival and the Riviera Theater Chicago. So if you went to see her at any of these places during late 1998 to mid 1999 you should get this CD for good memories.
The versions of "Atomic" and "The Tide Is High" sound a lot different than on the other albums and it is worth getting just to see how different the songs can sound.
It is a shame there is no songs from the Plastic Letters and The Hunter album on here as there were some good songs on those albums such as "Denis", "Fan Mail", "For Your Eyes Only" and "Island OF Lost Souls" that are not included on this. There is also no "Union City Blue" which is such a great song and without question should have been on here.
But if you want a bit of classic pop with a bit of life to it then buy his album because you won't be dissapointed.

Minogue actually sings, 15 Sep 2001
Kylie Minogue doesn't possess the vocal range of Mariah Carey, but she has enough character to stand out on the radio, or at least separate herself from Andrea Coor. So what makes "Intimate and Live" so interesting is that well, this is a real rock concert, with real guitarists, drummers, keyboardists, something totally unexpected from a pop act, especially whose music is mostly synths and programmed drums. But those are long gone, choosing to bypass songs from "Enjoy Yourself" and "Let's Get To It," all songs prior to "Impossible Princess" received new arrangements, which aren't identifiable until the first lines are sung. With such great qualities implements, there is Kylie's voice, which sounds huskier live than in the studio, and one can tell when she is dancing or moving at all, as her voice gets lost among her backup singers, which is really evident on "Dancing Queen." She does, however, prove that she can hit the notes, as she hits "Confide In Me" tricky note with ease. "Locomotion" is actually bearable sung live, given a blues bar reworking. The 7 tracks culled from the album she was supporting at the time sound much like their studio twins, "Free" is just annoying while "Should I Stay or Should I Go" prove Kylie really is a rocker. Among live albums, this actually can rank up there, along Fleetwood Mac's "The Dance" and The Eagle's "Hell Freezes Over"

SENSATIONALLLLLLLL!!!!!!, 14 Jan 2001
I have always been a Kylie fan, and i had never been able to go to one of her live concerts, so this was the next best thing. All i can say is WOW. I had always been a little unsure as to whether her live voice was really that good, but this album allayed my doubts. Vocally her range is stunning. Stylistically she moves from Indie, Rock, Pop and Camp with ease, and confirms that she is the Princess of Pop. STUNNING!!!!

Kick Arse Kylie, 26 Jan 2000
This is an album full of kylie, the kylie that uses her voice and her band to craete live spetacular versions of hits from "what do i have to do" to "confide in me", a rock version of should i stay or should i go (the clash classic) one things for sure this album proves Kylie Kicks Arse! Superb, my highlight "dancing queen"

Devotional, 08 Jan 2006
In 1993, Depeche Mode released this reworking of their “Songs of Faith and Devotion” album, from that year. Testosterone and bravado ooze from every track, just as they do on the original album. Witness, Walking In My Shoes, where an industrial press of a rhythm section brutally pummels the song into life, or the gospel-ish Condemnation, which leaves the listener feeling both enriched and uplifted. Every song has been remoulded to suit the live arena and the results are both stimulating and exhilarating.

DM at their absolute rockiest (if that's a word)., 14 Jun 2005
The studio version of SOFAD is renowned for its departure from the "classic" Depeche Mode sound; from the almost heay-metal 'I Feel You' to the beautiful symphonic 'One Caress'. The live album manages to rock that little bit more, dirtying up the mix sufficiently for the best head-banging experience one is likely to get from listening to this band.

Dave Gahan's voice holds up extremely well, bearing in mind this was a torrid time indeed for him. Martin Gore's genius never ceases to amaze me; check out the guitar riffs on 'Mercy In You' - it's worth buying the album just for this track. Alan Wilder introduces us to the unique spectacle of a member of Depeche Mode on drums!

Personally, I would have preferred this album to have been a live album for the Devotional Tour (featuring stunning performances of 'World In My Eyes' and 'Enjoy The Silence'), rather than a live version of the SOFAD album. The track list is identical to the studio version, but there is sufficient variation in each mix to make this worth buying. The synth strings on 'One Caress' don't really hold up by today's standards but you've got to admire them for not just piping in a tape.

All in all, great stuff. Rock on!

101 it ain't!, 07 Jun 2001
Live albums always contain one or two surprises but the surprises are all on the box with this Depeche Mode release. It is exactly the same songs as SOFAD and in exactly the same order.

Luckily for them, the quality of the songs and the energy hold the album together even if Dave's voice is a bit flaky in places (Condemnation for example). Most of the songs are also different enough from their studio masters to create a surprisingly different listening experience - Higher Love being a case in point.

It is nice enough for the average Depeche Mode fan like myself but I can't see the more discerning music fan parting with more dollars for this after they've already bought SOFAD.

unbelievably well preserved, 26 Jun 2003
This concert is incredibly 24 years old and still sounds fresh and relevant. The recording,at Hammersmith Odeon, is of a whole concert from Numan's first UK tour, following the huge success of Are Friends Electric, Cars and the two albums Replicas and