Just when it seems that there cannot possibly be another twist to the Harry Potter tale, Stephen Fry dons his haughtiest and naughtiest tones to bring Harry Potter and the Philosopher's Stone to vibrant life on audio.

Harry Potter has spent the first 10 years of his life at the mercy of the dreadful Dursleys--the aunt, uncle and fat, spoilt brat of a cousin who reluctantly gave him a home after the death of his mother and father. But on his 11th birthday Harry discovers that he is no ordinary boy, and despite the best efforts of his hideous relatives he escapes to Hogwarts School of Witchcraft and Wizardry to begin his new life as a trainee wizard. And the rest, as they say, is history...

As Harry battles against the evils thrown in his path, Stephen Fry injects the proceedings with a wry, dry and extremely contagious humour that perfectly suits the tale, wringing out the best in Harry and his cohorts as they get to grips with their new lives at the sharp end of Hogwarts. Fry's innate upper-class drone is perfectly suited to the telling of this most magical tale, cracking into the high-pitched squawking of Hermione the swat, or the gentle tones of the firm but fair Dumbledore, or the evil sniping of slimey Snape at precisely the right moments.

Harry Potter and the Philosopher's Stone is a fine story and much has been written about its success but until you have heard Fry's cracking reading of this most magical of stories then you simply haven't lived. As with any audio book, this one is perfect for car journeys and an ideal way of introducing reluctant readers to the magic that is Harry Potter. (Ages 9 and over) --Susan Harrison

Better than the book, 11 Mar 2008
The story is well known and you would think that nothing compares to the magic of Harry Potter. Then you discover the wonder of Steven Fry. His unique voice is adapted for every charater perfectly, you always know who is speaking. Steven Fry and Harry Potter really is a magical combination!!!

Stephen Fry is a genious, 02 Mar 2007
Most of these reviews concentrate on praise for J K Rowling, and as I agree with all that has been said, I won't add to them, but instead heap praise onto Stephen Fry. His narration is far and away the best that I have listened to over many years of enjoying audio books. Each and every character has their own distinctive and perfectly-judged voice, so that you know instantly who is speaking before the name is given. This makes it so much easier to simply enjoy the wonderful story without being distracted by confusion as to who is saying what, as so often happens with other narrators. I would probably never have bothered with Harry Potter if the unabridged Philosopher's Stone had not been broadcast on Boxing Day several years ago. We had a very long drive home after a family visit, and thought that this would wile away at least part of the journey. Part of it! We were completely enthralled all the way home, and then made a dash for the house, and frantically retuned the radio. We sat at the kitchen table until it was finished. We have bought all of the others as they came out, and they have all been great. I recommend listening to these stories whilst curled up on the sofa on a Winter's evening over any T.V program that I can think of.

The book I fell in love with., 13 Nov 2005
I’ll never forget the day I first began Harry Potter And The Philosopher’s Stone. I believe I can say, with out hesitation, that it changed my life. My friend had received it for her birthday, and she suggested we give it a try. I admit I was curious, but I was not expecting anything spectacular. After all, I was an adult, and these books were for children, right? I’ve never been so wrong in my life. From the start, I was entranced. I had no idea where the story was going, but JK Rowling had me hooked. I lapped it up. I kept wanting more, and by the end, I knew I’d stumbled on to something wondrous. A series that was quite literally addictive. I adored this eleven year old boy, who had captured my heart from the time he was left wrapped in a blanket on his aunt and uncle’s doorstep. My imagination was caught from the moment the tall wizard appeared on a normal suburban street, put out the street lamps, and began sucking on a Sherbet Lemon. This book has seen me through good times and bad. It’s been my friend in unfamiliar places, and comforted me when I was sick. What could’ve been such a simplistic idea (a boy discovering he’s a wizard and being spirited off to magic school) turned out to have so much more to it. Humour, originality, mystery, and above all, plenty of magic. It helped me rediscover books from my childhood that I’d loved, and has lead to what I suspect will be a life long love of fantasy literature. I am now a firm Quidditch fan, and I think Harry’s sighting of his dead parents in a magic mirror is one of the most moving and poignant scenes I’ve ever read. And let’s not forget of course, the truly wonderful narration of Stephen Fry. He really should get an Oscar for all his character portrayals. I’ve never known anyone put so much heart in to what they read. A magical beginning to a magical series.

Harry Potter rulz!, 04 Aug 2005
Harry Potter is an 11 year old bot who goes through lots of challenging things in his live. Firstly he has to stay with the Dursleys (his aunt and uncle) who locks him up in a cupboard and never treat him well. Then one day when he is sleeping on the floor someone bursts in trough the door and explains to Harry that he is a wizard. Harry is startled at first but understands that he is a wizard and goes to Hogwarts, a school of Witchcraft and Wizardry. He soon makes friends and joins in.

This book is a great book and I would reccomend it to all of you. I have enjoyed this book and I am sure you will too.

The first of a great series!, 03 Aug 2005
What a fabulous read! The first book in the series, the Philosophers Stone, will grip your imagination and hold onto it untill you have read the entire book!

Harry Potter, an eleven year old boy, has a past that will change his future.
When Harry was one year old, the Dark Lord Voldemort killed his parents. But he couldn't kill Harry. Instead Harry is left with a lightning bolt scar for the rest of his life.

Harry is shocked when he is told that he is a wizard. This means a new school (Hogwarts School of Witchcraft and Wizardry), making new friends and learning how to turn a matchstick into a needle!

I think this book is very imaginative. I mean who would have thought that you could fit a massive castle in the middle of London and teach magic?

If you read this book you will experience J.K. Rowling's exquisite imagination!(Katherine, 11)

Better than the book, 11 Mar 2008
The story is well known and you would think that nothing compares to the magic of Harry Potter. Then you discover the wonder of Steven Fry. His unique voice is adapted for every charater perfectly, you always know who is speaking. Steven Fry and Harry Potter really is a magical combination!!!

Stephen Fry is a genious, 02 Mar 2007
Most of these reviews concentrate on praise for J K Rowling, and as I agree with all that has been said, I won't add to them, but instead heap praise onto Stephen Fry. His narration is far and away the best that I have listened to over many years of enjoying audio books. Each and every character has their own distinctive and perfectly-judged voice, so that you know instantly who is speaking before the name is given. This makes it so much easier to simply enjoy the wonderful story without being distracted by confusion as to who is saying what, as so often happens with other narrators. I would probably never have bothered with Harry Potter if the unabridged Philosopher's Stone had not been broadcast on Boxing Day several years ago. We had a very long drive home after a family visit, and thought that this would wile away at least part of the journey. Part of it! We were completely enthralled all the way home, and then made a dash for the house, and frantically retuned the radio. We sat at the kitchen table until it was finished. We have bought all of the others as they came out, and they have all been great. I recommend listening to these stories whilst curled up on the sofa on a Winter's evening over any T.V program that I can think of.

The book I fell in love with., 13 Nov 2005
I’ll never forget the day I first began Harry Potter And The Philosopher’s Stone. I believe I can say, with out hesitation, that it changed my life. My friend had received it for her birthday, and she suggested we give it a try. I admit I was curious, but I was not expecting anything spectacular. After all, I was an adult, and these books were for children, right? I’ve never been so wrong in my life. From the start, I was entranced. I had no idea where the story was going, but JK Rowling had me hooked. I lapped it up. I kept wanting more, and by the end, I knew I’d stumbled on to something wondrous. A series that was quite literally addictive. I adored this eleven year old boy, who had captured my heart from the time he was left wrapped in a blanket on his aunt and uncle’s doorstep. My imagination was caught from the moment the tall wizard appeared on a normal suburban street, put out the street lamps, and began sucking on a Sherbet Lemon. This book has seen me through good times and bad. It’s been my friend in unfamiliar places, and comforted me when I was sick. What could’ve been such a simplistic idea (a boy discovering he’s a wizard and being spirited off to magic school) turned out to have so much more to it. Humour, originality, mystery, and above all, plenty of magic. It helped me rediscover books from my childhood that I’d loved, and has lead to what I suspect will be a life long love of fantasy literature. I am now a firm Quidditch fan, and I think Harry’s sighting of his dead parents in a magic mirror is one of the most moving and poignant scenes I’ve ever read. And let’s not forget of course, the truly wonderful narration of Stephen Fry. He really should get an Oscar for all his character portrayals. I’ve never known anyone put so much heart in to what they read. A magical beginning to a magical series.

Harry Potter rulz!, 04 Aug 2005
Harry Potter is an 11 year old bot who goes through lots of challenging things in his live. Firstly he has to stay with the Dursleys (his aunt and uncle) who locks him up in a cupboard and never treat him well. Then one day when he is sleeping on the floor someone bursts in trough the door and explains to Harry that he is a wizard. Harry is startled at first but understands that he is a wizard and goes to Hogwarts, a school of Witchcraft and Wizardry. He soon makes friends and joins in.

This book is a great book and I would reccomend it to all of you. I have enjoyed this book and I am sure you will too.

The first of a great series!, 03 Aug 2005
What a fabulous read! The first book in the series, the Philosophers Stone, will grip your imagination and hold onto it untill you have read the entire book!

Harry Potter, an eleven year old boy, has a past that will change his future.
When Harry was one year old, the Dark Lord Voldemort killed his parents. But he couldn't kill Harry. Instead Harry is left with a lightning bolt scar for the rest of his life.

Harry is shocked when he is told that he is a wizard. This means a new school (Hogwarts School of Witchcraft and Wizardry), making new friends and learning how to turn a matchstick into a needle!

I think this book is very imaginative. I mean who would have thought that you could fit a massive castle in the middle of London and teach magic?

If you read this book you will experience J.K. Rowling's exquisite imagination!(Katherine, 11)

Music at a Master level, 12 Jun 2008
I purchased these CDs individually as and when they were originally released. I have to say that the Fellowship of the Ring is my favourite, by the way. However, I also bought the extremely deluxe 4 disc (or in the case of ROTK, 5 disc) sets when the 'complete' scores were released (also worth buying, despite their price). One thing the 'complete' scores don't have is the first track from FOTR - "The Prophecy" (though parts of it exist in the 'complete' score). If you're a soundtrack enthusiast, then small variations or alternate takes presented here in the 'limited' 1-disc releases will interest you. In The Two Towers, for example, you here different mixes and end of cues not heard in the 'complete' scores, the same stands for Return of the King. And if like many, you think the LOTR is a bit too long to sit and watch in one sitting, then this one disc-a-film release (basically a third of the music Howard Shore composed) will suit you nicely, though really you're missing a lot of gems that are to be found in the 'Complete Recordings', also available on Amazon.
Great listening for great filmmaking.

Experience the film again and again through this soundtrack, 26 Jan 2007
While there are many fine film soundtracks, this is one that stands on its own as music.

The signature refrains such as those for the Riders of Rohan and the Uruk-hai transport you instantly to Middle Earth.

While I'm not a classical music listener as a rule, as a fan of the film, this soundtrack is the perfect accompaniment to both work and relaxation.

This soundtrack is a must for any LOTR fan.

Very Good, 03 Jan 2007
If you've seen the film you will know the tunes inside out I would imagine, and here they are for your personal enjoyment. The composition is so varied, and there are some truly evocative numbers on here. Howard Shore did a remarkable job really here. It is true that the Return of the King lacks something, but this is more than made up for by the first two which possess music for all tastes and moods.
Wasn't sure about the cards you get free with this though, of the members of the cast. All seemed a bit gimicky to me. There are reasons this soundtrack has one awards, not least of which being the 'best original score' Oscar.
Of course, the fact that you get all 3 for a reasonable price is the true bonus, and if your reading this its probably just a matter of deciding which one to get. Get this one, trust me.

An Astonishing Musical Masterpiece, 20 May 2006
This is without a doubt the best soundtrack ever. A lot of original soundtracks that are released are boring and flat, however this is unbelievably good. The music is excellent all the way through and is a real pleasure to listen to. The Return of the King Soundtrack won the Academy Award for best Original Soundtrack and it is clear to see why. The theme songs to the films are especially good. 'Gollum's Song' by Emilliana Torrini is a beautiful, haunting melody, and 'Into the West' by Annie Lennox is a truly breathtaking masterpiece ('Into the West' also won the Academy Award for best original song). The one thing I was disappointed by is that it does not contain 'With a Sigh' by Liv Tyler from the extended version of the Return of the King. (It is the song played when Eowyn is in the houses of healing). Overall this soundtrack is a must for all Lord Of The Rings fans and is also strongly reccomended to people who do not like the films as the music is a masterpiece in its own right. Enjoy!

Wonderful, 04 May 2006
This is one of the best soundtracks I've ever listened to.. The music is brilliant and the song "Into the West" by Annie Lennox is beautiful.. You should definetly buy this if you love Lord of the Rings.. And if you don't like LotR.. Then you should buy it anyway.. It's brilliant..!

Better than the book, 11 Mar 2008
The story is well known and you would think that nothing compares to the magic of Harry Potter. Then you discover the wonder of Steven Fry. His unique voice is adapted for every charater perfectly, you always know who is speaking. Steven Fry and Harry Potter really is a magical combination!!!

Stephen Fry is a genious, 02 Mar 2007
Most of these reviews concentrate on praise for J K Rowling, and as I agree with all that has been said, I won't add to them, but instead heap praise onto Stephen Fry. His narration is far and away the best that I have listened to over many years of enjoying audio books. Each and every character has their own distinctive and perfectly-judged voice, so that you know instantly who is speaking before the name is given. This makes it so much easier to simply enjoy the wonderful story without being distracted by confusion as to who is saying what, as so often happens with other narrators. I would probably never have bothered with Harry Potter if the unabridged Philosopher's Stone had not been broadcast on Boxing Day several years ago. We had a very long drive home after a family visit, and thought that this would wile away at least part of the journey. Part of it! We were completely enthralled all the way home, and then made a dash for the house, and frantically retuned the radio. We sat at the kitchen table until it was finished. We have bought all of the others as they came out, and they have all been great. I recommend listening to these stories whilst curled up on the sofa on a Winter's evening over any T.V program that I can think of.

The book I fell in love with., 13 Nov 2005
I’ll never forget the day I first began Harry Potter And The Philosopher’s Stone. I believe I can say, with out hesitation, that it changed my life. My friend had received it for her birthday, and she suggested we give it a try. I admit I was curious, but I was not expecting anything spectacular. After all, I was an adult, and these books were for children, right? I’ve never been so wrong in my life. From the start, I was entranced. I had no idea where the story was going, but JK Rowling had me hooked. I lapped it up. I kept wanting more, and by the end, I knew I’d stumbled on to something wondrous. A series that was quite literally addictive. I adored this eleven year old boy, who had captured my heart from the time he was left wrapped in a blanket on his aunt and uncle’s doorstep. My imagination was caught from the moment the tall wizard appeared on a normal suburban street, put out the street lamps, and began sucking on a Sherbet Lemon. This book has seen me through good times and bad. It’s been my friend in unfamiliar places, and comforted me when I was sick. What could’ve been such a simplistic idea (a boy discovering he’s a wizard and being spirited off to magic school) turned out to have so much more to it. Humour, originality, mystery, and above all, plenty of magic. It helped me rediscover books from my childhood that I’d loved, and has lead to what I suspect will be a life long love of fantasy literature. I am now a firm Quidditch fan, and I think Harry’s sighting of his dead parents in a magic mirror is one of the most moving and poignant scenes I’ve ever read. And let’s not forget of course, the truly wonderful narration of Stephen Fry. He really should get an Oscar for all his character portrayals. I’ve never known anyone put so much heart in to what they read. A magical beginning to a magical series.

Harry Potter rulz!, 04 Aug 2005
Harry Potter is an 11 year old bot who goes through lots of challenging things in his live. Firstly he has to stay with the Dursleys (his aunt and uncle) who locks him up in a cupboard and never treat him well. Then one day when he is sleeping on the floor someone bursts in trough the door and explains to Harry that he is a wizard. Harry is startled at first but understands that he is a wizard and goes to Hogwarts, a school of Witchcraft and Wizardry. He soon makes friends and joins in.

This book is a great book and I would reccomend it to all of you. I have enjoyed this book and I am sure you will too.

The first of a great series!, 03 Aug 2005
What a fabulous read! The first book in the series, the Philosophers Stone, will grip your imagination and hold onto it untill you have read the entire book!

Harry Potter, an eleven year old boy, has a past that will change his future.
When Harry was one year old, the Dark Lord Voldemort killed his parents. But he couldn't kill Harry. Instead Harry is left with a lightning bolt scar for the rest of his life.

Harry is shocked when he is told that he is a wizard. This means a new school (Hogwarts School of Witchcraft and Wizardry), making new friends and learning how to turn a matchstick into a needle!

I think this book is very imaginative. I mean who would have thought that you could fit a massive castle in the middle of London and teach magic?

If you read this book you will experience J.K. Rowling's exquisite imagination!(Katherine, 11)

Music at a Master level, 12 Jun 2008
I purchased these CDs individually as and when they were originally released. I have to say that the Fellowship of the Ring is my favourite, by the way. However, I also bought the extremely deluxe 4 disc (or in the case of ROTK, 5 disc) sets when the 'complete' scores were released (also worth buying, despite their price). One thing the 'complete' scores don't have is the first track from FOTR - "The Prophecy" (though parts of it exist in the 'complete' score). If you're a soundtrack enthusiast, then small variations or alternate takes presented here in the 'limited' 1-disc releases will interest you. In The Two Towers, for example, you here different mixes and end of cues not heard in the 'complete' scores, the same stands for Return of the King. And if like many, you think the LOTR is a bit too long to sit and watch in one sitting, then this one disc-a-film release (basically a third of the music Howard Shore composed) will suit you nicely, though really you're missing a lot of gems that are to be found in the 'Complete Recordings', also available on Amazon.
Great listening for great filmmaking.

Experience the film again and again through this soundtrack, 26 Jan 2007
While there are many fine film soundtracks, this is one that stands on its own as music.

The signature refrains such as those for the Riders of Rohan and the Uruk-hai transport you instantly to Middle Earth.

While I'm not a classical music listener as a rule, as a fan of the film, this soundtrack is the perfect accompaniment to both work and relaxation.

This soundtrack is a must for any LOTR fan.

Very Good, 03 Jan 2007
If you've seen the film you will know the tunes inside out I would imagine, and here they are for your personal enjoyment. The composition is so varied, and there are some truly evocative numbers on here. Howard Shore did a remarkable job really here. It is true that the Return of the King lacks something, but this is more than made up for by the first two which possess music for all tastes and moods.
Wasn't sure about the cards you get free with this though, of the members of the cast. All seemed a bit gimicky to me. There are reasons this soundtrack has one awards, not least of which being the 'best original score' Oscar.
Of course, the fact that you get all 3 for a reasonable price is the true bonus, and if your reading this its probably just a matter of deciding which one to get. Get this one, trust me.

An Astonishing Musical Masterpiece, 20 May 2006
This is without a doubt the best soundtrack ever. A lot of original soundtracks that are released are boring and flat, however this is unbelievably good. The music is excellent all the way through and is a real pleasure to listen to. The Return of the King Soundtrack won the Academy Award for best Original Soundtrack and it is clear to see why. The theme songs to the films are especially good. 'Gollum's Song' by Emilliana Torrini is a beautiful, haunting melody, and 'Into the West' by Annie Lennox is a truly breathtaking masterpiece ('Into the West' also won the Academy Award for best original song). The one thing I was disappointed by is that it does not contain 'With a Sigh' by Liv Tyler from the extended version of the Return of the King. (It is the song played when Eowyn is in the houses of healing). Overall this soundtrack is a must for all Lord Of The Rings fans and is also strongly reccomended to people who do not like the films as the music is a masterpiece in its own right. Enjoy!

Wonderful, 04 May 2006
This is one of the best soundtracks I've ever listened to.. The music is brilliant and the song "Into the West" by Annie Lennox is beautiful.. You should definetly buy this if you love Lord of the Rings.. And if you don't like LotR.. Then you should buy it anyway.. It's brilliant..!

Glorious!, 21 Nov 2008
A glorious, faithful, moving dramatisation of the complete Lord of The Rings trilogy, with inspired casting and superb music. Very faithful to the book: it omits only the Tom Bombadil section, and retains all major scenes albeit in shortened form. I particularly appreciated that the adapters were careful to retain the integrity of each of Tolkien's characters and tell the story in chronological order.

This fine production is enhanced by the inspired voice casting, especially in the principal roles. The pronunciation used is quite 'Queen's English', which might come as a bit of a shock if you're expecting it to be as modern-day as the Peter Jackson films, but in fact the voices fit very well with the formality of Tolkien's original dialogue and they sound exactly right. Especially wonderful are Bill Nighy as the irrepressible and doughty Samwise, Peter Woodthorpe as hissing gangrel Gollum, Michael Horden as wise and stern Gandalf, Peter Howell as the traitorous Saruman and Andrew Sear as gentle Faramir. Initally I thought that Robert Stephens' Aragorn was a little too regal-sounding, but as the story progressed I appreciated just how fine his voice was to portray the proud and patient Future King. I also liked Gerard Murphy's quiet and solemn narration. By the end of the production the only voice that sounded out of place to me was that of the rather slack-vowelled announcer who reads each book's closing credits.

With 13 hours of audio I felt that nothing had been skipped in the telling, and that sufficient time had been given to each of the interweaving tales. The dramatisation is enthralling throughout, and in places so moving and atmospheric that the hairs rose on the back of my neck. 'The Paths of The Dead' is a particular favourite - very spooky!

Personally I also loved Stephen Oliver's music (except, perhaps, for the discordant song of the Eagles!). There are beautiful and memorable tracks interspersed throughout the drama and I appreciated having the extra CD of his complete musical score - though I'd have preferred if they'd included Bill Nighy's simple, unaccompanied version of the haunting 'Gil-galad was an Elven King' that was used in the production.

All in all an excellent buy and very good value for money, especially since I've already listened to the whole boxset several times in the 6 weeks since I bought it. (A brilliant accompaniment to redecorating!) These characters and their glorious tale are now very dear to me, thanks to this splendid production. It's even prompted me to re-read Tolkien's novels and rediscover the story again in its original form.


WORTH THE MONEY - LET YOUR IMAGINATION RUN RIOT!!, 05 Jun 2008
There's no getting away from the fact this is pricey but it's worth it!
It's VERY atmospheric with really strong performances from an all British cast. It's NOT an audio book ! There is a central narrator, but every character has it's own individual performance/actor, there are some fantastic (& never cheesy!) Sound FX and subtle uses of suitably grand, orchestral pieces. I certainly can't imagine much better on the Radio back in 1981 - the WHOLE tale fom start to finish!
The beauty of this is that you can indulge your imagination. Definiteley one for a hot bath & the lights out! It's inevitable that comparisons will be made with the Movie trilogy & it is impossible to prevent Peter Jackson's wonderful images occasionally seeping into the mind's eye but this was made nearly two decades before and is it's own beast. I enjoyed the somewhat flawed (and incomplete!) 1978 animated feature but this is better. It cannot be as spectacular as Jackson's films but it's just, if not MORE, faithful and is as enjoyable in it's own manner. The Mines Of Moria is a particular treat - you can almost FEEL the Dark around you!
Standout performances: Michael Hordern as Gandalf & Robert Stephens as Aragorn. Peter Woodthorpe also returns to voice the slimy Gollum as he did in Ralph Bakshi's movie.
An essential for all Tolkien/Fantasy fans.
Incidentally, if you also like rock/metal, I would recommend an Austrian symphonic metal band called Summoning. These guys are MASSIVE Tolkien addicts and base their music around Middle Earth. It's harsh and dark at times but also grandiose & epic. They use samples from the PJ movies & this BBC radio dramatisation, and are really good IF you like music that's on the extreme side ala Dimmu Borgir.

Amazing, well crafted dramatization of a first class tale, 04 Apr 2008
When I first received this gift, and a fantastic gift it was, I was curious at how the BBC was going to approach such a long and complicated novel. By fears were founded on nothing. The acting is simply superb and although made many years ago, it still sounds fresh and new to this very day. LIstening to this audiobook brings you directly into the world of the Lord of the Rings and leaves your heart racing throughout.

I recommend this for long car journeys and any fan of the LotR franchise

This is it - the First full version to appear on radio., 09 Sep 2007
This is the CD collection of the wonderful BBC Radio adaptation of the Lord of the Rings. I remember tuning in every week to listen to the next installment, and wishing that they were longer! I loved it then; I loved it when it became available on cassettes and I love it now on CD.
I first read Lord of the Rings as I entered my teens. Then I struggled with the pronuciation of the names and the Sindarian quotes. But I read it, re-read it and continue to re-read it to this day more than 40 years down the road. These books are rightly famous and this radio epic has achieved its own status. It was the 'First'. The characterisation was wonderful then and even managed to enter the wonderful triology by Peter Jackson in the person of Ian Holm.
Of necessity this, like the films that followed, was an 'abridged' version. Hardly surprising given the length of the books. The pictures are, of course, better on radio than on any screen and I found myself enjoying anew the tale as told by the Beeb.
Long may they continue to turn out drama of this quality!

yet to be bettered, 06 Jul 2004
The great glory of literature is that the reader can develop their own vision of the author's world; this is, of course, also the great glory of radio. Rather than spoon-feed an audience with the director's own imagination, you stimulate theirs, and so enrich the whole experience.

This production of Lord of the Rings is no exception. Whilst I do enjoy Peter Jackson's films, there are of course areas where I feel he has it completely wrong (almost inevitable given the length and depth of the books): compressing distances and times, over-enthusiastic editing of the "slower movements" and expansion of the action, insertion of some (stupefyingly silly) plot lines (which detracted from the story rather than adding to it) and a general "dumbing down" of Tolkein's masterpiece. Whilst the BBC has edited certain sections (the main omission being the Old Forest/Tom Bombadil), they have been more faithful to the overall feel of Tolkein's world and the themes running through the books, and they certainly haven't fallen into the traps which snared Jackson: namely, underestimating your audience and catering for the lowest common denominator.

This production provides superb acting (the casting was inspired), ground-breaking sound effects and a directorial pacing which drives the narrative at an engaging rate whilst allowing the story and characters to breathe. I first heard it during its second airing when I was around 10 years old, having recently read the books. This edition is of course slightly different from the original broadcast, with each episode shorn of it's "top and tail" necessary for broadcast, but with added narration from Ian Holme. Whilst I am not convinced that his addition enhances the production, it does not detract, and the lack of the half-hourly cast list certainly improves the listening experience.

On balance I feel this is the better version to listen to than the original production, although it would benefit from the original boxing/maps rather than the less atttractive generic packaging that it comes in now. Perhaps the BBC will revert to the old style- here's hoping!

I would certainly recommend this, both to those who have only seen the films, and to those who have "only" read the books.

Oh, and by the way. Peter Jackson DID hear this before he made the films. I only wish he's taken a little more notice. The pictures are always better on the radio.

Better than the book, 11 Mar 2008
The story is well known and you would think that nothing compares to the magic of Harry Potter. Then you discover the wonder of Steven Fry. His unique voice is adapted for every charater perfectly, you always know who is speaking. Steven Fry and Harry Potter really is a magical combination!!!

Stephen Fry is a genious, 02 Mar 2007
Most of these reviews concentrate on praise for J K Rowling, and as I agree with all that has been said, I won't add to them, but instead heap praise onto Stephen Fry. His narration is far and away the best that I have listened to over many years of enjoying audio books. Each and every character has their own distinctive and perfectly-judged voice, so that you know instantly who is speaking before the name is given. This makes it so much easier to simply enjoy the wonderful story without being distracted by confusion as to who is saying what, as so often happens with other narrators. I would probably never have bothered with Harry Potter if the unabridged Philosopher's Stone had not been broadcast on Boxing Day several years ago. We had a very long drive home after a family visit, and thought that this would wile away at least part of the journey. Part of it! We were completely enthralled all the way home, and then made a dash for the house, and frantically retuned the radio. We sat at the kitchen table until it was finished. We have bought all of the others as they came out, and they have all been great. I recommend listening to these stories whilst curled up on the sofa on a Winter's evening over any T.V program that I can think of.

The book I fell in love with., 13 Nov 2005
I’ll never forget the day I first began Harry Potter And The Philosopher’s Stone. I believe I can say, with out hesitation, that it changed my life. My friend had received it for her birthday, and she suggested we give it a try. I admit I was curious, but I was not expecting anything spectacular. After all, I was an adult, and these books were for children, right? I’ve never been so wrong in my life. From the start, I was entranced. I had no idea where the story was going, but JK Rowling had me hooked. I lapped it up. I kept wanting more, and by the end, I knew I’d stumbled on to something wondrous. A series that was quite literally addictive. I adored this eleven year old boy, who had captured my heart from the time he was left wrapped in a blanket on his aunt and uncle’s doorstep. My imagination was caught from the moment the tall wizard appeared on a normal suburban street, put out the street lamps, and began sucking on a Sherbet Lemon. This book has seen me through good times and bad. It’s been my friend in unfamiliar places, and comforted me when I was sick. What could’ve been such a simplistic idea (a boy discovering he’s a wizard and being spirited off to magic school) turned out to have so much more to it. Humour, originality, mystery, and above all, plenty of magic. It helped me rediscover books from my childhood that I’d loved, and has lead to what I suspect will be a life long love of fantasy literature. I am now a firm Quidditch fan, and I think Harry’s sighting of his dead parents in a magic mirror is one of the most moving and poignant scenes I’ve ever read. And let’s not forget of course, the truly wonderful narration of Stephen Fry. He really should get an Oscar for all his character portrayals. I’ve never known anyone put so much heart in to what they read. A magical beginning to a magical series.

Harry Potter rulz!, 04 Aug 2005
Harry Potter is an 11 year old bot who goes through lots of challenging things in his live. Firstly he has to stay with the Dursleys (his aunt and uncle) who locks him up in a cupboard and never treat him well. Then one day when he is sleeping on the floor someone bursts in trough the door and explains to Harry that he is a wizard. Harry is startled at first but understands that he is a wizard and goes to Hogwarts, a school of Witchcraft and Wizardry. He soon makes friends and joins in.

This book is a great book and I would reccomend it to all of you. I have enjoyed this book and I am sure you will too.

The first of a great series!, 03 Aug 2005
What a fabulous read! The first book in the series, the Philosophers Stone, will grip your imagination and hold onto it untill you have read the entire book!

Harry Potter, an eleven year old boy, has a past that will change his future.
When Harry was one year old, the Dark Lord Voldemort killed his parents. But he couldn't kill Harry. Instead Harry is left with a lightning bolt scar for the rest of his life.

Harry is shocked when he is told that he is a wizard. This means a new school (Hogwarts School of Witchcraft and Wizardry), making new friends and learning how to turn a matchstick into a needle!

I think this book is very imaginative. I mean who would have thought that you could fit a massive castle in the middle of London and teach magic?

If you read this book you will experience J.K. Rowling's exquisite imagination!(Katherine, 11)

Music at a Master level, 12 Jun 2008
I purchased these CDs individually as and when they were originally released. I have to say that the Fellowship of the Ring is my favourite, by the way. However, I also bought the extremely deluxe 4 disc (or in the case of ROTK, 5 disc) sets when the 'complete' scores were released (also worth buying, despite their price). One thing the 'complete' scores don't have is the first track from FOTR - "The Prophecy" (though parts of it exist in the 'complete' score). If you're a soundtrack enthusiast, then small variations or alternate takes presented here in the 'limited' 1-disc releases will interest you. In The Two Towers, for example, you here different mixes and end of cues not heard in the 'complete' scores, the same stands for Return of the King. And if like many, you think the LOTR is a bit too long to sit and watch in one sitting, then this one disc-a-film release (basically a third of the music Howard Shore composed) will suit you nicely, though really you're missing a lot of gems that are to be found in the 'Complete Recordings', also available on Amazon.
Great listening for great filmmaking.

Experience the film again and again through this soundtrack, 26 Jan 2007
While there are many fine film soundtracks, this is one that stands on its own as music.

The signature refrains such as those for the Riders of Rohan and the Uruk-hai transport you instantly to Middle Earth.

While I'm not a classical music listener as a rule, as a fan of the film, this soundtrack is the perfect accompaniment to both work and relaxation.

This soundtrack is a must for any LOTR fan.

Very Good, 03 Jan 2007
If you've seen the film you will know the tunes inside out I would imagine, and here they are for your personal enjoyment. The composition is so varied, and there are some truly evocative numbers on here. Howard Shore did a remarkable job really here. It is true that the Return of the King lacks something, but this is more than made up for by the first two which possess music for all tastes and moods.
Wasn't sure about the cards you get free with this though, of the members of the cast. All seemed a bit gimicky to me. There are reasons this soundtrack has one awards, not least of which being the 'best original score' Oscar.
Of course, the fact that you get all 3 for a reasonable price is the true bonus, and if your reading this its probably just a matter of deciding which one to get. Get this one, trust me.

An Astonishing Musical Masterpiece, 20 May 2006
This is without a doubt the best soundtrack ever. A lot of original soundtracks that are released are boring and flat, however this is unbelievably good. The music is excellent all the way through and is a real pleasure to listen to. The Return of the King Soundtrack won the Academy Award for best Original Soundtrack and it is clear to see why. The theme songs to the films are especially good. 'Gollum's Song' by Emilliana Torrini is a beautiful, haunting melody, and 'Into the West' by Annie Lennox is a truly breathtaking masterpiece ('Into the West' also won the Academy Award for best original song). The one thing I was disappointed by is that it does not contain 'With a Sigh' by Liv Tyler from the extended version of the Return of the King. (It is the song played when Eowyn is in the houses of healing). Overall this soundtrack is a must for all Lord Of The Rings fans and is also strongly reccomended to people who do not like the films as the music is a masterpiece in its own right. Enjoy!

Wonderful, 04 May 2006
This is one of the best soundtracks I've ever listened to.. The music is brilliant and the song "Into the West" by Annie Lennox is beautiful.. You should definetly buy this if you love Lord of the Rings.. And if you don't like LotR.. Then you should buy it anyway.. It's brilliant..!

Glorious!, 21 Nov 2008
A glorious, faithful, moving dramatisation of the complete Lord of The Rings trilogy, with inspired casting and superb music. Very faithful to the book: it omits only the Tom Bombadil section, and retains all major scenes albeit in shortened form. I particularly appreciated that the adapters were careful to retain the integrity of each of Tolkien's characters and tell the story in chronological order.

This fine production is enhanced by the inspired voice casting, especially in the principal roles. The pronunciation used is quite 'Queen's English', which might come as a bit of a shock if you're expecting it to be as modern-day as the Peter Jackson films, but in fact the voices fit very well with the formality of Tolkien's original dialogue and they sound exactly right. Especially wonderful are Bill Nighy as the irrepressible and doughty Samwise, Peter Woodthorpe as hissing gangrel Gollum, Michael Horden as wise and stern Gandalf, Peter Howell as the traitorous Saruman and Andrew Sear as gentle Faramir. Initally I thought that Robert Stephens' Aragorn was a little too regal-sounding, but as the story progressed I appreciated just how fine his voice was to portray the proud and patient Future King. I also liked Gerard Murphy's quiet and solemn narration. By the end of the production the only voice that sounded out of place to me was that of the rather slack-vowelled announcer who reads each book's closing credits.

With 13 hours of audio I felt that nothing had been skipped in the telling, and that sufficient time had been given to each of the interweaving tales. The dramatisation is enthralling throughout, and in places so moving and atmospheric that the hairs rose on the back of my neck. 'The Paths of The Dead' is a particular favourite - very spooky!

Personally I also loved Stephen Oliver's music (except, perhaps, for the discordant song of the Eagles!). There are beautiful and memorable tracks interspersed throughout the drama and I appreciated having the extra CD of his complete musical score - though I'd have preferred if they'd included Bill Nighy's simple, unaccompanied version of the haunting 'Gil-galad was an Elven King' that was used in the production.

All in all an excellent buy and very good value for money, especially since I've already listened to the whole boxset several times in the 6 weeks since I bought it. (A brilliant accompaniment to redecorating!) These characters and their glorious tale are now very dear to me, thanks to this splendid production. It's even prompted me to re-read Tolkien's novels and rediscover the story again in its original form.


WORTH THE MONEY - LET YOUR IMAGINATION RUN RIOT!!, 05 Jun 2008
There's no getting away from the fact this is pricey but it's worth it!
It's VERY atmospheric with really strong performances from an all British cast. It's NOT an audio book ! There is a central narrator, but every character has it's own individual performance/actor, there are some fantastic (& never cheesy!) Sound FX and subtle uses of suitably grand, orchestral pieces. I certainly can't imagine much better on the Radio back in 1981 - the WHOLE tale fom start to finish!
The beauty of this is that you can indulge your imagination. Definiteley one for a hot bath & the lights out! It's inevitable that comparisons will be made with the Movie trilogy & it is impossible to prevent Peter Jackson's wonderful images occasionally seeping into the mind's eye but this was made nearly two decades before and is it's own beast. I enjoyed the somewhat flawed (and incomplete!) 1978 animated feature but this is better. It cannot be as spectacular as Jackson's films but it's just, if not MORE, faithful and is as enjoyable in it's own manner. The Mines Of Moria is a particular treat - you can almost FEEL the Dark around you!
Standout performances: Michael Hordern as Gandalf & Robert Stephens as Aragorn. Peter Woodthorpe also returns to voice the slimy Gollum as he did in Ralph Bakshi's movie.
An essential for all Tolkien/Fantasy fans.
Incidentally, if you also like rock/metal, I would recommend an Austrian symphonic metal band called Summoning. These guys are MASSIVE Tolkien addicts and base their music around Middle Earth. It's harsh and dark at times but also grandiose & epic. They use samples from the PJ movies & this BBC radio dramatisation, and are really good IF you like music that's on the extreme side ala Dimmu Borgir.

Amazing, well crafted dramatization of a first class tale, 04 Apr 2008
When I first received this gift, and a fantastic gift it was, I was curious at how the BBC was going to approach such a long and complicated novel. By fears were founded on nothing. The acting is simply superb and although made many years ago, it still sounds fresh and new to this very day. LIstening to this audiobook brings you directly into the world of the Lord of the Rings and leaves your heart racing throughout.

I recommend this for long car journeys and any fan of the LotR franchise

This is it - the First full version to appear on radio., 09 Sep 2007
This is the CD collection of the wonderful BBC Radio adaptation of the Lord of the Rings. I remember tuning in every week to listen to the next installment, and wishing that they were longer! I loved it then; I loved it when it became available on cassettes and I love it now on CD.
I first read Lord of the Rings as I entered my teens. Then I struggled with the pronuciation of the names and the Sindarian quotes. But I read it, re-read it and continue to re-read it to this day more than 40 years down the road. These books are rightly famous and this radio epic has achieved its own status. It was the 'First'. The characterisation was wonderful then and even managed to enter the wonderful triology by Peter Jackson in the person of Ian Holm.
Of necessity this, like the films that followed, was an 'abridged' version. Hardly surprising given the length of the books. The pictures are, of course, better on radio than on any screen and I found myself enjoying anew the tale as told by the Beeb.
Long may they continue to turn out drama of this quality!

yet to be bettered, 06 Jul 2004
The great glory of literature is that the reader can develop their own vision of the author's world; this is, of course, also the great glory of radio. Rather than spoon-feed an audience with the director's own imagination, you stimulate theirs, and so enrich the whole experience.

This production of Lord of the Rings is no exception. Whilst I do enjoy Peter Jackson's films, there are of course areas where I feel he has it completely wrong (almost inevitable given the length and depth of the books): compressing distances and times, over-enthusiastic editing of the "slower movements" and expansion of the action, insertion of some (stupefyingly silly) plot lines (which detracted from the story rather than adding to it) and a general "dumbing down" of Tolkein's masterpiece. Whilst the BBC has edited certain sections (the main omission being the Old Forest/Tom Bombadil), they have been more faithful to the overall feel of Tolkein's world and the themes running through the books, and they certainly haven't fallen into the traps which snared Jackson: namely, underestimating your audience and catering for the lowest common denominator.

This production provides superb acting (the casting was inspired), ground-breaking sound effects and a directorial pacing which drives the narrative at an engaging rate whilst allowing the story and characters to breathe. I first heard it during its second airing when I was around 10 years old, having recently read the books. This edition is of course slightly different from the original broadcast, with each episode shorn of it's "top and tail" necessary for broadcast, but with added narration from Ian Holme. Whilst I am not convinced that his addition enhances the production, it does not detract, and the lack of the half-hourly cast list certainly improves the listening experience.

On balance I feel this is the better version to listen to than the original production, although it would benefit from the original boxing/maps rather than the less atttractive generic packaging that it comes in now. Perhaps the BBC will revert to the old style- here's hoping!

I would certainly recommend this, both to those who have only seen the films, and to those who have "only" read the books.

Oh, and by the way. Peter Jackson DID hear this before he made the films. I only wish he's taken a little more notice. The pictures are always better on the radio.

Got to have it., 05 Nov 2008
Blade Runner changed my life, I was born in 1979 so wasn't able to appreciate the film until it had been out a good 13 years (I actually saw the director's cut first). I bought the original soundtrack in 1999 and it has been an integral part of my life ever since, I have just discovered by accident that this album has been released, I'm so excited I might wee myself...

I apologise that this isn't actually a review but if you take my advice now to please buy this album then it was not a waste of your time to have read it. It is quite simply the most sublime soundtrack to a film ever made. A moment of clarity that only comes along once or twice a century...

Definitive soundtrack!, 01 Oct 2008
I always considered Vangelis' work for the "Blade Runner" soundtrack to be one of the most accomplished and definitive pieces he ever did for the universe of film. The music featured here is so evocative, its impact is so profound that it makes my mind travel through the most beautiful visions and landscapes. I would dare using Rutger Hauer's Batty final speech here: "I've seen things you people wouldn't believe! Attack ships on fire off the shoulder of Orion... I watched C-beams glitter in the dark near the Tannhauser Gate... All those moments will be lost in time... like tears... in rain..." Except that those moments won't be lost in time for me, because they will forever be imprinted in my memories as some of the single most dazzling and wonderful that I have ever experienced when listening to music!

Wonderful!, 11 May 2008
The film is a stunning visual masterpiece. The Vangelis soundtrack is simply wonderful to listen to. It really does take you there. After watching the film again (Final cut edition). I found myself going back to parts of the film with the music that moved me. The mixture of piano and synths add power and sweetness to this film noir.
High lights for me was the opening theme as the spinner made it's a way across the city. The Love Theme is simply a beautiful piece of music which builds up nicely. Tear's in the rain, One Alone, and Fading away.


Best Vangelis release in recent times., 29 Mar 2008
I too am fed up with Blade Runner geeks harping on about the perfect bladerunner album.

What we have here is the best product vangelis has released in recent times. You get to hear some marvels in their entirety. Such as
'At Mr Chews', 'Deckard and Roys Duel' and 'Mechanical Toys'. The crown jewels of cd 2 is the sublime 'Desolation Path', which is perhaps evidence that some of Vangelis' best work still remains unreleased and is likely to remain so. As far as the Blade Runner score is concerned, everything worth putting in is here. The bits left out are effective as an underscore and probably wouldnt be worthwhile album material.

CD3 is at it should be different enough from the film and a new work. It is in the ilk of the albums 'The City' and 'Direct', which are the most underated works Vangelis has released. The track 'Spotkanie Z Matka' is subtly haunting and I still find myself humming the melody. The CD is just that, subtle and beautifuly put together without any over the top bombast.

I would say seasoned Vangelis fans would enjoy this product and is great value for money. Those that are more from the Blade Runner camp should also be thankfull and stop taking apart what is a great film and score. Film music is written to support and add to the film and picture and not every single not is suitable for an album. The product is just right and doesnt go into self gratification mode.
Next stop the unreleased music from 1492!

Forget the soundtrack, listen to the MUSIC, 28 Mar 2008
In many of the reviews I read here, I see that people seem more concerned with owning absolutely every note of music that existed in the movie (however irrelevant it may have been) than the music itself. Disk three, which is all new material, didn't even seem to interest some of the reviewers, who complain because disk 2 is not an exact repetition of what is present in the film. My review discusses the music, and the man who stands behind it, not the movie.

Those who are familiar with Vangelis know that most of his movie soundtracks have little in common with the music actually used in the movie. That is, Vangelis seems to concentrate more on releasing an album which can actually be listened to as music, and not as mere film cues. This part I always liked. If you want to get a faithful soundtrack of the movie, why waste money on your precious bootlegs? Just watch the movie!! Enjoy the music during the movie, 'cause it's hardly worth listening to without it.

Disk 1 is the same as the Blade Runner Soundtrack, released in 1994, no surprises there. Disk 2 is a collection of previously unreleased material written for the movie. This CD will not blow you away as far as memorable melodies, except for track 6, which is absolutely gorgeous. There are other tracks with nice melodies too; however, the main attraction of this CD should be the mood and atmosphere generated by the tracks. They remind one of the unique style Vangelis once had during the early eighties. I think this CD is the highlight of the set.

Disk three is perhaps the reason why I gave this CD set only three stars. I actually like it for the most part. But I don't find it memorable. Sadly, as much as I am a big fan of Vangelis, I think that those days, marked by his remarkable creativity and uniqueness, are behind for good. Let's face it, perhaps one of the reasons why Vangelis no longer releases studio albums is because he has nothing new, fresh or unique to release. You still occasionally bump into some of his recent work, which has that spark that only Vangelis can deliver. Such sparce examples can be found in themes like "Young Alexander" in the Alexander soundtrack. However, one thing you will find absent in this album, and it has been absent in most of his recent work, is that touch that made his music stand out from the norm, those wonderful surprises that always kept you wondering where his music was going next. Gone seems to be his desire to experiment with sound. And perhaps it's hard to blame him for this, especially since keyboards nowadays come with thousands of pre-programmed sounds, covering such a wide spectrum, that it's hard (if not impossible) to create something that actually sounds different. Also, gone seems to be his uncanny ability to orchestrate music so delightfully and with such sweet, and memorable melodies. Instead, most of his music contains sounds which you've heard around a lot, or simple, overly repetitive, and non-fullfilling melodies. Piano in an Empty Room is an exception to the above, and is probably the gem from this CD.

Don't get me wrong. I still think this CD set is a worthwhile buy. Just don't expect anything too groundbreaking.

As his fifth year at Hogwarts School of Witchcraft and Wizardry approaches in Harry Potter and the Order of the Phoenix, 15-year-old Harry Potter is in full-blown adolescence, complete with regular outbursts of rage, a nearly debilitating crush, and the blooming of a powerful sense of rebellion. It's been yet another infuriating and boring summer with the despicable Dursleys, this time with minimal contact from our hero's non-Muggle friends from school. Harry is feeling especially edgy at the lack of news from the magic world, wondering when the freshly revived evil Lord Voldemort will strike. Returning to Hogwarts will be a relief… or will it?

Book five in JK Rowling's Harry Potter series follows the darkest year yet for our young wizard, who finds himself knocked down a peg or three after the events of last year. Over the summer, gossip (usually traced back to the magic world's newspaper, the Daily Prophet) has turned Harry's tragic and heroic encounter with Voldemort at the Triwizard Tournament into an excuse to ridicule and discount the teenager. Even Professor Dumbledore, headmaster of the school, has come under scrutiny from the Ministry of Magic, which refuses to officially acknowledge the terrifying truth: that Voldemort is back. Enter a particularly loathsome new character: the toad-like and simpering ("hem, hem") Dolores Umbridge, senior undersecretary to the minister of Magic, who takes over the vacant position of defence against dark arts teacher--and in no time manages to become the high inquisitor of Hogwarts. Life isn't getting any easier for Harry Potter. With an overwhelming course load as the fifth years prepare for their examinations, devastating changes in the Gryffindor Quidditch team line-up, vivid dreams about long hallways and closed doors, and increasing pain in his lightning-shaped scar, Harry's resilience is sorely tested.

Harry Potter and the Order of the Phoenix, more than any of the four previous novels in the series, is a coming-of-age story. Harry faces the thorny transition into adulthood, when adult heroes are revealed to be fallible, and matters that seemed black and white suddenly come out in shades of gray. Gone is the wide-eyed innocent, the whiz kid of Harry Potter and the Philosopher's Stone. Here we have an adolescent who's sometimes sullen, often confused (especially about girls), and always self-questioning. Confronting death again, as well as a startling prophecy, Harry ends his year at Hogwarts exhausted and pensive. Readers, on the other hand, will be energised as they enter yet again the long waiting period for the next title in the marvellous magical series. --Emilie Coulter

Better than the book, 11 Mar 2008
The story is well known and you would think that nothing compares to the magic of Harry Potter. Then you discover the wonder of Steven Fry. His unique voice is adapted for every charater perfectly, you always know who is speaking. Steven Fry and Harry Potter really is a magical combination!!!

Stephen Fry is a genious, 02 Mar 2007
Most of these reviews concentrate on praise for J K Rowling, and as I agree with all that has been said, I won't add to them, but instead heap praise onto Stephen Fry. His narration is far and away the best that I have listened to over many years of enjoying audio books. Each and every character has their own distinctive and perfectly-judged voice, so that you know instantly who is speaking before the name is given. This makes it so much easier to simply enjoy the wonderful story without being distracted by confusion as to who is saying what, as so often happens with other narrators. I would probably never have bothered with Harry Potter if the unabridged Philosopher's Stone had not been broadcast on Boxing Day several years ago. We had a very long drive home after a family visit, and thought that this would wile away at least part of the journey. Part of it! We were completely enthralled all the way home, and then made a dash for the house, and frantically retuned the radio. We sat at the kitchen table until it was finished. We have bought all of the others as they came out, and they have all been great. I recommend listening to these stories whilst curled up on the sofa on a Winter's evening over any T.V program that I can think of.

The book I fell in love with., 13 Nov 2005
I’ll never forget the day I first began Harry Potter And The Philosopher’s Stone. I believe I can say, with out hesitation, that it changed my life. My friend had received it for her birthday, and she suggested we give it a try. I admit I was curious, but I was not expecting anything spectacular. After all, I was an adult, and these books were for children, right? I’ve never been so wrong in my life. From the start, I was entranced. I had no idea where the story was going, but JK Rowling had me hooked. I lapped it up. I kept wanting more, and by the end, I knew I’d stumbled on to something wondrous. A series that was quite literally addictive. I adored this eleven year old boy, who had captured my heart from the time he was left wrapped in a blanket on his aunt and uncle’s doorstep. My imagination was caught from the moment the tall wizard appeared on a normal suburban street, put out the street lamps, and began sucking on a Sherbet Lemon. This book has seen me through good times and bad. It’s been my friend in unfamiliar places, and comforted me when I was sick. What could’ve been such a simplistic idea (a boy discovering he’s a wizard and being spirited off to magic school) turned out to have so much more to it. Humour, originality, mystery, and above all, plenty of magic. It helped me rediscover books from my childhood that I’d loved, and has lead to what I suspect will be a life long love of fantasy literature. I am now a firm Quidditch fan, and I think Harry’s sighting of his dead parents in a magic mirror is one of the most moving and poignant scenes I’ve ever read. And let’s not forget of course, the truly wonderful narration of Stephen Fry. He really should get an Oscar for all his character portrayals. I’ve never known anyone put so much heart in to what they read. A magical beginning to a magical series.

Harry Potter rulz!, 04 Aug 2005
Harry Potter is an 11 year old bot who goes through lots of challenging things in his live. Firstly he has to stay with the Dursleys (his aunt and uncle) who locks him up in a cupboard and never treat him well. Then one day when he is sleeping on the floor someone bursts in trough the door and explains to Harry that he is a wizard. Harry is startled at first but understands that he is a wizard and goes to Hogwarts, a school of Witchcraft and Wizardry. He soon makes friends and joins in.

This book is a great book and I would reccomend it to all of you. I have enjoyed this book and I am sure you will too.

The first of a great series!, 03 Aug 2005
What a fabulous read! The first book in the series, the Philosophers Stone, will grip your imagination and hold onto it untill you have read the entire book!

Harry Potter, an eleven year old boy, has a past that will change his future.
When Harry was one year old, the Dark Lord Voldemort killed his parents. But he couldn't kill Harry. Instead Harry is left with a lightning bolt scar for the rest of his life.

Harry is shocked when he is told that he is a wizard. This means a new school (Hogwarts School of Witchcraft and Wizardry), making new friends and learning how to turn a matchstick into a needle!

I think this book is very imaginative. I mean who would have thought that you could fit a massive castle in the middle of London and teach magic?

If you read this book you will experience J.K. Rowling's exquisite imagination!(Katherine, 11)

Music at a Master level, 12 Jun 2008
I purchased these CDs individually as and when they were originally released. I have to say that the Fellowship of the Ring is my favourite, by the way. However, I also bought the extremely deluxe 4 disc (or in the case of ROTK, 5 disc) sets when the 'complete' scores were released (also worth buying, despite their price). One thing the 'complete' scores don't have is the first track from FOTR - "The Prophecy" (though parts of it exist in the 'complete' score). If you're a soundtrack enthusiast, then small variations or alternate takes presented here in the 'limited' 1-disc releases will interest you. In The Two Towers, for example, you here different mixes and end of cues not heard in the 'complete' scores, the same stands for Return of the King. And if like many, you think the LOTR is a bit too long to sit and watch in one sitting, then this one disc-a-film release (basically a third of the music Howard Shore composed) will suit you nicely, though really you're missing a lot of gems that are to be found in the 'Complete Recordings', also available on Amazon.
Great listening for great filmmaking.

Experience the film again and again through this soundtrack, 26 Jan 2007
While there are many fine film soundtracks, this is one that stands on its own as music.

The signature refrains such as those for the Riders of Rohan and the Uruk-hai transport you instantly to Middle Earth.

While I'm not a classical music listener as a rule, as a fan of the film, this soundtrack is the perfect accompaniment to both work and relaxation.

This soundtrack is a must for any LOTR fan.

Very Good, 03 Jan 2007
If you've seen the film you will know the tunes inside out I would imagine, and here they are for your personal enjoyment. The composition is so varied, and there are some truly evocative numbers on here. Howard Shore did a remarkable job really here. It is true that the Return of the King lacks something, but this is more than made up for by the first two which possess music for all tastes and moods.
Wasn't sure about the cards you get free with this though, of the members of the cast. All seemed a bit gimicky to me. There are reasons this soundtrack has one awards, not least of which being the 'best original score' Oscar.
Of course, the fact that you get all 3 for a reasonable price is the true bonus, and if your reading this its probably just a matter of deciding which one to get. Get this one, trust me.

An Astonishing Musical Masterpiece, 20 May 2006
This is without a doubt the best soundtrack ever. A lot of original soundtracks that are released are boring and flat, however this is unbelievably good. The music is excellent all the way through and is a real pleasure to listen to. The Return of the King Soundtrack won the Academy Award for best Original Soundtrack and it is clear to see why. The theme songs to the films are especially good. 'Gollum's Song' by Emilliana Torrini is a beautiful, haunting melody, and 'Into the West' by Annie Lennox is a truly breathtaking masterpiece ('Into the West' also won the Academy Award for best original song). The one thing I was disappointed by is that it does not contain 'With a Sigh' by Liv Tyler from the extended version of the Return of the King. (It is the song played when Eowyn is in the houses of healing). Overall this soundtrack is a must for all Lord Of The Rings fans and is also strongly reccomended to people who do not like the films as the music is a masterpiece in its own right. Enjoy!

Wonderful, 04 May 2006
This is one of the best soundtracks I've ever listened to.. The music is brilliant and the song "Into the West" by Annie Lennox is beautiful.. You should definetly buy this if you love Lord of the Rings.. And if you don't like LotR.. Then you should buy it anyway.. It's brilliant..!

Glorious!, 21 Nov 2008
A glorious, faithful, moving dramatisation of the complete Lord of The Rings trilogy, with inspired casting and superb music. Very faithful to the book: it omits only the Tom Bombadil section, and retains all major scenes albeit in shortened form. I particularly appreciated that the adapters were careful to retain the integrity of each of Tolkien's characters and tell the story in chronological order.

This fine production is enhanced by the inspired voice casting, especially in the principal roles. The pronunciation used is quite 'Queen's English', which might come as a bit of a shock if you're expecting it to be as modern-day as the Peter Jackson films, but in fact the voices fit very well with the formality of Tolkien's original dialogue and they sound exactly right. Especially wonderful are Bill Nighy as the irrepressible and doughty Samwise, Peter Woodthorpe as hissing gangrel Gollum, Michael Horden as wise and stern Gandalf, Peter Howell as the traitorous Saruman and Andrew Sear as gentle Faramir. Initally I thought that Robert Stephens' Aragorn was a little too regal-sounding, but as the story progressed I appreciated just how fine his voice was to portray the proud and patient Future King. I also liked Gerard Murphy's quiet and solemn narration. By the end of the production the only voice that sounded out of place to me was that of the rather slack-vowelled announcer who reads each book's closing credits.

With 13 hours of audio I felt that nothing had been skipped in the telling, and that sufficient time had been given to each of the interweaving tales. The dramatisation is enthralling throughout, and in places so moving and atmospheric that the hairs rose on the back of my neck. 'The Paths of The Dead' is a particular favourite - very spooky!

Personally I also loved Stephen Oliver's music (except, perhaps, for the discordant song of the Eagles!). There are beautiful and memorable tracks interspersed throughout the drama and I appreciated having the extra CD of his complete musical score - though I'd have preferred if they'd included Bill Nighy's simple, unaccompanied version of the haunting 'Gil-galad was an Elven King' that was used in the production.

All in all an excellent buy and very good value for money, especially since I've already listened to the whole boxset several times in the 6 weeks since I bought it. (A brilliant accompaniment to redecorating!) These characters and their glorious tale are now very dear to me, thanks to this splendid production. It's even prompted me to re-read Tolkien's novels and rediscover the story again in its original form.


WORTH THE MONEY - LET YOUR IMAGINATION RUN RIOT!!, 05 Jun 2008
There's no getting away from the fact this is pricey but it's worth it!
It's VERY atmospheric with really strong performances from an all British cast. It's NOT an audio book ! There is a central narrator, but every character has it's own individual performance/actor, there are some fantastic (& never cheesy!) Sound FX and subtle uses of suitably grand, orchestral pieces. I certainly can't imagine much better on the Radio back in 1981 - the WHOLE tale fom start to finish!
The beauty of this is that you can indulge your imagination. Definiteley one for a hot bath & the lights out! It's inevitable that comparisons will be made with the Movie trilogy & it is impossible to prevent Peter Jackson's wonderful images occasionally seeping into the mind's eye but this was made nearly two decades before and is it's own beast. I enjoyed the somewhat flawed (and incomplete!) 1978 animated feature but this is better. It cannot be as spectacular as Jackson's films but it's just, if not MORE, faithful and is as enjoyable in it's own manner. The Mines Of Moria is a particular treat - you can almost FEEL the Dark around you!
Standout performances: Michael Hordern as Gandalf & Robert Stephens as Aragorn. Peter Woodthorpe also returns to voice the slimy Gollum as he did in Ralph Bakshi's movie.
An essential for all Tolkien/Fantasy fans.
Incidentally, if you also like rock/metal, I would recommend an Austrian symphonic metal band called Summoning. These guys are MASSIVE Tolkien addicts and base their music around Middle Earth. It's harsh and dark at times but also grandiose & epic. They use samples from the PJ movies & this BBC radio dramatisation, and are really good IF you like music that's on the extreme side ala Dimmu Borgir.

Amazing, well crafted dramatization of a first class tale, 04 Apr 2008
When I first received this gift, and a fantastic gift it was, I was curious at how the BBC was going to approach such a long and complicated novel. By fears were founded on nothing. The acting is simply superb and although made many years ago, it still sounds fresh and new to this very day. LIstening to this audiobook brings you directly into the world of the Lord of the Rings and leaves your heart racing throughout.

I recommend this for long car journeys and any fan of the LotR franchise

This is it - the First full version to appear on radio., 09 Sep 2007
This is the CD collection of the wonderful BBC Radio adaptation of the Lord of the Rings. I remember tuning in every week to listen to the next installment, and wishing that they were longer! I loved it then; I loved it when it became available on cassettes and I love it now on CD.
I first read Lord of the Rings as I entered my teens. Then I struggled with the pronuciation of the names and the Sindarian quotes. But I read it, re-read it and continue to re-read it to this day more than 40 years down the road. These books are rightly famous and this radio epic has achieved its own status. It was the 'First'. The characterisation was wonderful then and even managed to enter the wonderful triology by Peter Jackson in the person of Ian Holm.
Of necessity this, like the films that followed, was an 'abridged' version. Hardly surprising given the length of the books. The pictures are, of course, better on radio than on any screen and I found myself enjoying anew the tale as told by the Beeb.
Long may they continue to turn out drama of this quality!

yet to be bettered, 06 Jul 2004
The great glory of literature is that the reader can develop their own vision of the author's world; this is, of course, also the great glory of radio. Rather than spoon-feed an audience with the director's own imagination, you stimulate theirs, and so enrich the whole experience.

This production of Lord of the Rings is no exception. Whilst I do enjoy Peter Jackson's films, there are of course areas where I feel he has it completely wrong (almost inevitable given the length and depth of the books): compressing distances and times, over-enthusiastic editing of the "slower movements" and expansion of the action, insertion of some (stupefyingly silly) plot lines (which detracted from the story rather than adding to it) and a general "dumbing down" of Tolkein's masterpiece. Whilst the BBC has edited certain sections (the main omission being the Old Forest/Tom Bombadil), they have been more faithful to the overall feel of Tolkein's world and the themes running through the books, and they certainly haven't fallen into the traps which snared Jackson: namely, underestimating your audience and catering for the lowest common denominator.

This production provides superb acting (the casting was inspired), ground-breaking sound effects and a directorial pacing which drives the narrative at an engaging rate whilst allowing the story and characters to breathe. I first heard it during its second airing when I was around 10 years old, having recently read the books. This edition is of course slightly different from the original broadcast, with each episode shorn of it's "top and tail" necessary for broadcast, but with added narration from Ian Holme. Whilst I am not convinced that his addition enhances the production, it does not detract, and the lack of the half-hourly cast list certainly improves the listening experience.

On balance I feel this is the better version to listen to than the original production, although it would benefit from the original boxing/maps rather than the less atttractive generic packaging that it comes in now. Perhaps the BBC will revert to the old style- here's hoping!

I would certainly recommend this, both to those who have only seen the films, and to those who have "only" read the books.

Oh, and by the way. Peter Jackson DID hear this before he made the films. I only wish he's taken a little more notice. The pictures are always better on the radio.

Got to have it., 05 Nov 2008
Blade Runner changed my life, I was born in 1979 so wasn't able to appreciate the film until it had been out a good 13 years (I actually saw the director's cut first). I bought the original soundtrack in 1999 and it has been an integral part of my life ever since, I have just discovered by accident that this album has been released, I'm so excited I might wee myself...

I apologise that this isn't actually a review but if you take my advice now to please buy this album then it was not a waste of your time to have read it. It is quite simply the most sublime soundtrack to a film ever made. A moment of clarity that only comes along once or twice a century...

Definitive soundtrack!, 01 Oct 2008
I always considered Vangelis' work for the "Blade Runner" soundtrack to be one of the most accomplished and definitive pieces he ever did for the universe of film. The music featured here is so evocative, its impact is so profound that it makes my mind travel through the most beautiful visions and landscapes. I would dare using Rutger Hauer's Batty final speech here: "I've seen things you people wouldn't believe! Attack ships on fire off the shoulder of Orion... I watched C-beams glitter in the dark near the Tannhauser Gate... All those moments will be lost in time... like tears... in rain..." Except that those moments won't be lost in time for me, because they will forever be imprinted in my memories as some of the single most dazzling and wonderful that I have ever experienced when listening to music!

Wonderful!, 11 May 2008
The film is a stunning visual masterpiece. The Vangelis soundtrack is simply wonderful to listen to. It really does take you there. After watching the film again (Final cut edition). I found myself going back to parts of the film with the music that moved me. The mixture of piano and synths add power and sweetness to this film noir.
High lights for me was the opening theme as the spinner made it's a way across the city. The Love Theme is simply a beautiful piece of music which builds up nicely. Tear's in the rain, One Alone, and Fading away.


Best Vangelis release in recent times., 29 Mar 2008
I too am fed up with Blade Runner geeks harping on about the perfect bladerunner album.

What we have here is the best product vangelis has released in recent times. You get to hear some marvels in their entirety. Such as
'At Mr Chews', 'Deckard and Roys Duel' and 'Mechanical Toys'. The crown jewels of cd 2 is the sublime 'Desolation Path', which is perhaps evidence that some of Vangelis' best work still remains unreleased and is likely to remain so. As far as the Blade Runner score is concerned, everything worth putting in is here. The bits left out are effective as an underscore and probably wouldnt be worthwhile album material.

CD3 is at it should be different enough from the film and a new work. It is in the ilk of the albums 'The City' and 'Direct', which are the most underated works Vangelis has released. The track 'Spotkanie Z Matka' is subtly haunting and I still find myself humming the melody. The CD is just that, subtle and beautifuly put together without any over the top bombast.

I would say seasoned Vangelis fans would enjoy this product and is great value for money. Those that are more from the Blade Runner camp should also be thankfull and stop taking apart what is a great film and score. Film music is written to support and add to the film and picture and not every single not is suitable for an album. The product is just right and doesnt go into self gratification mode.
Next stop the unreleased music from 1492!

Forget the soundtrack, listen to the MUSIC, 28 Mar 2008
In many of the reviews I read here, I see that people seem more concerned with owning absolutely every note of music that existed in the movie (however irrelevant it may have been) than the music itself. Disk three, which is all new material, didn't even seem to interest some of the reviewers, who complain because disk 2 is not an exact repetition of what is present in the film. My review discusses the music, and the man who stands behind it, not the movie.

Those who are familiar with Vangelis know that most of his movie soundtracks have little in common with the music actually used in the movie. That is, Vangelis seems to concentrate more on releasing an album which can actually be listened to as music, and not as mere film cues. This part I always liked. If you want to get a faithful soundtrack of the movie, why waste money on your precious bootlegs? Just watch the movie!! Enjoy the music during the movie, 'cause it's hardly worth listening to without it.

Disk 1 is the same as the Blade Runner Soundtrack, released in 1994, no surprises there. Disk 2 is a collection of previously unreleased material written for the movie. This CD will not blow you away as far as memorable melodies, except for track 6, which is absolutely gorgeous. There are other tracks with nice melodies too; however, the main attraction of this CD should be the mood and atmosphere generated by the tracks. They remind one of the unique style Vangelis once had during the early eighties. I think this CD is the highlight of the set.

Disk three is perhaps the reason why I gave this CD set only three stars. I actually like it for the most part. But I don't find it memorable. Sadly, as much as I am a big fan of Vangelis, I think that those days, marked by his remarkable creativity and uniqueness, are behind for good. Let's face it, perhaps one of the reasons why Vangelis no longer releases studio albums is because he has nothing new, fresh or unique to release. You still occasionally bump into some of his recent work, which has that spark that only Vangelis can deliver. Such sparce examples can be found in themes like "Young Alexander" in the Alexander soundtrack. However, one thing you will find absent in this album, and it has been absent in most of his recent work, is that touch that made his music stand out from the norm, those wonderful surprises that always kept you wondering where his music was going next. Gone seems to be his desire to experiment with sound. And perhaps it's hard to blame him for this, especially since keyboards nowadays come with thousands of pre-programmed sounds, covering such a wide spectrum, that it's hard (if not impossible) to create something that actually sounds different. Also, gone seems to be his uncanny ability to orchestrate music so delightfully and with such sweet, and memorable melodies. Instead, most of his music contains sounds which you've heard around a lot, or simple, overly repetitive, and non-fullfilling melodies. Piano in an Empty Room is an exception to the above, and is probably the gem from this CD.

Don't get me wrong. I still think this CD set is a worthwhile buy. Just don't expect anything too groundbreaking.

COMPLETELY AMAZING!!!!, 22 Dec 2008
This is a truly amazing book ive read it twice now which is one more time than ive read the other four books behind it. i just really enjoy the fact that JK Rowling has kind of included us in Harry's school life, with the exams and all of the subjects etc. You just feel like your actually doing the OWLs with Harry and you feel so emerged in Hogwarts like you are in the pages. This is the best book of the series so far although i havent read the last two books yet but i do intend to. I just feel so emerged in the story and i really love how theres a lot of detail on Harry's school life

Loved this!, 25 Nov 2008
I really enjoyed the 5th Harry Potter book and mainly for the creation of Professor Umbridge! J.K. Rowling has created such a good villain with this character, I really could not stand the woman by the end of the book and the reader could really identify with the characters frustration with this vile and unfair woman. This book really sees the main charcacters growing up and is darker than the previous ones, I thought it was brilliant.

Still gripping, but some character flaws, 23 Nov 2008
Firstly, the bad: WHY DOES HARRY HAVE TO SHOUT IN CAPITAL LETTERS ALL THE TIME? This becomes very, very annoying very early on and I find myself groaning everytime I turn a page to see more paragraphs in capitals. This is something I found annoying with the Shrieking Shack scenes in book 3. Less is more; we don't need everything in BLOCK CAPITALS to get across the fact someone is shouting.

Secondly, Harry really gets on my nerves sometimes! He is almost unlikeable; despite Ron and Hermione explaining they couldn't write to him, he still is angry with them. As well as Harry being a moody sod, why is it all the women are on the verge of tears all the time? I admire JKR hugely, but her handling of female characters is sometimes very irritating. Hermione is either irritable, snapping at someone or on the verge of tears, Mrs Weasly is equally neurotic and, where before she was fiery and lovable, here she becomes a moody sod to rival Harry. Parvati and Lavender are in tears over Trelawny, not to mention Cho also being irritable and in tears all the time! Ugh, gimme a break! Why is there not a single female character with a good sense of humour? The only female who isn't constantly irritable or tearful is Luna!

The film does it better than the book but still, Phoenix is a gripping read. It's just a shame some of the characters are less than sympathetic.

The Weakest Book In The Series, 16 Oct 2008
The Order of the Phoenix is the weakest in the Harry Potter books but I still gave it 4 stars, this just shows how good the books are. JK Rowling is an amazing author.

ONE VERY BIG YAWN, 14 Aug 2008
What's all the fuss about? Watch the films instead: that's enough. Only just OK for a quick skim through if there's nothing better on the shelf or in your bag: so much of this book is unnecessary and should've been consigned to any decent editor's bin.

But, one of the most profitable franchises in history, so what do I know? However, look at any chart - what does everyone else know?

Better than the book, 11 Mar 2008
The story is well known and you would think that nothing compares to the magic of Harry Potter. Then you discover the wonder of Steven Fry. His unique voice is adapted for every charater perfectly, you always know who is speaking. Steven Fry and Harry Potter really is a magical combination!!!

Stephen Fry is a genious, 02 Mar 2007
Most of these reviews concentrate on praise for J K Rowling, and as I agree with all that has been said, I won't add to them, but instead heap praise onto Stephen Fry. His narration is far and away the best that I have listened to over many years of enjoying audio books. Each and every character has their own distinctive and perfectly-judged voice, so that you know instantly who is speaking before the name is given. This makes it so much easier to simply enjoy the wonderful story without being distracted by confusion as to who is saying what, as so often happens with other narrators. I would probably never have bothered with Harry Potter if the unabridged Philosopher's Stone had not been broadcast on Boxing Day several years ago. We had a very long drive home after a family visit, and thought that this would wile away at least part of the journey. Part of it! We were completely enthralled all the way home, and then made a dash for the house, and frantically retuned the radio. We sat at the kitchen table until it was finished. We have bought all of the others as they came out, and they have all been great. I recommend listening to these stories whilst curled up on the sofa on a Winter's evening over any T.V program that I can think of.

The book I fell in love with., 13 Nov 2005
I’ll never forget the day I first began Harry Potter And The Philosopher’s Stone. I believe I can say, with out hesitation, that it changed my life. My friend had received it for her birthday, and she suggested we give it a try. I admit I was curious, but I was not expecting anything spectacular. After all, I was an adult, and these books were for children, right? I’ve never been so wrong in my life. From the start, I was entranced. I had no idea where the story was going, but JK Rowling had me hooked. I lapped it up. I kept wanting more, and by the end, I knew I’d stumbled on to something wondrous. A series that was quite literally addictive. I adored this eleven year old boy, who had captured my heart from the time he was left wrapped in a blanket on his aunt and uncle’s doorstep. My imagination was caught from the moment the tall wizard appeared on a normal suburban street, put out the street lamps, and began sucking on a Sherbet Lemon. This book has seen me through good times and bad. It’s been my friend in unfamiliar places, and comforted me when I was sick. What could’ve been such a simplistic idea (a boy discovering he’s a wizard and being spirited off to magic school) turned out to have so much more to it. Humour, originality, mystery, and above all, plenty of magic. It helped me rediscover books from my childhood that I’d loved, and has lead to what I suspect will be a life long love of fantasy literature. I am now a firm Quidditch fan, and I think Harry’s sighting of his dead parents in a magic mirror is one of the most moving and poignant scenes I’ve ever read. And let’s not forget of course, the truly wonderful narration of Stephen Fry. He really should get an Oscar for all his character portrayals. I’ve never known anyone put so much heart in to what they read. A magical beginning to a magical series.

Harry Potter rulz!, 04 Aug 2005
Harry Potter is an 11 year old bot who goes through lots of challenging things in his live. Firstly he has to stay with the Dursleys (his aunt and uncle) who locks him up in a cupboard and never treat him well. Then one day when he is sleeping on the floor someone bursts in trough the door and explains to Harry that he is a wizard. Harry is startled at first but understands that he is a wizard and goes to Hogwarts, a school of Witchcraft and Wizardry. He soon makes friends and joins in.

This book is a great book and I would reccomend it to all of you. I have enjoyed this book and I am sure you will too.

The first of a great series!, 03 Aug 2005
What a fabulous read! The first book in the series, the Philosophers Stone, will grip your imagination and hold onto it untill you have read the entire book!

Harry Potter, an eleven year old boy, has a past that will change his future.
When Harry was one year old, the Dark Lord Voldemort killed his parents. But he couldn't kill Harry. Instead Harry is left with a lightning bolt scar for the rest of his life.

Harry is shocked when he is told that he is a wizard. This means a new school (Hogwarts School of Witchcraft and Wizardry), making new friends and learning how to turn a matchstick into a needle!

I think this book is very imaginative. I mean who would have thought that you could fit a massive castle in the middle of London and teach magic?

If you read this book you will experience J.K. Rowling's exquisite imagination!(Katherine, 11)

Music at a Master level, 12 Jun 2008
I purchased these CDs individually as and when they were originally released. I have to say that the Fellowship of the Ring is my favourite, by the way. However, I also bought the extremely deluxe 4 disc (or in the case of ROTK, 5 disc) sets when the 'complete' scores were released (also worth buying, despite their price). One thing the 'complete' scores don't have is the first track from FOTR - "The Prophecy" (though parts of it exist in the 'complete' score). If you're a soundtrack enthusiast, then small variations or alternate takes presented here in the 'limited' 1-disc releases will interest you. In The Two Towers, for example, you here different mixes and end of cues not heard in the 'complete' scores, the same stands for Return of the King. And if like many, you think the LOTR is a bit too long to sit and watch in one sitting, then this one disc-a-film release (basically a third of the music Howard Shore composed) will suit you nicely, though really you're missing a lot of gems that are to be found in the 'Complete Recordings', also available on Amazon.
Great listening for great filmmaking.

Experience the film again and again through this soundtrack, 26 Jan 2007
While there are many fine film soundtracks, this is one that stands on its own as music.

The signature refrains such as those for the Riders of Rohan and the Uruk-hai transport you instantly to Middle Earth.

While I'm not a classical music listener as a rule, as a fan of the film, this soundtrack is the perfect accompaniment to both work and relaxation.

This soundtrack is a must for any LOTR fan.

Very Good, 03 Jan 2007
If you've seen the film you will know the tunes inside out I would imagine, and here they are for your personal enjoyment. The composition is so varied, and there are some truly evocative numbers on here. Howard Shore did a remarkable job really here. It is true that the Return of the King lacks something, but this is more than made up for by the first two which possess music for all tastes and moods.
Wasn't sure about the cards you get free with this though, of the members of the cast. All seemed a bit gimicky to me. There are reasons this soundtrack has one awards, not least of which being the 'best original score' Oscar.
Of course, the fact that you get all 3 for a reasonable price is the true bonus, and if your reading this its probably just a matter of deciding which one to get. Get this one, trust me.

An Astonishing Musical Masterpiece, 20 May 2006
This is without a doubt the best soundtrack ever. A lot of original soundtracks that are released are boring and flat, however this is unbelievably good. The music is excellent all the way through and is a real pleasure to listen to. The Return of the King Soundtrack won the Academy Award for best Original Soundtrack and it is clear to see why. The theme songs to the films are especially good. 'Gollum's Song' by Emilliana Torrini is a beautiful, haunting melody, and 'Into the West' by Annie Lennox is a truly breathtaking masterpiece ('Into the West' also won the Academy Award for best original song). The one thing I was disappointed by is that it does not contain 'With a Sigh' by Liv Tyler from the extended version of the Return of the King. (It is the song played when Eowyn is in the houses of healing). Overall this soundtrack is a must for all Lord Of The Rings fans and is also strongly reccomended to people who do not like the films as the music is a masterpiece in its own right. Enjoy!

Wonderful, 04 May 2006
This is one of the best soundtracks I've ever listened to.. The music is brilliant and the song "Into the West" by Annie Lennox is beautiful.. You should definetly buy this if you love Lord of the Rings.. And if you don't like LotR.. Then you should buy it anyway.. It's brilliant..!

Glorious!, 21 Nov 2008
A glorious, faithful, moving dramatisation of the complete Lord of The Rings trilogy, with inspired casting and superb music. Very faithful to the book: it omits only the Tom Bombadil section, and retains all major scenes albeit in shortened form. I particularly appreciated that the adapters were careful to retain the integrity of each of Tolkien's characters and tell the story in chronological order.

This fine production is enhanced by the inspired voice casting, especially in the principal roles. The pronunciation used is quite 'Queen's English', which might come as a bit of a shock if you're expecting it to be as modern-day as the Peter Jackson films, but in fact the voices fit very well with the formality of Tolkien's original dialogue and they sound exactly right. Especially wonderful are Bill Nighy as the irrepressible and doughty Samwise, Peter